Ten great Ottawa Bluesfest sets: #8 The Waterboys – Friday, July 12th, 2013

(This year’s edition of Ottawa Bluesfest has been cancelled, for obvious reasons. In previous years, especially on my old blog, I would share photos and thoughts on some of the live music I was enjoying at the festival throughout the duration. So for the next week and a half, I thought I’d share ten great sets, out of the many I’ve witnessed over the years, one for each day on which music would have be performed. Enjoy.)

The Waterboys live at Bluesfest 2013

Artist: The Waterboys
When: Friday, July 12th, 2013
Where: Claridge Homes stage at 8:00pm
Context: This Waterboys set on a Friday night seven years ago allowed me to cross a band off my list of bands that I needed to see, of which I never thought I would see, and they did not disappoint. Mike Scott came out on stage in a town in which he had never before performed, took off his sunglasses, and said, “Okay, Ottawa, let’s take a look at you.” Then, he led his band right into “Strange boat” from the classic album, “Fisherman’s blues”.

Indeed, having been at this for a long time, Mike Scott had a lot of material to pull from and played a set of tunes from all different parts of his career under The Waterboys moniker. Their sound has changed quite a bit over the years but what has never changed is Scott’s incredible talent for lyrics and storytelling. The band membership also has been quite fluid over the years. The band touring North America with Scott that year was one that he had put together himself just for this purpose and considering that most of the material was likely new to them, played it like it was second nature. The standout member, of course, was fiddler Steve Wickham, who was an honest-to-goodness member of the band in the late 80s, when “Fisherman’s blues” was written and recorded. You can just feel the chemistry and history between Wickham and Scott as you watch them perform together. Yes, Wickham is just as much the performer as Scott himself.

The Waterboys played for just over an hour, squeezing in most of their more popular tracks, certainly all of my favourites, save one (“Glastonbury song” from 1993’s “Dream harder”), but I was only half expecting that one. They even played a couple of new tracks, both of which had a bit of blues rock feel, and as Scott said, “It is a blues festival, right?”

My wife Victoria at one point turned to me and said, “They’ve waited too long to come to Ottawa.” And I’m pretty sure the crowd, which was for the most part of the older persuasion, would have agreed and most seemed pleased with the set. When it ended, one would almost say abruptly, the crowd managed to drag the band out for an encore, for which Scott and company covered an old traditional gospel tune, “Will the circle be unbroken”. And this was a perfect ending for me.

Mike Scott and Malcolm Gold
Steve WIckham of The Waterboys
Mike Scott
Malcolm Gold and Jay Barclay of The Waterboys
Steve Wickham duelling with Jay Barclay and Malcolm Gold
Steve Wickham duelling with Mike Scott
Mike Scott getting theatrical in a two-faced mask

Setlist:
Strange boat
Fisherman’s blues
A girl called Johnny
I’m still a freak
The girl in the swing
We will not be lovers
Raggle taggle gypsy
Mad as the mist and snow
The whole of the moon
I can see Elvis
Medicine bow
Don’t bang the drum
Encore:
Will the circle be unbroken

Live music galleries: The Rural Alberta Advantage [2015]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Like my ‘Vinyl love’ series, these posts will be more photos than words but that doesn’t mean I won’t welcome your thoughts and comments. And of course, until I get around to the next one, I invite you to peruse my ever-growing list of concerts of page.)

The Rural Alberta Advantage live at Dragonboat Festival, 2015

Artist: The Rural Alberta Advantage
When: June 27th, 2015
Where: Ottawa Dragonboat Festival, Mooney’s Bay Park, Ottawa
Context: It’s been almost six months since I’ve seen any live music and I’ve realized in the last couple of weeks that I’ve been (for want of a better term) seriously jonesing. Seriously. I’ve been habitually checking the concert listings, reading all the festival lineups as they are released, watching live videos on the YouTube, and I’ve even been finding myself wistfully flipping through photos of past shows that I’ve seen. And in so doing, I came across this series of pics that I snapped during a set by Toronto’s The Rural Alberta Advantage at Ottawa’s Dragonboat festival five years (!) ago. I’ve seen them a total of four times, each time was a riot, but this show was the last time I saw them. They were still touring their third album, “Mended with gold”, which like all their others, is energetic indie folk with a heavy percussion edge, this last provided by Energizer bunny drummer, Paul Banwatt, and bundle of dynamite, Amy Cole. She would actually leave the band the following year, to be temporarily replaced by a Robin Hatch, but is now back in the fold, and the word is there is new material in the works. Maybe I’ll see them a fifth time later this year. One can hope…
Point of reference song: Terrified

Nils Edenloff of The Rural Alberta Advantage
Amy Cole of The Rural Alberta Advantage
Paul Banwatt of The Rural Alberta Advantage
Amy Cole and Paul Banwatt going all percussion-like
Nils Edenloff rocking out

100 best covers: #72 Cat Power “Stuck inside of Mobile with the Memphis blues again”

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Just over a couple of years ago, I participated in a collaborative blog posting extravaganza, for which a number of bloggers around the world all posted words on the same day on Bob Dylan, a theme decided upon in advance. It was a fun exercise, albeit somewhat outside of this particular blog’s normally scheduled programming, and it was interesting to see how all these different writer’s chose to treat the chosen theme. In my case, I opted to write about the 2007 film “I’m not there”, an unorthodox biopic on the iconic singer/songwriter that chose to portray him using four different actors and telling bits about his life using multiple story lines. Of course, given my blog’s music bent, I spoke at length about the soundtrack as well, which is a super long (perhaps too long) double LP made up of covers, rather than the originals, by various artists across the musical spectrum. And perhaps both of these, the film and soundtrack, were as contrarian and confounding as Bob Dylan can be himself.

One of the three tracks I pointed out as amongst my favourites on the soundtrack was this cover by Cat Power of “Stuck inside of Mobile with the Memphis blues again”. Though to be honest, it’s definitely less about the artist performing it than it is the song itself. I know next to nothing about the American singer/songwriter but she definitely stands up to the gauntlet laid down by Dylan on this track. Hers is just shy of the seven and half minute mark of Dylan’s original but her honey smooth vocals keep the energy and the feel true to the original. Both versions bounce and jive along and bring a smile to my face every time. I actually fell in love with Dylan’s original just shy a decade earlier when I heard it on another soundtrack, the one for the very excellent screen adaptation of the Hunter S. Thompson classic, “Fear and loathing in Las Vegas”.

It’s just one of those songs that could go on for ever as far as I’m concerned, even if either singer just devolved into gibberish. And well, I can’t actually decide which version I like better on this one. Thoughts?

Cover:

The original:

For the rest of the 100 best covers list, click here.