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Live music galleries

Live music galleries: Fanclubwallet [2024]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Fanclubwallet at Ottawa Bluesfest 2024

Artist: Fanclubwallet
When: July 14th, 2024
Where: River stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa
Context: Just over a month ago, I was deep into the enjoyment of attending the local music festival, Ottawa Bluesfest, and as I often do, I spent more time at the side stages than I did partaking the main event on each night. In fact, some of my favourite sets were not just native to Canada but were local to the city I currently call home. And I thought I might like to give props to some of these over the next few weeks, starting with local indie pop outfit, Fanclubwallet. Hannah Judge originally started making music in her bedroom during the pandemic, got some attention on the streaming services, and after a full length album and a couple of EPs, put together a full band to collaborate with on her latest outing. She had said band with her when she performed on the River stage on the last day of the festival, a set I had penciled in the moment I purchased my pass. I had enjoyed pretty much everything by her project that I’d heard thus far, a quirky brand of dream pop with plenty of hooks, and it was just as fun live. Hannah and her crew obviously felt comfortable on the stage, perhaps emboldened by the family and friends and hometown built fan club (not intended to be funny). The frontwoman was just as novel as I had imagined, playing her guitars by times and at others, a toy apple. And still others, dancing like no one was watching and singing in those cheerful tones that help make Fanclubwallet’s tunes so bright and full of sunshine. Perfect for a warm summer evening.
Point of reference song: Band like that

Hannah Judge aka Fanclubwallet
Eric Graham playin’ guitar
Luka Malatestinic also playin’ guitar
Nat Reid the bass man
Michael Watson banging on drums
Hannah playing the apple
Hannah and her band
Categories
Live music galleries

Live music galleries: Corb Lund [2024]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Corb Lund performing at Ottawa Bluesfest 2024

Artist: Corb Lund
When: July 11th, 2024
Where: SiriusXM stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa
Context: So this year’s edition of Ottawa Bluesfest wrapped up five days ago and as is usual when I purchase a full festival pass, it’s taken me a few days to recover from the grind. Indeed, I always find myself glad it’s over but at the same time, sad and missing having live music to see every night. All told, I went to seven of the ten nights of the festival and saw more than twenty excellent sets. Hands down, my favourite of the bunch was Corb Lund’s 8pm set on the SiriusXM stage on the second Thursday night. I’d heard of the Canadian country singer-songwriter before, of course*, but had never really given his music a chance**. I had done a small sampling in the week before seeing him so was somewhat familiar with some of the tunes. Lund and his band powered through a set that played on the rockabilly, blues, and rock country side of the genre. With lyrical themes of trucking, farming, and drinking, he had the crowd jumping like maniacs and knocking back cans of Canadian like it was water. Corb and his cowboy hat never took himself too seriously but his talent on the guitar was palpable and his voice hit all the right notes, even when he yodelled. His backing band kicked ass, as well, with Grant Siemens setting the tone on the lap steel and Sean Burns knocking us all out with his upright bass chops. It was such an eye-opening performance, that I’ve resolved myself to make up for all the lost time without his music in my life and would definitely jump at the chance to see him and his group perform again.
Point of reference song: Redneck rehab

Lyle Molzan on the drums
Sean Burns on the upright bass and mouth organ
Corb Lund
Grant Siemens and the lap steel
Sean Burns and Lyle Molten
Corb and Sean Burns sharing the mike
Grant Siemens
Corb Lund taking it away

*In fact, my friend Tim left Mark and me to catch a bit of his set at Osheaga back in 2013.

**Not because I was prejudiced in any way against listening to him but as usual, a case of so much music, so little time.

Categories
Tunes

Eighties’ best 100 redux: #97 The Box “L’affaire Dumoutier (Say to me)” (1985)

<< #98    |    #96 >>

My parents must’ve gotten tired of waking me up in time to go to school at some point a few years before high school because, one Christmas, I received as a gift my very own clock/radio. These are probably not in use as much these days with today’s youth, possibly opting instead for setting an alarm on their smartphones. However, it’s a gift I grew to love, not long after I got over the shock of unwrapping something other than games or chocolates or clothing. With the novelty of it, I plugged it in right away and placed it within arm’s reach of my single bed. I set the time and an alarm time around 7am and then, started playing with the other functions. I turned on the radio and found CFTR, an old AM radio station that has long since gone talk radio but at the time was playing current hits, and I likely didn’t touch the dial for quite a few years.

It was this clock/radio that started a habit that I didn’t break myself of until I moved in with my girlfriend, now wife, a decade and a half later. I discovered the sleep function and fell asleep to the sweet sounds of music every night, some nights I would have had to extend the sleep past the standard hour when it took longer. This is where I discovered a lot of music in my youth, some of which are still favourites and some appear on this list, including this song.

I definitely remember hearing “L’affaire Dumoutier (say to me)” quite often in the evenings while falling asleep or as the alarm went off in the mornings*. I didn’t know the name of it at the time, nor did I know who performed the song, I wouldn’t discover either of these until much, much later, during a period in the early 2000s when I started using the powers of the internet for good and ill and to reconnect with the long-lost favourites of my youth.

The Box was formed by Jean-Marc Pisapia in Montreal in 1981, a year after he left Men Without Hats**, and they released four full-length studio albums before disbanding a decade later. Little did I know that they were actually quite successful in the late 80s and had a string of hit singles on Canadian radio, many of which I actually knew and loved. I only discovered this last fact recently when I saw them advertised as touring here in Ontario with Chalk Circle, another classic Canadian alternative band, and decided to investigate songs other than “L’affaire Dumoutier”.

Although I can say now that I am more of a true fan of their work, this one is still my favourite. Based on a real news item that Pisapia had read that had haunted him, the song deals with mental illness and its dangers, a murder committed when its perpetrator was not in his right mind. The sound of the song is also haunting, the gonging of church bells interspersed with police sirens in the fog, the verses spoken as news reportage, including interviews and statements, both in English and French, and though I couldn’t understand it all when I was younger, I knew something dark was at play. Of course, the chorus as a counterpoint is a singalong and infinitely hummable, which I did at various points in my life whenever the song came back to me.

Original Eighties best 100 position: n/a

Favourite lyric:  “Non coupable! Pour cause d’aliénation mentale…” My French wasn’t strong enough for me to understand what this meant at the time but I still loved how this was spoken with such finality to end the song. Now that I can understand it, I appreciate it even more.

Where are they now?: Jean-Marc Pisapia revived the band back in 2004 with himself being the only original member. This new incarnation has since released two albums, an EP, and a bunch of singles and has toured quite regularly.

*Because, of course, I used to opt for radio rather alarm sound to wake me up.

**Another Canadian new wave group of whom some of you may have heard.

For the rest of the Eighties’ best 100 redux list, click here.