Tag: Alternative Rock

Tunes

Eighties’ best 100 redux: #92 The Housemartins “Caravan of love” (1986)

Post author By jprobichaud
Post date September 13, 2023
3 Comments on Eighties’ best 100 redux: #92 The Housemartins “Caravan of love” (1986)

Ah… the high school dance memories…

The Housemartins’ “Caravan of love” at track #92, reminds me of the half-hugging*, half-shuffling we would call “slow dancing” back in the old high school auditorium days. Teen boys lining the walls on one end of the hall and groups of tittering teen girls on the other, each eyeing and sizing the other up, while betwixt them were couples that had got up the nerve to cross the floor and find each other. There might be a few more songs on this list that call this image clearly to mind, some on this list mostly because of this memory.

In this case, though, I consider myself something more of a fan of the group that sang the song. The Housemartins were formed in 1983 by Paul Heaton and Stan Cullimore and went through a number of personnel changes, that included drummer Dave Hemingway, who would go on to form The Beautiful South with Paul Heaton later on, and bassist Norman Cook, who would later go on to fame as Fatboy Slim. Their music was jangly, indie pop at its best with Paul Heaton’s extraordinary vocal work at the centre of it all.

The group only ever released two full-length albums and a handful of singles in their brief five years in existence, but so many of their songs soundtracked the latter half of my high school years and the ones immediately thereafter. Indeed, The Housemartins’ 1988 compilation, “Now that’s what I call quite good”, was one of first compact discs I ever bought, a necessity after I had worn out the cassette tape I had copied from a friend. So many great tunes on that one and it’s a compilation that I keep hoping will see a vinyl reissue one day.

“Caravan of love”, an a cappella cover of an Isley-Jasper-Isley tune (this is the first of a number of covers that will grace this list), gave The Housemartins their first and only UK #1 hit in December 1986. Paul Heaton and company often delved into a cappella territory but for some reason this is the one that struck a chord with the buying public. It certainly is a song that begs to be sung along with.

I think I’ll go sing along to it again.

“…Everybody take a stand, Join the caravan of love… Stand up, stand up…”

Original Eighties best 100 position: #89

Favourite lyric: “We’ll be living in a world of peace /
In the day when everyone is free ” Sounds wonderful, doesn’t it?

Where are they now?: As I hinted at above, the band went their separate ways after they broke up in 1988 and never looked back. I read somewhere that the original members were gathered for a photo shoot and feature by Mojo magazine in 2009 and at that time, they unfortunately maintained that there won’t ever be a reunion.

*Not too close, mind you, it was a Catholic high school!

For the rest of the Eighties’ best 100 redux list, click here.

Tags 1980s, Alternative, Alternative Rock, Best tunes, British pop, British rock, Paul Heaton, Retro, The Housemartins

Tunes

Eighties’ best 100 redux: #93 The Lightning Seeds “Pure” (1989)

Post author By jprobichaud
Post date September 7, 2023
2 Comments on Eighties’ best 100 redux: #93 The Lightning Seeds “Pure” (1989)

<< #94 | #92 >>

Here’s an example of an artist and song that I most definitely wasn’t listening to in the 1980s. In fact, I wasn’t even listening to them in the same century as the 1980s.

As astounding as this may sound, I only became familiar with Ian Broudie’s The Lightning Seeds a couple of years ago when this very song came up on a Spotify playlist that was ‘generated for me’. The song blew my mind and sounded vaguely familiar so I had to stop what I was doing and check my iPad screen to investigate its provenance. Of course, The Lightning Seeds’ name was familiar to me, having been a keen listener of alternative rock radio and a voracious consumer of British music magazines in the early nineties, thus, I decided to delve deeper. I switched from said playlist to The Best of The Lightning Seeds and within a few songs that sounded very much within my wheelhouse, I found myself wondering where this band had been all my life. And shortly after that, when I was having a drink or two or three with a bunch of my old friends of similar age and musical tastes, I made mention of the group and all of them, to a one, knew and loved their music. To this day, it remains a mystery how the Seeds’ music escaped my notice for so long but they’ve not been far from my listening tendencies ever since and when I decided to redo this Eighties Best 100 list last summer, there was no way “Pure” would be left off it.

