Categories
Tunes

Best tunes of 1990: #3 Ride “Vapour trail”

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“Vapour trail”, the number three song on this Best of 1990 list, marks the second appearance here by Ride, the other being “Chelsea girl” at number seventeen. In that other post, I espoused my love for the band and blathered on about their importance and their influence on other bands that followed.

Many fans might disagree with my rating “Vapour trail” higher than “Chelsea girl”, perhaps preferring the the earlier and more raw sound of the latter, but I stand by my choice. It is easily their most recognizable and popular tune for a reason. And even Andy Bell, who wrote this particular track, has been quoted as saying that this is the song of which he is most proud from that era. It closes (the original track list of) their debut album, “Nowhere” with a bang and an exclamation point. The funky drums that won’t quit and that string coda leads the listener reluctantly away from such an explosive mess of noise and begs for a click on the repeat button.

There has been lots of conjecture over the use of effects to create that sweet guitar line that pulls the whole song together but Bell has been adamant that it came about naturally. They achieved it by twinning twelve string Rickenbackers and you can almost picture Bell looking at Mark Gardener with a nod and a smile, free and easy, embodying the whole mood of the song. It’s eyes closed on the dance floor, not quite dancing but shuffling, and not a care in the world, except for the fear that the song might end. Unfortunately, it does but the ecstasy stays, fading slowly, that beautiful, shimmering C-sharp minor–B–A–E chord progression reverbering in your eardrums.

What’s that you say? You want to hear it again?

You’re welcome.

For the rest of the Best tunes of 1990 list, click here.

Categories
Tunes

Best tunes of 2010: #11 Beach House “Used to be”

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Okay. So I know that Beach House’s “Used to be” was originally released as a single in 2008, something brand new after the Baltimore-based dream pop duo had just spent months on the road touring their last album, and they were aching to get back to the studio. But the album version, placed midway through the track listing of 2010’s incredible “Teen dream”, is the version I heard first and am more familiar with, so I had no issues including it as number eleven on my Best of 2010 list.

I had been loosely following Beach House since the release of their self-titled debut back in 2006 and saw them open for The Clientele the following year. I say ‘loosely’ because while I had both of their first two albums and thought they were pleasant to listen to, I only ever really considered them fodder for background music. The worlds created by Victoria Legrand and Alex Scally were light and airy but also grim and plodding up to that point. It all changed for me with the third album and “Used to be” really anchored the shift. It is all very dreamy still, synth washes abound and Legrand’s breathy delivery is just lovely, but it was like the sun came out and they found something to be cheerful about.

Interesting, then, that the song that spearheaded their move towards upbeat rhythms was written as an examination of the passing of time, of aging, and seeing things change. Beach House shakes a little fairy dust, sings a lullaby, the rhythmic snare counts off the seconds like years, and you’re off to your dream world, seeing things as you remembered them. Even the piano chimes, echoing the vocal melody, are nostalgic, sounding every bit like that toy piano you wanted for Christmas when you were six. It’s a happy place, this song, all innocence and pure joy.

For the rest of the Best tunes of 2010 list, click here.

Categories
Vinyl

Vinyl love: Rachel Zeffira “The deserters” (+ “Here on in” b/w “To here knows when”)

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Rachel Zeffira
Album Title: The deserters
Year released: 2012
Details: Black vinyl, poster, included 7″ single “Here on in” b/w “To here knows when”

The skinny: With The Horrors’ Faris Badwan, Rachel Zeffira makes up the other half of Cat’s Eyes, but here she strikes out on her own with her solo debut. Mixing her classical and operatic training with dream pop makes for some haunting and beautiful music: a little Kate Bush, a little Cocteau Twins.

Standout track: “Here on in”