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Live music galleries

Live music galleries: Amy Millan [2025]

Amy Millan at Club Saw, Ottawa – October 17 2025

Artist: Amy Millan
When: October 17th, 2025
Where: Club Saw, Ottawa
Context: I’ve seen Stars live five times and Broken Social Scene twice* but it had been quite a while since I’d seen either one. However, this wasn’t the reason why I really wanted to see Amy Millan, even though I do often lean towards the songs she sings with Stars. I had never seen her play live solo, just never got the chance, even though I had enjoyed her two previously released solo albums. Before buying the ticket, I had only given her newest album, “I went to find you”, a cursory listen, only becoming much more familiar with it in the week leading up to the show. Having said all this, I still found myself surprised at how much I enjoyed Amy Millan’s performance. Her extremely talented backing band included Christine Bougie** (guitar and lap steel), Stefan Schneider*** (drums), as well as fellow Stars members Chris McCarron (guitar) and her partner Evan Cranley (trombone and percussion), and she brought her friend Jenny Whiteley up onstage mid-set to duet on “Baby I”****. But it was Millan herself who lit up the stage, not only with the lovely, lilting, and soft touch on vocals that we’ve come to know and love, but with her in-between song banter, proving herself to be humble and hilarious and human. It was such that she could have played anything and we would have been with her the whole way. But she pleased Stars fans with a couple of their tunes, including a lovely solo performance of “Ageless beauty”, a personal fave, and with the exception of a Weeping Tile/Sarah Harmer cover, the rest of her set was solo material, mostly from that new album, performed so beautifully that it has infinitely risen in my esteem.
Point of reference song: The overpass

Amy Millan close up and personal
Chris McCarron and his headband on guitar
Stefan Schneider on drums
Evan Cranley with his trombone
Christine Bougie rocking the guitar
Amy dueting with Jenny Whiteley
Evan on the percussion 
Chris McCarron and his game face
Amy and Stefan
Rocking out

*Both times with Amy Millan

**Has performed with Shania Twain and Bahamas.

***Has performed with Owen Pallett, Belle Orchestre, among others.

****A song Whiteley had written and Millan had covered on her first solo album, “Honey from the tombs”.

Categories
Tunes

Best tunes of 2020: #9 Andy Bell “Love comes in waves”

<< #10    |    #8 >>

Ever since pioneering shoegaze rock band, Ride, called it quits rather spectacularly back in 1995, I’d been firmly planted in camp Mark Gardener in terms of following the post-breakup careers of the two warring principal songwriters and driving forces behind the band. I’d always preferred his voice and with the exception of “Vapour trail“, enjoyed far more the songs he led with Ride. I always thought he’d do greater things. Who knew the opposite would turn out to be true?

Sure, Gardener was the first of the two to record and release a solo album by a long shot. However, Bell seemed to get back on the horse quicker, forming Hurricane #1 in 1996, a band of whom I’ve still only heard a few tracks but who released a couple of reasonably successful albums before breaking up a few years later*. Shortly after that, he was recruited by the Gallagher brothers to replace founding Oasis member Guigsy, a job for which he had to quickly learn the bass. He stuck with them until their rude implosion a decade later** and stayed on with Liam for a couple of albums under the Beady Eye moniker. Fans (and readers of this blog) will know that Ride successfully reunited just over ten years ago and not only toured but have released three amazing new albums that build beautifully on their legacy. There’s also been a host of other collaborations and projects that I know little about or only heard tell of so I won’t list them, but know Mr Bell has been quite active indeed.

And in the midst of all this productivity, Andy Bell has been writing, recording and tinkering with songs, a step away from all of these projects, refining and honing sounds, lyrics and melodies. Apparently, “The view from halfway down” became something more than just a ragtag collection of song snippets shortly after David Bowie’s death, this event lighting a fire under Bell’s comfy chair. As a debut solo album, it works perfectly, recognizable enough as Andy Bell but different enough to set it apart from his other projects. And, yeah, some excellent tracks here.

“If you’re searching for meaning
Or a secret worth revealing
And you’re missing the feeling
Of connection, a reflection back from above
You’re ready to ride the first wave of love”

“Love comes in waves” is the opening number and the lead single from the album, a clarion call, a demand for attention. It’s frenetic jangling guitars repeating and not giving up, pounding it in to you, dancing up and down your spine. Meanwhile, the drums just chug along, breathless and immovable, like the unbreakable ocean that he’s comparing with love. A thing of beauty that creates a space that I would definitely want to revisit again and again, sometimes dancing, sometime just being.

*Hurricane #1 was re-formed by cofounder Alex Lowe without Bell and really, the rest of the original lineup in 2014.

**Of course, he was asked to join them on their wildly successful reunion tour this past summer/fall as well.

For the rest of the Best tunes of 2020 list, click here.

Categories
Live music galleries

Live music galleries: No Joy [2025]

No Joy at The 27 Club, October 1, 2025

Artist: No Joy
When: October 1st, 2025
Where: The 27 Club, Ottawa
Context: No Joy is an act that I’ve been waiting to see for well over a decade. Indeed, I had planned to see them in 2015 when they were touring in support of their third album, “More faithful”, and they were hitting a now-defunct local spot that was even more intimate than Wednesday night’s venue*. I purchased the ticket for this latest show back in August, right after I realized that the Oasis show I was supposed to see was not in the cards, that disappointment making me even more determined to not miss No Joy a second time. When I first heard of them, they were a full band but nowadays, the project is mostly the work of Jasamine White-Gluz. For the tour, she has brought Tara McLeod and Liam O’Neill along to bring even more noise. And man, was it loud**. It was a sound that was palpable and filled with texture. Jasamine and Tara shredding away (and I mean SHREDDING) at their guitars and Liam hammering away at the drums. It was a relatively short set and ended early, which suited these aging bones just fine, but it was a fine selection of tunes and included many of my favourites from “Wait to pleasure”, “Motherhood”, and the new one, “Bugland”. I went home buzzing and quite satisfied.
Point of reference song: Bugland

Jasamine White-Gluz (aka No Joy)
Tara McLeod helping out on guitars
Liam O’Neill taking care of the beats
Jasamine playing for effect
Liam doing his thing
Tara shredding
Jasamine taking a water break

*Why I missed that show is too embarrassing to recount.

**I was very glad for my earplugs.