Tag: Covers

Categories
Tunes

100 best covers: #86 Pet Shop Boys “Always on my mind”

<< #87    |    #85 >>

The Pet Shop Boys were my favourite band for about five minutes when I was twelve or thirteen years old. My memory is vague as to what year it was exactly and whether it was the Grammys or the MTV Video Music awards that I was watching them perform “West end girls” at on TV. Nonetheless, I certainly remember thinking that Neil Tennant and Chris Lowe were so cool. Of course at that age, it was quickly on to the next thing and I probably didn’t even notice when they released this cover of “Always on my mind” a couple of years later.

The song was written by Johnny Christopher, Mark James, and Wayne Carson and originally recorded by both Brenda Lee and Gwen McCrae (see below) in 1972. The feel of these two versions is very similarly heartbreaking but the vocal styles markedly different, each blazing a path and fixing a mold for numerous future cover versions. It has been successful as both pop and country songs and in some cases, somewhere in between. Arguably, the two most iconic version of the song were recorded by Willie Nelson and Elvis Presley. And it was this last that actually led to the Pet Shop Boys doing the song as well. The story goes that they performed a synthed up cover of “Always on my mind “ on a television special commemorating the 10th anniversary of the king’s death and it was so well received, they recorded and released it as a single.

Perhaps it was so successful because it was so different from all the slight variations of the song that had come before. Instead of handkerchief soaking grief, regret, and longing, theirs is more celebratory, happy that we had the time together, rather than not at all. It’s bells, whistles, synths, and lasers, like a rave, almost before raves were a thing.

“Maybe I didn’t treat you
Quite as good as I should have
Maybe I didn’t love you
Quite as often as I could have
Little things I should have said and done
I just never took the time”

Dancing a party over the relationship’s ending is not what was likely envisioned when those words were written but man, do they work. Happy Friday all!

The cover:

The original:

For the rest of the 100 best covers list, click here.

Categories
Tunes

100 best covers: #87 Amy Millan “I will follow you into the dark”

<< #88    |    #86 >>

…And speaking of Death Cab for Cutie… Here’s a cover by Stars vocalist Amy Milan of the standout single from Death Cab for Cutie’s fifth album, “Plans”.

The original was recorded by frontman Ben Gibbard by himself on guitar, using just the one microphone. The result is a quiet and lonely sounding number that is kind of morbid on first listen but is quite romantic upon further reflection. The idea that one loves the other so much that he or she would them even into death to keep them company is quite lovely. “I will follow you into the dark” didn’t originally chart very high as a single but has since become one of the band’s best-selling, still receives quite a bit of radio play, and has been covered many times over by various artists.

Canadian songstress Amy Millan covered it a mere four years after the original’s initial release for her second solo record, “Masters of the burial”. Hers is slightly longer than the original’s three minutes and markedly different in style and tone. A full band backs her. The use of banjo and lap steel giving it a decidedly old time country feel. Her soft touch on vocals is more upbeat than in Gibbard’s original but definitely lends the subject matter the weight it deserves.

“If Heaven and Hell decide that they both are satisfied
Illuminate the no’s on their vacancy signs
If there’s no one beside you when your soul embarks
Then I’ll follow you into the dark”

I am a fan of both of these. In fact, I refuse to pick a favourite. Thoughts?

The cover:

The original:

For the rest of the 100 best covers list, click here.

Categories
Tunes

100 best covers: #88 Iggy Pop “Real wild child (wild one)”

<< #89    |    #87 >>

I’m not going to lie. This post was supposed to be published a month ago. I created the skeleton and saved it as a draft, meaning to write some words on the song the next day. But well, it didn’t happen and the draft has kept getting pushed further and further out of sight as other posts somehow take precedence. It might’ve been lost forever (okay, maybe I’m exaggerating here) had my wife and I not gone out to Prime Burger Bar for dinner last Saturday night.

At some point during the typical twenty or so minute wait for our burgers to come up, I realized my right foot was tapping under the table and then, I recognized the song. “Do you know who this is?” I asked Victoria. She listened, pretended to think on it for a moment, and shook her head in the negative. I explained that it was Iggy Pop. She just shrugged and changed the topic.

From this innocuous conversation, I was reminded about the song, its energy, and that I still had words to write on it. Originally performed in the late 1950s by Johnny O’Keefe, Australia’s first rock n’ roll star, the song was purportedly inspired by a fight that broke out at one of his concerts between his rock fans and guests at a wedding happening downstairs. The fights morphed into riots which required intervention by the law and of course, a legend was born. The song’s title, “Wild one”, is also one of the nicknames bestowed upon O’Keefe, whom it appears to me was like a cross between Elvis Presley and Jerry Lee Lewis (someone who has also covered this song). His original version sounds like typical rock n roll today but I’m sure it was considered as dangerous to the youth and parents of the day as punk was in the seventies.

Which brings me back to James Newell Osterberg jr. (aka Iggy Pop). Indeed, this song could have just as easily been mistaken to be based upon him. Pop’s live performances with the Stooges and then solo throughout the seventies were definitely wild. He performed half naked, rarely sober, rolled around in broken glass, and pretty much invented the stage dive. Interesting, then, that his cover of this tune is relatively tame.

Recorded for his New Wave-influenced, 1986 album “Blah-blah-blah”, it almost doesn’t sound like him and you could be forgiven for mistaking it for Christopher Otcasek’s cover (which appeared on the “Pretty Woman” soundtrack). It’s got a danceable beat, sliding synths and riffing guitars, and meanwhile, sweat is flung everywhere while Pop sing/speaks, dripping cool. Yeah, it’s fun. Just listen to it and watch your feet start to move.

The cover:

The original:

For the rest of the 100 best covers list, click here.