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Best tunes of 2012: #8 The Shins “Simple song”

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It has now long since rebranded and changed formats but around the beginning of the 2010s, back when I still had a cable television package with Rogers*, I discovered a channel that played music videos for a good portion of its programming. Yes, I know I’ve told this story before, but it’s been a couple of minutes (okay, perhaps more than a year) since I’ve referenced this relatively short fling of mine with AUX TV.  And the story bears repetition given the amount of songs and artists it availed me. Much like Miike Snow’s “The wave”, which came in at number twenty three on this list, it was the music video that caught my eye first, but it didn’t take long for the love of the tune to follow.

The video starts with a dead parent addressing his three adult children in one of those message from beyond the grave type video recordings and knowing that each “hated his guts”, he tells them that he didn’t bequeath the familial home to any of them. Instead, he tells them, the deed is hidden within the home and whoever finds it, gets everything. A chaotic, rough and tumble, and often hilarious treasure hunt ensues, interspersed with VHS home video type clips showing a dysfunctional family history. When the “deed” is finally found and after a bit of hair pulling and choking, it is read and discovered to be a joke, that the house is instead scheduled for demolition that very afternoon. A charming video is made more so by the fact that the principal characters in the video are played by members of The Shins, including a titular performance by frontman James Mercer as the dead father.

I didn’t know anything of this last fact the first time I saw the video, of course, and save for recognizing Mercer and his inimitable vocals, I might not have placed this song as by the same band that played the song that “will change your life”, featured on the “Garden State” film soundtrack. And this is because for the most part, it wasn’t. The Shins hadn’t released any new material for five years up to this point and when Mercer
resurfaced with “Port of morrow”, it was with a completely new band.

“Simple song” was the first single released off this new album and it was anything but a simple song. Starting with haunting organs and ghostly guitars wavering in the attic cobwebs and banging around in the walls, it quickly becomes jubilant and upbeat and hopeful. Mercer wrote it in the comforts of his home, shortly after his marriage and birth of this first child and he was reflecting on everything to come.

“Well this will be a simple song
To say what you’ve done
I told you about all those years
And away they did run
You sure must be strong
And you feel like an ocean
Being warmed by the sun”

“Simple song” dances and frolics in pure happiness and I swear if you don’t have a smile on your own face by the end, one might surmise that you don’t have a soul.

*Remember cable television?

For the rest of the Best tunes of 2012 list, click here.

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Best tunes of 2012: #9 Spiritualized “Hey Jane”

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The first time I saw Spiritualized perform live was on the Toronto stop for their tour in support of “Ladies and gentlemen we are floating in space”, way back at the end of November 1997. My friend Terry had picked me up a ticket to the show and he still (amazingly) had an extra ticket on the day of the concert. On the way to the bus stop to head down to the show, we ran into another friend of ours, named Mark, and convinced him to come with.

That night will live on in infamy for the three of us. We made more than a few stops for drinks on the way down to the now shut-down Guvernment Night Club, where Jason Pierce and his band were slated to play. Indeed, by the time the headlining act hit the stage, we were all very deep in the bag. For me, it was incredible, akin to a religious experience, but I can still very clearly remember Mark touching my shoulder at the end of the first song, his eyeballs as huge as cannonballs, telling me he had to leave. For him, it was all just too intense.

Fast forward fifteen years or so. I hadn’t seen Terry for a long time. However, I was still quite close to Mark, though we hadn’t lived in the same city – for some periods, the same country – for more than a decade. I was now living in Ottawa with my wife and Mark was living back in his hometown of Sault Ste Marie. I believe it was April 2012 that my wife and I put Mark up for a week so that he could take a course and write a test to qualify for a job fighting wildfires in Northern Ontario. We were working during the days while he was on his course and he was super exhausted in the evenings so we didn’t see him a lot.

When the week finished out, we had one proper night to catch up and share some laughs before he was due to catch the long bus back home. That night, the two of us killed five bottles of wine, a half bottle of scotch, and a handful of beers and we were up real late. At some point, we started watching YouTube videos on my laptop, each sharing new tunes with the other and on one of my turns, I slipped on the video for Spiritualized’s latest tune, “Hey Jane”, having heard the song but not having seen the video. We got just over half way through it when my friend asked gently if we could switch to something lighter. So still too intense for my friend, but this time, for a different reason (if you’ve seen the video you know what I mean).

