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Best tunes of 2013: #15 Still Corners “Berlin lovers”

<< #16    |    #14 >>

True story: Back in 2006 or 2007, when this newfangled thing called the Facebook was still a relatively new concern*, I joined a Facebook group called “Shoegaze” and promptly forgot all about it.

And then at some point early in 2013, I started receiving a barrage of updates in my “News Feed” from this very group, which both surprised and delighted me. One such post was a photo of two new records, purchased in Waco, Texas, of all places, by two (at the time) recent shoegaze/dream pop bands that I had never heard of. They were No Joy and Still Corners.

Curiousity piqued, I immediately tracked down both of the albums with more than satisfactory results. Regarding Still Corners**, their sophomore album, “Strange pleasures”, was very much on the Beach House, Mazzy Star, and Cocteau Twins side of the dream pop spectrum. But where Beach House sounded at the time really like the work of the duo they were, Still Corner’s sound felt more developed and lusher.

Formed after a chance meeting between American expat musician Greg Hughes and English singer Tessa Murray back in 2008, Still Corners was signed by legendary indie label Sub Pop in 2011, on which they released their first two records. Where their retro and dreamy dream pop debut, “Strange pleasures”, wore their influences on its proverbial sleeves, the sophomore release, written directly after finishing the first, departed slightly, but only slightly, introducing synths and plenty of reverb the guitars for a more expansive sound. And though I’ve loved the four more albums they’ve released since, all on their own label Wrecking Light, my preference is for that particular time and place.

“We came from far
We follow the sun
We fell into a hole of love, yeah”

Halfway through the track list of “Strange pleasures” sits this sub three minute love song, “Berlin lovers”, the second single to be released from the album. It’s one of the more upbeat tracks in the bunch. Synth heavy, bouncing and jagged, skipping to the loo with the drum beat, all floating aloft airy wafts of washes and Tessa Murray repeating “so young, so young, so young”, over and over, in a voice that calls to mind an early Stars era Amy Millan. It’s the stuff of strobes and smoke machines and psychedelics – or just plain being in love.

*For me anyways. I know it was created much earlier but I’m not always up on all tech things.

**No Joy’s “Wait to pleasure” also started a different love affair that continues today… but that’s another story. 😉

For the rest of the Best tunes of 2013 list, click here.

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Best tunes of 2013: #16 Black Hearted Brother “This is how it feels”

<< #17    |    #15 >>

For a time back at the end of 2013, I found myself listening to nothing but Black Hearted Brother and their debut album, “Stars are our home”.

The album was released in October of that year and took me completely by surprise. At the time, I had pretty much given up on any new material from Mojave 3, and well, forget about Slowdive, and Halstead’s solo work, while excellent, had never been mind-blowing. I hadn’t heard any peep or rumour about any possible new Neil Halstead projects. The only reason I listened to this album at all was that the name, Black Hearted Brother, jumped out at me from the album release pages as one that I fancied. So, yes, the album was a surprise but it was even more so when I first put it on. Indeed, that voice was instantly familiar to me and a quick Google search had me smiling at the discovery.

The term supergroup was bandied about in the press immediately after the release of “Stars are our home” but the album was far from a planned project, really more of a happy accident that came together between friends. Neil Halstead, Nick Holton, and Mark Van Hoen, all had a wealth of prior recording experience between them. They knew what worked and what didn’t. But if you’re a fan of their previous work, don’t go into this album expecting a rehash of any of their respective bands’ classic albums. Rather, it’s a synthesis of what these guys are and do and what they haven’t done before and as a group, seemed to have made a conscious decision with this project to just let go of everything and not let themselves be restricted by their own musical history. In that sense, “Stars are our home” is an experimental album and for me, it’s an experiment that worked wondrously.

When I listen to it still, I picture these guys just having a blast in the studio, just playing with different sounds and not thinking too much about whether any of the songs will make a good single or not. Indeed, you can tell that this is an album that the musicians wanted to make for themselves and nobody else. It feels like a shake up (shake down) to the dream pop scene of the 21st century, their record label, the mighty Slumberland Records, calling it “space-rock/shoegaze/post-everything”. It’s the veterans showing the young pups how it’s done. It’s noisy, electronic, gentle, beautiful, ugly, and delicious. “Stars are our home” rocks*.

There’s certainly plenty to like on “Stars are our home” but “This is how it feels” became an early favourite around these parts and remains so to this day. Never since Spiritualized’s “Ladies and gentlemen, we are floating in space” has a song practically forced me to picture myself orbiting the earth from outer space, encapsulating the feeling of weightlessness and solitude. By times gentle and by times brash, it dances daringly between genres, flitting between folk and synth, splashing bright colours and loud washes over the already blurred lines of psychedelia. It lulls you, lullaby-like, into a false sense of security with its gentle drum rhythm and barely there guitar strums and then, shakes you wide awake at each freakout chorus.

*Unfortunately, “Stars are our home” would turn out to be the one and only release by the project. I’m not even sure they ever did any shows to promote it, though I’m sure these shows would’ve been amazing. Slowdive announced their reunion not long into 2014, taking up the lion’s share of Neil Halstead’s over the last decade or so.

For the rest of the Best tunes of 2013 list, click here.

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Best tunes of 2013: #17 Suede “It starts and ends with you”

<< #18    |    #16 >>

Suede (aka The London Suede) is a band that I didn’t love upon first hearing. I thought their self-titled debut was just… ok. Nevertheless, I grew to appreciate them more with each new album and upon return listens and further reevaluation of their previous outputs. So by the time of their fifth album, 2002’s “A new morning”, the album that would ultimately break up the glam rock, erstwhile Britpop outfit, I was a full-fledged fan.

My fandom continued to grow in their absence and thus, I was ecstatic when the group re-formed in 2010 for some concerts, thinking I might finally get a chance to see them live, and then, super-enthused when new material started appearing. I still haven’t seen Brett Anderson and company perform live but I’ve fully enjoyed the four albums they have released in the last decade or so and am looking forward to hearing their tenth album, released just today. The first of their post-reunion albums was 2013’s “Bloodsports”, an album that was a critical darling the world over upon release and got quite a bit of love by yours truly on my old blog, Music Insanity!

“And then I fall to the floor like my strings are cut
Pinch myself, but I don’t wake up”

The first single to be released from “Bloodsports” sounds from its title like it could be a straight-ahead love song, the stuff of fairytale wedding first dances. But hey, this is Suede we are talking about here. Like much of the album, it blends the best of what made their first three albums so great. “It starts and ends with you” is epic without being overwrought and glam without too much glitz and none of the saccharine sap. It is sonically dense, layers of razor sharp guitars and pounding drums. Brett Anderson is as cheeky and hip-smacking as ever, teasing both the good and the bad of being completely in love. Is it a healthy relationship or is it really catastrophic, destined to end in pain on all sides? You decide.

But while you consider, I’m just going to press play one more time, turn it up even louder, and dance in my bedroom like no one is watching.

For the rest of the Best tunes of 2013 list, click here.