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Tunes

Best tunes of 2001: #7 The Shins “New slang”

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Have you seen the film “Garden State”? Yes? No?

If yes, great. If not, you should check it out. Written and directed by and starring Zach Braff, it is a semi-autobiographical, semi-absurd film about an actor returning home after the death of his mother. It was an indie darling at the festivals, garnering positive reviews, and a cult following. I mention it here because music features heavily throughout the film. Braff chose the music for the soundtrack himself, winning a Grammy for it to go along with his directing awards, and as he has explained ad nauseum, he simply used the music he was listening to while writing the film.

There are two songs by The Shins that are featured in the film and soundtrack but the one that changed everything for the band was the placement of “New slang”. The morning after his mother’s funeral (and a particularly debaucherous night out with old friends), our protagonist goes to see a doctor and meets Natalie Portman’s character, a delightfully quirky soul, wearing headphones. He asks her what she is listening to and she responds “The Shins”. When he admits that he has never heard them, she literally gushes (with perhaps an ounce of hyperbole): “You gotta hear this one song. It’ll change your life, I swear.” He puts on the offered headphones and we all hear the song at number seven on my Best tunes of 2001 list.

Of course, I had already heard of The Shins by the time “Garden State” was released and I got to see it on DVD. The band had already been around for close to a decade, had released its sophomore album just the year before (my own introduction to the group), and all of a sudden, there was all this interest in the debut album, “Oh, inverted world”, especially two of its songs. Natalie Portman’s line definitely worked. After slipping on the headphones with Zach Braff, I, too, had to go back and check out the rest of the debut.

“New slang” was written by frontman James Mercer before The Shins were even a thing. It fades in gently, easing us all in to the acoustic finger picking, light tapping on the tambourine, and Mercer’s falsetto humming. He then sings the song all non committal, like he’s testing out the lyrics for the first time as the song is being recorded. Indeed, the vocals are set very low in the mix, deep beneath this whole pile of gentleness. The whole thing reeks of basement studio, stale cigarette butts and warm beer, and a very late night. Then, the song slips off into the same dark shadowy corner from which it sprang.

I don’t know if it’ll change your life, like it did that of James Mercer and The Shins, but “New slang” is a fine song to immerse yourself in for a while.

For the rest of the Best tunes of 2001 list, click here.

Categories
Tunes

Best tunes of 2011: #23 Clap Your Hands Say Yeah! “Hysterical”

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Here at number twenty three of my Best tunes of 2011 list, we have “Hysterical” by Clap Your Hands Say Yeah. For this post and song, I’m going to plagiarize myself a bit from some words I wrote back in 2011.

In the fall of that year, I drafted the first of what would become many best albums of the year lists, the first bunch being for my old blog, Music Insanity! (yes, I still have all the content, despite decommissioning the site). In that first list, Clap Your Hands Say Yeah made a surprise appearance in the top ten. The following somewhat explains:

“When their debut album came out in 2005, it was much hyped by all and hyperboles were unleashed from all directions (e.g., the best indie album ever!). I personally thought the hype a bit much but did really enjoy the album. It sounded to me like it was informed by the geek rock post-punk bands of the late 70s and early 80s, bands like the Violent Femmes, the Talking Heads, and Devo. It was peppy, poppy, and sat nicely in just the right space on the weird scale. Unfortunately, when “Some loud thunder” came out two years later, I couldn’t get into it. I was never able to put my finger on why but I guess to me, it just didn’t sound like the same band.

“Fast forward to 2011 and I had all but given CYHSY up for dead because I hadn’t really heard much from them in three to four years. In September [of that year], they released “Hysterical” (self-released domestically, but with indie label help in Europe, like their previous albums) and I gave the band another chance – as I often do for bands in whom I have seen shades of brilliance. This time around, I was pleasantly surprised to find CYHSY back to energetic pop that I fell in love with in 2005. It was as if that second album had never happened.”

I’ve since grown to appreciate “Some loud thunder” but still enjoy the band’s first and third albums better. “Hysterical”, the title track on the latter of the two is great example of the energy we can find there. Frenetic, danceable drumming over washes of synths, the melodic and jangly guitar work, and overall “new retro” sound. But what really holds the music together is the vocals of Alec Ounsworth, whose voice and singing mannerisms are the amalgam of Gordon Gano and David Byrne.

Turn up the Geek rock and bring the noise!

For the rest of the Best tunes of 2011 list, click here.

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Live music galleries

Live music galleries: Black Rebel Motorcycle Club [2015]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Black Rebel Motorcycle Club live in 2015

Artist: Black Rebel Motorcycle Club
When: September 20th, 2015
Where: East Main Stage, Toronto Urban Roots Festival, Toronto
Context: Just less than a month ago, I posted some words on how my younger brother Michael got me into Black Rebel Motorcycle Club. I followed them through all their albums, really falling head over heels with them with their third album, 2005’s “Howl”, but never got the chance to see them live, until three years ago (almost to the day) and almost 14 years after I heard the first notes of their self-titled debut. I had already procured an early bird pass to the penultimate edition (though none of us knew it then) of the Toronto Urban Roots Festival with my two concert buddies, Tim and Mark, when BRMC was added late to the last day of the festival. It was definitely a case of better late than never. I would recommend seeing them live to anyone who will listen.
Point of reference song:
Lose yourself

Peter Hayes and Leah Shapiro of Black Rebel Motorcycle Club
Leah Shapiro of Black Rebel Motorcycle Club
Robert Levon Been of Black Rebel Motorcycle Club
Robert Levon Been and Leah Shapiro of Black Rebel Motorcycle Club
Peter Hayes of Black Rebel Motorcycle Club