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Best tunes of 2012: #9 Spiritualized “Hey Jane”

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The first time I saw Spiritualized perform live was on the Toronto stop for their tour in support of “Ladies and gentlemen we are floating in space”, way back at the end of November 1997. My friend Terry had picked me up a ticket to the show and he still (amazingly) had an extra ticket on the day of the concert. On the way to the bus stop to head down to the show, we ran into another friend of ours, named Mark, and convinced him to come with.

That night will live on in infamy for the three of us. We made more than a few stops for drinks on the way down to the now shut-down Guvernment Night Club, where Jason Pierce and his band were slated to play. Indeed, by the time the headlining act hit the stage, we were all very deep in the bag. For me, it was incredible, akin to a religious experience, but I can still very clearly remember Mark touching my shoulder at the end of the first song, his eyeballs as huge as cannonballs, telling me he had to leave. For him, it was all just too intense.

Fast forward fifteen years or so. I hadn’t seen Terry for a long time. However, I was still quite close to Mark, though we hadn’t lived in the same city – for some periods, the same country – for more than a decade. I was now living in Ottawa with my wife and Mark was living back in his hometown of Sault Ste Marie. I believe it was April 2012 that my wife and I put Mark up for a week so that he could take a course and write a test to qualify for a job fighting wildfires in Northern Ontario. We were working during the days while he was on his course and he was super exhausted in the evenings so we didn’t see him a lot.

When the week finished out, we had one proper night to catch up and share some laughs before he was due to catch the long bus back home. That night, the two of us killed five bottles of wine, a half bottle of scotch, and a handful of beers and we were up real late. At some point, we started watching YouTube videos on my laptop, each sharing new tunes with the other and on one of my turns, I slipped on the video for Spiritualized’s latest tune, “Hey Jane”, having heard the song but not having seen the video. We got just over half way through it when my friend asked gently if we could switch to something lighter. So still too intense for my friend, but this time, for a different reason (if you’ve seen the video you know what I mean).

Spiritualized’s seventh record, “Sweet heart, sweet light”, came four years after “Songs in A & E”, the album widely seen as Jason Pierce’s comeback, for many reasons, but most significantly because of his near death experience, and it also came after he spent the previous year performing the aforementioned landmark album, “Ladies and gentlemen”, in full, at various shows. At the time, Pierce talked about how his new album embraced a poppier bent but I just thought it rocked like hell. And only in the way that Spiritualized can, blending gospel and droning psychedelia, love, drugs, and religion.

“You broke my heart then you ran away
Some say you got a rotten soul
But I say Janey loves rock and roll”

“Hey Jane” is a prime example of what makes Spiritualized and their work on this album so great. Intense music video aside, this is a track that does not let up for its entirety, nearly nine minutes in all. It’s a rousing, incessant beating heart, pounding and pounding the pavement, both a sprint and a marathon. The guitars keep pace and swirl and roar around the drums, a choir of demons taunt and laugh, and the bass just hums. It threatens disintegration throughout and right in the middle, it does indeed devolve into madness and implodes into an echoing silence. And just when you think it’s over, that maddening rhythm starts back up again. But as opposed to in its first movement, where Pierce seems angry and threatening and mean, the finale sees him uplifting and glorious, even as he’s asking the Jane of the title where she’s gonna go, knowing full well the answer is nowhere. And it all builds to the choir of angels joining him singing the album’s title over and over as an outro.

“Sweet heart, sweet light. Sweet heart, sweet light. Sweet heart, sweet light.”

Yessssss.

For the rest of the Best tunes of 2012 list, click here.

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Vinyl

Vinyl love: Secret Machines “Awake in the brain chamber”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Secret Machines
Album Title: Awake in the brain chamber
Year released: 2020
Details: Black vinyl, 180 gram

The skinny: Much like last week, this week’s Vinyl love post is one of my favourite albums from 2020. However, unlike “The view from halfway down”, which I came across too late for it to officially make my end of the year list, Secret Machines’ fourth long player “Awake in the brain chamber” did not escape my notice and easily found its way to the number five spot on said list. Released more than a decade after their last record and almost as much time since the untimely death of one of the band’s founding members, it was the polar opposite of a disappointing return. It had all the hallmarks of the band’s big and epic sounding first two records but scaled back into manageable serving sizes. Of course, I was going to procure a copy of this for my vinyl collection. It didn’t matter that it was a bare bones release (as is evidenced by the few photos above). It was a heavyweight, 180 gram disc and had impeccable sound.

Standout track: “Everything’s under”

Categories
Vinyl

Vinyl love: Venus Furs “Venus Furs”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Venus Furs
Album Title: Venus Furs
Year released: 2020
Details: standard black vinyl, hand written note from the artist

The skinny: A week and a half ago, when I started my annual series counting down my favourite albums of the year, I told the story of how I learned about a new act out of Montreal while perusing one of my favourite sources of all things indie music, Under the Radar. The self-titled debut by this very same act, Venus Furs, captured my imagination and drew me in while listening to it on Spotify through my iPod ear phones. It may have been during my second time through that I went on the hunt for it on vinyl, thinking that something this expansive required owning it in a better format. I ordered a copy of it from frontman Paul Kasner’s own label, Silk Screaming records, and received it within a couple of days, complete with a handwritten ‘thank you’ note from the man himself. Always a nice touch. “Venus Furs” ended up squeezing its way into the number 9 spot in my top ten for the year and if you enjoy noisy psych rock in the vein of Spiritualized or My Bloody Valentine, this might just be for you too.

Standout track: “Chaos and confusion”