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Best tunes of 2002: #21 Departure Lounge “I love you”

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Do you have anything in your digital music library by an artist about whom you almost know nothing? It could be just a song, or better yet, a whole album that you just love but of whom nobody else that you know has ever heard. You’re not even sure where you first heard of them yourself but you’re reasonably sure that they made their way on to your computer by way of Napster or Audiogalaxy or Limewire or perhaps some friend’s zip drive during the height of illegal downloading madness. You don’t have physical copies of the song(s) in question and this may be partly because you’ve never seen their CDs in the shops, new or used. Yet over the years this artist has come up, over and over, and gradually, the songs and/or album has become amongst your favourites. Is this sounding familiar at all or is this phenomenon particular to me?

The artist in question for me is Departure Lounge and what I’ve learned was their final album, “Too late to die young”. I still don’t have a physical copy of the album and I think it highly unlikely that I ever will, given that I’ve all but stopped buying CDs and the album was never pressed to wax. However, I can actually say I know a bit more about the group after listening to the album a few times over the past number of weeks and after making a concerted research on the internets. For instance, I was surprised to learn that the frontman, Tim Keegan, formed the group with Jake Kyle, both former members of Robyn Hitchcock’s Egyptians. And also that both of Departure Lounge’s full-length albums were released on Simon Raymonde’s (Cocteau Twins) record label, Bella Union.

With both Raymonde and Hitchcock making contributions to “Too late to die young”, I shouldn’t be surprised at how much I like the album. My understanding, though, is that it is somewhat different than its predecessor, the guitar rock base given an ambient veneer with production by French electronic musician, Kid Loco. Indeed, the sound checks off a lot of boxes for me. There’s some 60s trad rock, space rock, shoegaze, and even a bit of acid house baggy thrown in at moments.

Track four on the album is this brilliant and shiny and uplifting psychedelic number, “I love you”. It evokes bright colours and lava lamps and drugged up optimism. There’s a lot of haze in the hot box, washes of keys, horn flourishes and sighing harmonies. As Keegan sings, without a hint of irony: “It’s beautiful and true, I love you”.

Yeah.

It is beautiful and true and worthy of just laying back with a pair of earphones to let it all wash over you.

For the rest of the Best tunes of 2002 list, click here.

 

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Best tunes of 2002: #22 Sam Roberts “Brother down”

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According to our friends at Wikipedia, an “extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP”. It’s a format that seems to have made a bit of a comeback in the last decade or so, likely as a result of and in conjunction with the return to relevance of vinyl records as a means of releasing music. In an otherwise digital sales and streaming world, the term would be rendered meaningless. Personally, and though I know a number of my favourite bands (see Belle & Sebastian) love the format, I’ve never been big on them, only procuring them in the cases of many of these same bands when I started to turn completist on collecting their musical outputs. It’s likely because for much of my early life, I didn’t have a lot of disposable income to put towards purchasing the music I loved so I had to be picky and found more value for dollar on full-length albums.

Sam Roberts’ debut release, an EP called “The inhuman condition”, was one of the few EPs I ever purchased brand new* on CD. I distinctly remember heading down to the HMV at the Rideau Centre one night after work with a $75 gift card burning a hole in my wallet. I remember wandering around the store many times with various combinations of discs in my hands, not wanting to waste such a rare opportunity in those days on poor choices. Of course, of the four or five CDs I walked out of the store with that evening, excited to get home to start spinning them, that EP was one of them, the relatively lower price and my enjoyment of this particular track whenever I heard it on X101 FM being the two main reasons.

The Montreal-based singer/songwriter has since gone on to great success nationally but I think Sam Roberts’ first single, “Brother down”, really paved the way. The version on the EP is the second version recorded (the first was a demo that you might find floating around) and he redid it a third time when he released his debut full-length the following year. It’s definitely still quite popular and has been a crowd favourite every time I’ve seen him perform live, which is actually quite a few times. It is a fun and funky number, the bongos, handclaps, and call and response vocals that run throughout providing the requisite groove. At the time, I honestly felt and described Roberts as Canada’s answer to Beck and though these days I can’t conscientiously make the same comparison, this particular song does smack audibly of Beck’s mid-90s “Odelay” days. It just makes me want to dance.

For the rest of the Best tunes of 2002 list, click here.

* As opposed to secondhand, I mean.

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Tunes

Best tunes of 2002: #23 Miles Hunt “Everything is not ok”

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I might have mentioned once or twice already on these pages that my very favourite band in the early 1990s was Stourbridge, England’s The Wonder Stuff. When they split in 1994, I was quite heartbroken. Then, after news crossed the ocean that the various band members had formed a couple of groups (We Know Where You Live and Vent 414), I went on the lookout for any output from either one. But of course, in the days before the internet, such a quest was a near impossible one, given that both of those groups were short-lived. Then, one day at work in 1999, I caught wind of a new Miles Hunt solo record, “Hairy on the inside”, on the radio and stopped what I was doing to listen to the new song they played. It goes without saying that I went out to buy the album upon its release and listened to it over and over and saw him live on all three of his swings through Toronto on the corresponding solo tours.

A few years later, Miles put together a band and released another album, a more electric and upbeat album than the previous stripped-down affair. Some of the songs on “The Miles Hunt Club”* were reworkings of tunes on Miles’s debut and “Everything is not ok” is one of these. The original was intimate acoustic pluckings and fiddle meanderings but while beautiful, didn’t quite fit the bill of the song, especially when placed side by side with the opening track on “The Miles Hunt Club”. This re-recording is more straight ahead rock, electric guitars and peppy drums serving up the required bite for Miles’s words.

“Everything is not okay
Things will not turn out to be just fine
All is not well, not this time.”

Originally penned in the days and months leading up to the infamous Y2K, Miles seems to be musing on the end of days and for him, it’s nothing good. Luckily for all of us, all the worry was for naught. Great tune nonetheless.

For the rest of the Best tunes of 2002 list, click here.

* I was never sure whether this was just the name of the album or the name of the group and the album eponymously named.