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Tunes

100 best covers: #47 The Decemberists “Human behaviour”

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You can mark this down in the column of cover songs that shouldn’t work on paper but in reality, are quite splendid.

I have written before in these pages about how I discovered Portland, Oregon-based indie folk band, The Decemberists, at some point circa 2004 after reading about them in Under the Radar. I fell hard for them upon first listen and immediately consumed their first two albums in rapid succession. Then, hearing that a third album was still in the works, went on the hunt for anything else I could find, which included a five song EP (called “5 songs”), a close to 20 minute prog-folk interpretation of a Celtic myth (“The Tain”), and then, this, a cover of Björk’s early solo career single, “Human behaviour”.

It was included on a compilation called “Read: Interpreting Björk” that was put together by Portland indie label Hush Records. The idea was floated and most of the recordings happened in 2001 but then they shelved the project because they were worried folks might think they were trying to capitalize on the success of one of their heroes. They ended up releasing it a few years later, after plenty of interest was shown just based on word of mouth. The Decemberists’ cover was one of the late additions to compilation track list and in my own humble opinion, the best of the bunch, though there are some other interesting interpretations worth exploring.

Björk’s original version is actually one of my favourites of her tunes. It appeared at number fourteen on my list of favourite tunes from 1993 and like many of the tunes from “Debut”, it’s an industrial dance party, very “synth, sample, and percussion heavy”. Inspired by wildlife documentaries, Björk explores and exploits the human condition and looks at it from an outsider’s vantage point.

In The Decemberists’ capable hands, it’s a very different sounding beast. Obviously, it’s more organic in feel. With their expansive instrumentation palette, however, they do a great job of replicating the tempo and energy of the original. Of course, Colin Meloy sounds nothing like Björk but he certainly sounds like he’s having fun trying.

Ir’s a great cover of a great tune that only made me love both artists more. Don’t make me choose between them.

Cover:

The original:

For the rest of the 100 best covers list, click here.

Categories
Vinyl

Vinyl love: Blur “The special collector’s edition”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Blur
Album Title: The special collector’s edition
Year released: 1994
Year reissued: 2023
Details: RSD 2023 reissue, 2 x LP, Light blue translucent

The skinny: Long gone are the days when I would set the alarm to wake up early, drive downtown, and queue up in a massive line at one of my favourite independent record stores for a chance at purchasing one of that year’s Record Store Day exclusives. In fact, there have been some years in the last handful where I haven’t even ventured out at all and instead, tried and generally succeeded at tracking down some of the exclusives online. This year, though, I decided to head out for the festivities* in person, albeit arriving at the respectable hour of 11 am, instead of 7:30 am, when the employees at the store I chose to visit opened up early to a ridiculous amount of waiting customers. I had my own eye out for a couple of the special releases and yesterday, found one of the two at Compact Music, and so after flipping through the rest of that store’s wares on the racks**, I returned home satisfied with my limited participation. Then, last night, I gave Blur’s “The special collector’s edition” a proper spin for the first time and quite enjoyed it. Originally released as a Japan-only release back in 1994, this b-sides collection, from what I would consider the best period of one of my favourite bands, featured some tracks with which I was already familiar*** but others that I had never at all heard before. For even more fun, the artwork plays upon magazine pull out adverts for collector’s edition memorabilia that I always though no one ever purchased. Twenty-four hours and two full spins later, I am still quite pleased with my Record Store Day purchase.

Standout track: “When the cows come home”

*Unlike last year when I went out a day afterwards and still found what I was looking for.

**And finding a non-RSD exclusive to bring home with me.

***Including the above tune, a hidden track on the CD copy I had of 1993’s “Modern life is rubbish”, and one of my favourites on that particular album.

Categories
Vinyl

Vinyl love: Various Artists “Caught beneath the landslide”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Various Artists
Album Title: Caught beneath the landslide
Year released: 2021
Details: Limited edition, ‘Indies only’, double LP, clear

The skinny: Not counting film soundtracks, I only have three compilations on my record shelves* and that’s already three more than I ever thought I’d ever have when I first starting collecting vinyl. This particular compilation didn’t jump out at me when I first started seeing it pop up in my mailing lists from the various record vendors I’ve frequented over the years… that is, until I happened upon the track listing. And then, the salivation started in earnest. You see, I’ve always had a soft spot for Britpop and those years in the mid-90s when everything coming out of England was golden (or fool’s golden). “Caught beneath the landslide” was put together as companion piece to a photobook by former NME photographer Kevin Cummins that shared some of his iconic snaps from the era. The tracklist features a who’s who of those artists associated with the Britpop term but instead of the obvious picks by each, it collects together alternate versions, remixes, b-sides, covers, and rarites. I opted for the ‘Indie only’ version in clear vinyl because… clear vinyl. And this particular sucker for Britpop, loves everything about it.

Standout track: “Ciao!” by Lush with Jarvis Cocker

*The other two are the Frightened Rabbit tribute compilation “Tiny changes” and the very excellent, “Warchild – Help album”, another Britpop heavy record.