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Best tunes of 1994: #26 Sonic Youth “Bull in the heather”

<< #27   |   #25 >>

On my old, long defunct blog Music Insanity, I remember writing a post about all those bands that I’ve respected and tried many times over the years to ‘get into’ but ultimately, failed. The list at that time included The Ramones, Skinny Puppy, Husker Du, Bon Iver, Destroyer, Broken Social Scene*, and of course, Sonic Youth. I later wrote about this difficulty to fully enjoy Sonic Youth and anything more than a handful of their singles on this very blog, when one of these singles, “Kool thing”, appeared at number twenty four on my Best tunes of 1990 list. And today, we’re here to consider another of the tracks that appears on their ‘best of’ compilation, “Hits are for squares”**, and my 26th favourite song of 1994: “Bull in the heather”.

Sonic Youth was formed in New York City in 1981 by Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals), and Lee Ranaldo (rhythm guitar). This trio remained a constant in the group throughout their thirty year history and were complemented during that time by a series of drummers. For their first decade of existence, they toiled in the underground, toying with art rock, punk, and noise, making a name for themselves with their use of alternative guitar tunings, feedback, and generally changing the way we think about guitar rock. Indeed, their influence on alternative and indie rock is unfathomable, counting Teenage Fanclub, Slowdive, Pavement, Swervedriver, Sleater-Kinney, Dinosaur Jr., and Superchunk amongst their fans. Sonic Youth broke into the mainstream around the time that alternative rock was being crowned as the music of choice in the 90s before fading back into the background in the 2000s. They called it quits in 2011, around the time that Moore and Gordon divorced after a 27 year marriage, and all three members have had relatively active solo careers since.

“Time to tell your dirty story
Time turning over and over
Time turning, four leaf clover
Betting on the bull in the heather”

“Bull in the heather”*** is track two on Sonic Youth’s eighth studio album, “Experimental jet set, trash and no star”, was released as the album’s lead single, and its video was notable for featuring Riot Grrl icon and Bikini Kill vocalist, Kathleen Hanna dancing and generally hanging around the set while the band performed the song. It has an instantly recognizable intro, the band as usual playing with guitar effects, a guitar pick screeching down a guitar string like nails on a chalk board and fingers tapping on strings feeling like running a wet finger around the rim of crystal glass. In true Sonic Youth fashion, there’s lots of feedback and avant garde noise, a raunchy mess, oddly tuned guitars screeching and ringing, but there’s some play here with straight ahead guitar rock, like they are allowing mainstream to creep into their consciousness just slightly. What makes this song for me is the funky beat, the drummer using a maraca shaker as a drumstick and of course, there’s Kim Gordon’s vocals, as if under duress, each line pained and forced. She’s singing like she’s just run 10 laps around the high school track.

“Bull in the heather” feels completely of its time and place: slacker angst at its best. But sorry Sonic Youth fans, I’m still not one of you.

*I have managed to get into Broken Social Scene since that time, largely helped along by seeing them perform live.

**Sonic Youth’s only representation in my Apple Music library.

***I’ve read that the song title was the name of a race horse known around that time.

For the rest of the Best tunes of 1994 list, click here.

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Best tunes of 2013: #20 Bleached “Dead in your head”

<< #21    |    #19 >>

For the second time in just over a month, I was digging around the internet for content related to a song I was writing about and I came across a reference to a certain club with a particular name. Curious, I dug further this time and ended up down a rabbit hole of articles and videos about said place.

Apparently, The Smell is an all-ages, DIY, punk, arts and culture space, that was instrumental in the launch of a number of L.A.-based musicians throughout this new millennium. Artists that have played there include Warpaint, Ty Segall, Best Coast, and Moaning. Sisters Jennifer and Jessica Clavin not only often played The Smell with their first band, Mika Miko, but they volunteered there as well.