Spiritualized’s seventh record, “Sweet heart, sweet light”, came four years after “Songs in A & E”, the album widely seen as Jason Pierce’s comeback, for many reasons, but most significantly because of his near death experience, and it also came after he spent the previous year performing the aforementioned landmark album, “Ladies and gentlemen”, in full, at various shows. At the time, Pierce talked about how his new album embraced a poppier bent but I just thought it rocked like hell. And only in the way that Spiritualized can, blending gospel and droning psychedelia, love, drugs, and religion.

“You broke my heart then you ran away
Some say you got a rotten soul
But I say Janey loves rock and roll”

“Hey Jane” is a prime example of what makes Spiritualized and their work on this album so great. Intense music video aside, this is a track that does not let up for its entirety, nearly nine minutes in all. It’s a rousing, incessant beating heart, pounding and pounding the pavement, both a sprint and a marathon. The guitars keep pace and swirl and roar around the drums, a choir of demons taunt and laugh, and the bass just hums. It threatens disintegration throughout and right in the middle, it does indeed devolve into madness and implodes into an echoing silence. And just when you think it’s over, that maddening rhythm starts back up again. But as opposed to in its first movement, where Pierce seems angry and threatening and mean, the finale sees him uplifting and glorious, even as he’s asking the Jane of the title where she’s gonna go, knowing full well the answer is nowhere. And it all builds to the choir of angels joining him singing the album’s title over and over as an outro.

“Sweet heart, sweet light. Sweet heart, sweet light. Sweet heart, sweet light.”

Yessssss.

For the rest of the Best tunes of 2012 list, click here.

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Best tunes of 2012: #10 Father John Misty “I’m writing a novel”

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Back when I was in university, I managed to weasel my way into the Creative Writing program. I had always fancied myself a writer and managed to put together a serviceable portfolio that apparently impressed someone.  Nonetheless, I often felt like a fraud in those workshops, even though I sometimes managed to create something by chance that I felt was new and real. Notwithstanding, I met some great people back then, likeminded writers-in-training, and we waxed pretension and separately dreamed of writing the next great novel or poem.

So yeah, I always laugh a little bit when Josh Tillman sings the line: “And I’m writing a novel because it’s never been done before.”

I honestly had never before thought about the word in that way: a bunch of pages bound in a sheaf, crammed with words that, strung together, weave tales of grandeur, angst, sadness, and glory. But it’s true. The whole idea of it was all very new at one point and each piece that has been published since is new its own way. And here is this singer, spouting this brilliant line of verse in a stream of conscious song, getting me thinking about the gall of all writers (or just us wannabes), thinking that we have something new to say to change the world.

Yep. This is how I fell for the music of Father John Misty.

I first perused the songs off “Fear fun”, the debut album under this moniker*, when I read that Tillman had previous performed with Fleet Foxes as their drummer. I started out by watching a few of his videos, which in themselves were a bit bizarre, and I must say that I was quickly hooked. The sound struck me as retro sounding but in a whacked out kind of way and the words were hilarious, especially the closer I listened and the deeper I crawled into the woven stories.

I then caught Father John Misty perform live at two separate festivals in 2012 and 2013, both appearances in support of this debut and found his onstage persona compelling and ridiculous. Tillman has since released three more albums since “Fear fun” and I have seen two more live performances and in that interim, he has honed his sound into something all his own, still keeping his storytelling lyrics intact.

Still, I feel closer to his debut than any of his later work, with “I’m writing a novel” being a tune that I always keep close. It’s jump jivin’ guitar and juke joint piano, old school folk rock and psychedelics and Josh Tillman spouting a nonsensical narrative that oddly makes sense and reads like a pretentious cautionary tale. It’s rock and roll for which to take drugs and imagine new worlds.

“Heidegger and Sartre, drinking poppy tea
I could’ve sworn last night I passed out in my van and now these guys are pouring one for me
I’ll never leave the canyon ’cause I’m surrounded on all sides
By people writing novels and living on amusement rides”

*Josh Tillman had previously recorded under the name J. Tillman but put an end to all that in 2009.

For the rest of the Best tunes of 2012 list, click here.