(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: New Model Army Album Title: The Love of hopeless causes Year released: 1993 Year reissued: 2025 Details: Music on Vinyl reissue, 180 gram, flaming orange and red vinyl, numbered 1686/2000
The skinny: I received this record in the post a couple of weeks ago, being my most recently procured disc, and I’ve given it quite a few spins already on the ole turntable. It’s an album I never thought would grace my collection so when I saw Music on Vinyl was doing a special edition pressing there was no hesitation. It was an instant purchase. New Model Army was the first band I ever saw in concert and it just so happened that they were touring for this, their sixth studio album. It was my friend Tim that got me into their folk infused post punk and when he mentioned to me that they had been scheduled to play Lee’s Palace in Toronto in the summer of 1993, I was all in. Spinning this beautiful 180 gram pressing on red and orange flaming vinyl brings back all those memories of listening to these songs, prepping for the show, and the day of the concert itself, driving to and then taking the subway in from Scarborough town centre and then rushing to catch the last subway out after the show. Yup, I still know all the words.
(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Billy Bragg Album Title: The best Of Billy Bragg At The BBC 1983 – 2019 Year released: 2019 Details: 3 x LP, heavyweight vinyl
The skinny: That thing I mentioned back at the beginning of the year? The thing where I put on a record and do nothing but listen to it, read the liner notes, enjoy the album artwork, follow along with the lyrics, and really just experience each record? Yeah, I’m still doing it, albeit at meandering pace. I started alphabetically and am just now reaching Billy Bragg ten months later. I’ve been a fan of the Bard of Barking since high school and yet, for the longest time, have had few of his records* on my vinyl shelves. So a few years ago, when I saw on the upcoming release charts a compilation of his best performances on BBC radio, I jumped at the chance and hit the pre-order button. This 3 LP set pressed to heavyweight vinyl shows Billy Bragg at his purest, for the most part, just him and his guitar, telling it like it is.
Standout track: “Levi Stubbs’ tears (with Frank Turner at Glastonbury)”
*His record reissues have been few and far between since I started collecting – the only proper studio that I’ve seen re-released has been the 30th anniversary of his debut, which of course, I purchased.
(So it’s been a very long time (almost six months!) since we’ve seen a post in this series and the band featured today is the very reason why. The death of The Pogues frontman Shane MacGowan last November hit me hard, perhaps harder than any other musician’s death in recent memory. When I saw that this song was the next on the list, I wondered whether I should use this space to commemorate how much MacGowan’s songwriting meant to me and how special he was to so many and I wondered whether I was up to the task. In the end, I decided to keep this post about the song at hand and of course, about the (entire) band that wrote and performed it.)
The Pogues were originally named Pogue Mahone when they formed in 1982, which is an anglicized play on a phrase in Gaelic meaning ‘kiss my arse’. The band sanitized and shortened it to their more popular name just as they were releasing their first album, “Red roses for me”, in 1984. The band and their unique celtic folk-infused punk sound drew international attention and success with their next two albums, 1985’s “Rum, sodomy, and the lash” and 1988’s “If I should fall from grace with god“. After which, the band began to fall to pieces due to the unreliability of the aforementioned founding member and frontman, Shane MacGowan, and his penchant for drinking. He made only cursory contributions to 1990’s “Hell’s ditch” and was finally sacked in 1991. The band carried on without him for a while, without the same success, but called it a day 1996.
The Pogues are still considered one of the more influential bands of the eighties. They practically invented the Celtic punk genre by fusing politically-charged lyrics and punk ethos with the use of traditional Celtic instruments and song structures. Without their existence, we likely wouldn’t have bands today like The Dropkick Murphys, Flogging Molly, and The Mahones. And this song here is a perfect example of the template those other bands use.
“Sally MacLennane” was the second single released off “Rum, sodomy, and the lash” and incidentally, the second of the band’s singles to crack the UK singles charts. It is a drinking song that was reportedly inspired by a bar owned by MacGowan’s uncle. It’s upbeat with a machine gun drum line that punctuates each line, a hammering bass drum pace, swirling accordion and tin flute, and MacGowan’s inimitable debauched delivery that is oft answered with shouting backing vocals. It tells the story of a promising young man that leaves a home that he feels is impeding his potential. After years of absence, he realizes he misses his home but then, it isn’t the same upon returning. It’s about memory and loss and nostalgia, all things that often surface after a few pints.
Original Eighties best 100 position: n/a
Favourite lyric: “I’m sad to say I must be on my way / So buy me beer or whiskey cause I’m going far away.” It’s not so much the words, as cool and heavy as they are, but the way they are sung or shouted and make for meaningful drunken memories with friends.
Where are they now?: In 2001, The Pogues re-formed, including Shane MacGowan, and toured sporadically until 2014, but there was never any new music released. MacGowan’s death seems to have put an end to any talk of another reunion for now.
For the rest of the Eighties’ best 100 redux list, click here.
My (life in) music lists 