Ian Broudie formed the project in Liverpool in 1989. Prior to that, he had been a member of a number of notable New Wave groups, like Big in Japan, and did production work on albums by other groups that will also appear on this list, like Wall of Voodoo and Echo & the Bunnymen. Generally a studio-only project for its first handful of years, Broudie put together a collection of musicians to take the show on the road in support of The Lightning Seeds’ third album, 1994’s “Jollification”. Two more albums were released and Broudie decided to put the group on hiatus to close out the 90s. After the aforementioned best of compilation and a new album saw the light of day in the latter part of the 2000s, The Lightning Seeds have been an on again, off again concern right up to present.

“Pure” was The Lightning Seeds’ very first single, released in June 1989, more than six months in advance of their very first album, 1990’s “Cloudcuckooland”. It was the very first song Broudie had ever written and sung himself, and did very well on the UK singles charts. And why not? The song is a blast of sunshine and rainbows. An amalgam of New Order and The The new wave, but with a lot more cheer. It dances and flits with computer bleeps, jangly guitars, boppy rhythms, and glorious horn flourishes. And Broudie gathers himself together and lets loose his thoughts on love and happiness. It’s good times on repeat.

Original Eighties best 100 position: n/a

Favourite lyric: “Fresh and deep as oceans new / Shiver at the sight of you / I’ll sing a softer tune / Pure and simple over you.” Just like that, heart-melting stuff.

Where are they now?: The Lightning Seeds released their seventh album, the amazing “See you in stars” in 2022 and then, opened up one of Glastonbury’s stages in 2023, so very much alive.

For the rest of the Eighties’ best 100 redux list, click here.

Tags 1980s, Alternative, Alternative Rock, Best tunes, British rock, Ian Broudie, Retro, The Lightning Seeds

Tunes

Best tunes of 1993: #8 James “Laid”

Post author By jprobichaud
Post date September 3, 2023
3 Comments on Best tunes of 1993: #8 James “Laid”

<< #9 | #7 >>

“This bed is on fire with passionate love, the neighbours complain about the noises above, but she only comes when she’s on top”

If there’s one song by Manchester-based alternative rock band, James, that you’re bound to know, it’s “Laid”. The title track off their 1993 album is their biggest hit outside of England, especially here in North America where it gained popularity when it was used for the trailers for the first two “American pie” films. Before that, though, it was featured on the first “Frosh” compilation, wildly popular here in Canada in the late 90s, so pretty much anyone of a certain age who was in university or college here around that time knows these first couple of lines quite well. And for sure, they shouted along with them on a packed dance floor or three.

For myself, I’ve been a huge fan of the band since the early 90s and still follow them closely today, as you might already have guessed if you’ve been around these parts before. “Laid” was actually the first album I owned by the band. I picked it up on CD from BMG* after seeing the video for an early single called “Sit down” on MuchMusic’s “CityLimits” and deciding to check them out further. That the album title was provocative didn’t even occur to me until I received my order and I noticed the band photo on the cover and its members’ various states of cross-dress. “Laid”, both the album and the song, became quick favourites of mine, with repeat listens and repeat listens, and remain favourites and see a lot of repeat listens, still, to this day.

“Dressed me up in women’s clothes
Messed around with gender roles
Line my eyes and call me pretty”

The only problem I really have with “Laid” (the song) is that it leaves you wanting more. It is way too short, coming in at just over two and a half minutes. Other than that, it’s pure pop perfection. Staccato and popping drumming, a wooly wall of sound instrumentation care of the massive band and Brian Eno’s intricate production, and, of course, the inimitable vocals of frontman Tim Booth. The words are a fun and hilarious companion to the dance-ready tune, a real floor filler, and creator of good times and good memories.

Go ahead now. Press play, turn it up, and I dare you to not to stomp your feet wildly to that rhythm, wave your arms above your head with abandon, and howl the title “Laid” loudly along with Booth at each chorus break.