Categories
Tunes

Best tunes of 2001: #5 The Strokes “Last nite”

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At number five on this Best tunes of 2001 list is the second single off The Strokes’ debut album “Is this it?”. Arguably, this song, the band, and this album were instrumental in plotting the ultimate direction of indie and alternative rock for the new millennium.

The Strokes formed in New York City in 1998. The five piece led by frontman Julian Casablancas recorded a raw and energetic EP in 2001 that started a bidding war amongst the majors. They ended up landing with RCA, who released the debut LP referred to above, a ten song juggernaut that was recorded with the same producer and same DIY ethos as the EP. To say that “Is this it?” generated a buzz is putting it mildly. There was unanimous acclaim. It appeared on everyone’s best of the year list and the band’s name was on everyone’s lips.

I remember them still being a hot item even a year later. It sticks out to me because I made a special trip to Peterborough in 2002 to visit my friends from university. On the morning-slash-early-afternoon after I arrived, the load of us walked down to The Only Cafe for brunch. This meal was particularly memorable, first of all, because it was a unique experience, given the socialist, trust-based business plan of the establishment and its mixed bag clientele, and second, due to “Is this it?” being played whilst we chewed on egg, toast, and crunchy coffee. Pretty much all of my friends recognized the album, despite the varied tastes, liked it and were effusive in their praise of the sound and the excitement with which it polluted the air all around.

“Last nite” is representative of the raw, driven energy, and the immediacy of the album. The production is purposefully not crisp, giving the impression (which is actually correct) that it was recorded live in one take, a loud broadcast from a shambolic garage. Indeed, it succeeds in presenting the band as from another age, finding itself lost in the present day, a time traveller from the past informing the present of its mistakes. Casablancas is a lounge singing Lou Reed, half-heartedly trying to keep up with the song’s pace, and the band is keeping it simple, like pop music, if said pop music were roughly hewn from a rusty old carving knife.

For the rest of the Best tunes of 2001 list, click here.

Categories
Vinyl

Vinyl love: Black Rebel Motorcycle Club “Howl”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Black Rebel Motorcycle Club
Album Title: Howl
Year released: 2005
Year reissued: 2012
Details: standard black, 2 x LP, Record Store Day 2012 reissue

The skinny: There’s been a few Black Rebel Motorcycle Club related posts in recent months here on M(LI)ML: my first exposure to the band and the first time seeing them live. Well, here’s my first purchase on vinyl of any release by the band. “Howl”, BRMC’s third, has been my favourite album by the group since its release in 2005. It’s a bit different than their usual stuff, more stripped down and bluesy but still very cool and edgy. I’ve had my eye out for this one since I started collecting but it’s not one that’s easily found. So when I came across it on my recent trip to Toronto, the decision to pick it up wasn’t a hard one.

Standout track: “Ain’t now easy way”

https://www.youtube.com/watch?v=2NI27q3xNyI

Categories
Live music galleries

Live music galleries: Black Rebel Motorcycle Club [2015]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Black Rebel Motorcycle Club live in 2015

Artist: Black Rebel Motorcycle Club
When: September 20th, 2015
Where: East Main Stage, Toronto Urban Roots Festival, Toronto
Context: Just less than a month ago, I posted some words on how my younger brother Michael got me into Black Rebel Motorcycle Club. I followed them through all their albums, really falling head over heels with them with their third album, 2005’s “Howl”, but never got the chance to see them live, until three years ago (almost to the day) and almost 14 years after I heard the first notes of their self-titled debut. I had already procured an early bird pass to the penultimate edition (though none of us knew it then) of the Toronto Urban Roots Festival with my two concert buddies, Tim and Mark, when BRMC was added late to the last day of the festival. It was definitely a case of better late than never. I would recommend seeing them live to anyone who will listen.
Point of reference song:
Lose yourself

Peter Hayes and Leah Shapiro of Black Rebel Motorcycle Club
Leah Shapiro of Black Rebel Motorcycle Club
Robert Levon Been of Black Rebel Motorcycle Club
Robert Levon Been and Leah Shapiro of Black Rebel Motorcycle Club
Peter Hayes of Black Rebel Motorcycle Club