I haven’t checked out Mika Miko at all but by all accounts, they were a pretty great live act. The garage rock quintet was formed in 2003 and in the seven years before they split, released a pair of full length albums and a half dozen EPs and singles. In 2011, the year after Mika Miko called it quits, Jennifer and Jessica started up Bleached. Under this moniker, there’s been three successful full length records, each charting on the Billboard charts, and though they haven’t officially called it a day, they too seem to be on hiatus.

I came across Bleached with their debut album, “Ride your heart”, back in 2013 and found myself hooked. They mined a similar 60s girl group sound structure as that of Dum Dum Girls, but instead of the wall of sound shoegaze imbued by Dee Dee Penny, the Clavin sisters preferred to hang on to their punk roots. With most of the tracks in the two to three minute range, “Ride your heart” is gunshot raw, and at times is aggressive and discordant, but at its heart, it’s really a pop record rife with ear worm melodies.

“I never wanted to lose the boy I loved the most
I never wanted to hurt the boy I loved the most”

Track four is the longest song on the album, clocking in at just over four minutes, and this is mostly due to a dreamy intro that lulls you into thinking this might be a slow love ballad. Then, the foot stomping on kickpedal wakes you right up and the marching bass line drags you into the fray. The vocals and guitars play a bit of call in response during the verses with flourishes that have the potential to induce whiplash and the choruses are all fist pumping and shouting along wistfully for the one that got away. “Dead in your head” is big, bold, and anthemic and yes, demands replay after replay.

For the rest of the Best tunes of 2013 list, click here.

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Best tunes of 2013: #21 Crocodiles “She splits me up”

<< #22    |    #20 >>

I’ve already told the story on these pages about how my friend Tim and I drove to Cambridge from Toronto one day over the Christmas break back in 2011. We headed there to meet up with one of Tim’s university friends Greg and his wife Wendy, and check out their books and records store, Millpond. We stayed for dinner before returning to Toronto in a snow storm but not before sharing laughs and memories and trading a few musical picks.

Greg’s contribution was Crocodiles, seconded by Wendy, and based on their raves and descriptions, I definitely took note to check them out when I returned home. Perhaps coincidentally, my own suggestion was Dum Dum Girls, whose sophomore record “Only in dreams” was hot on my repeat listen list and had placed on my favourite albums list that year. What’s funny is that Greg and Wendy hadn’t heard of Dum Dum Girls and I hadn’t heard of Crocodiles but at the time, the front persons and driving forces of each band, Brandon Welchez and Dee Dee Penny*, were married and had regularly contributed to each other’s musical projects.

I later learned that Crocodiles were formed in 2008** by Welchez and Charles Rowell in San Diego, California, after their previous, mostly punk-driven bands had broken up. Their psychedelic and retro noise pop sound was established right from the beginning and got them drawing buzz. I recognized and fell for it when I first listened to their sophomore album, “Sleep forever”, quickly making the connection with Black Rebel Motorcycle Club and The Jesus and Mary Chain, and of course, with Dum Dum Girls. I’ve continued to follow the group through the multiple lineup changes but the sound hasn’t veered too far off course, nor has the songwriting quality diminished, right up to last year’s excellent “Upside down in heaven”, the group’s 8th full length album.

In 2013, though, they released their 4th album, the Sune Rose Wagner (The Raveonettes) produced “Crimes of passion”. The neon colours of its album foreshadowed the technicolour sounds and garish and glam tinged ethos. Ten searing and cool tracks for turning up and rocking out alongside, my favourite of which was track six, “She splits me up”. With guitars that wail at the high end, dance harpsichord-like arpeggios, and gnarl and snarl at the robust bass line. Meanwhile, Welchez bemoans and lauds a member of the opposite sex and the hold she has on him.

“She dazzles on the streets beneath me but her love is never real. And the world outside is fading fast, and she’s so detached. She splits me up”

Yessssss.

*Funnily enough, this is the first post to focus on Crocodiles but Welchez has been mentioned a couple of times already in posts about Dum Dum Girls.

**Same year as Dum Dum Girls.

For the rest of the Best tunes of 2013 list, click here.