Categories
Tunes

Best tunes of 1992: #23 L7 “Pretend we’re dead”

<< #24    |    #22 >>

Try as you might, you can’t really pigeonhole L7. Sure, they came out of the punk rock and alternative aesthetic. They came to prominence in the age of grunge and their fashion choices, or lack thereof, certainly had them placed amongst the boys club of those bands. Others will lump them in with the Riot Grrl movement, especially because of their outspokenness and their avid work in support of pro choice. However, the group predated all of these. And there was no conforming or pretension with L7. Nor were they strangers to controversy. They were true originals.

Donita Sparks and Suzi Gardner formed L7 in 1985. The quartet was completed in their most prominent years by Jennifer Finch and Demetra Plakas. By 1992, the group was releasing their third album, “Bricks are heavy”, on Slash records. Produced by Butch Vig (of “Nevermind” fame), the album did very well with the alternative rock set by upping the noise, grime, and by being generally unapologetic. There were three well received singles released from the album, the first of which was “Pretend we’re dead”, the subject of our post today and my introduction to the band. I remember it being played on the regular on CFNY, Toronto’s alt-rock station, which came in pretty clear in my small hometown, east of that city. However, I’m reasonably sure that before I heard it there, it appeared on a mixed tape made by my friend Tim.

“Pretend we’re dead” is loud and pure angsty rock and roll. In fact, it almost feels to me like a song Joan Jett would’ve come up with if the 90s were her era. The guitars are dirty and dripping with sludge and yet they race along, amped with jet fuel. The drums crash and the vocals sing words that seem meaningless, but beg for fist pumping and head banging. Yes!

For the rest of the Best tunes of 1992 list, click here.

Categories
Live music galleries

Live music galleries: Hopped and Confused festival 2019

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The Hopped and Confused stage

Artists: Nobro, Alexandria Maillot, Weaves, July Talk, Taylor Knox, Cleopatrick, Born Ruffians, …
When: August 23rd and 24th, 2019
Where: Mill Street Brewery, Ottawa
Some words: If you’ve scrolled through any of my feeds on the various social media sites and apps out there, you may have noticed that, as well as being a fool for music (and vinyl collecting), I am also a card carrying Beer Enthusiast. So when you pair the two and call it a festival, as the good folks at Mill Street Brewery have done, you can bet that I would be interested. In fact, it is only by mere chance, and by chance I mean bad luck*, that it took until its fourth year running that I would finally get out to experience the Hopped and Confused festival.

With two excellent headliners this year, I took advantage of the two-day pass for an affordable $65 and was treated to an almost flawlessly run festival, mostly sunny skies, delicious beers, between set entertainment provided by local alternative radio station Live 88.5, and eight excellent and varied Canadian indie rock acts.

It all kicked off with Nobro, a Montreal-based four-piece punk rock act, or as frontwoman Kathryn McCaughey called them, “chicks who like to shred”. They were followed by a lovely set by singer/songwriter Alexandria Maillot and then, art-popsters, Weaves. The first evening was capped by the push/pull, he said/she said, Toronto rockers, July Talk, and the crowed they drew was quite eye-opening to me. Good for them indeed.

Day two started off with the power pop indie rock of Taylor Knox. Coburg, Ontario’s Cleopatrick then knocked everyone’s socks off with a blistering set that seemed way more gigantic than two people should be able to produce. Then, well, Born Ruffians were once again so excellent live, I had myself wondering why I didn’t have more of their albums.

I’m stopping there but if you’ve been counting, you might have noticed that there’s one act missing. I’m saving that one for tomorrow… Oh, and apologies for the blurriness of some of the photos but it was also a beer festival after all.

Point of reference song:Paper girl” by July Talk

Kathryn McCaughey, Sarah Dion, and Lisandre Bourdages of Nobro
Karolane Carbonneau of Nobro
Alexandria Maillot
Jasmyn Burke and Spencer Cole of Weaves
DJ Noel of Live 88.5 keeping the crowd pumped between sets
The Mills Street Brewpub on day two, before all the crowds descended
Taylor Knox
Luke Gruntz and Ian Fraser of Cleopatrick
Born Ruffians
Steve Hamelin of Born Ruffians
Luke Lalonde and Mitch Derosier of Born Ruffians
Peter Dreimanis and Leah Fay of July Talk
Peter Dreimanis and Leah Fay of July Talk
July Talk

* I even had tickets to last year’s event but came down with a wicked case of the man cold the day of the event.

Categories
Live music galleries

Live music galleries: Ottawa Bluesfest 2019, day three – Children of Indigo, The Beths, Pup, This is the Kit

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

Entrance to Bluesfest

Artists: Children of Indigo, The Beths, Pup, and This is the Kit
When: July 6th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: You might’ve noticed there wasn’t a post yesterday detailing Friday night’s exploits. There’s a good explanation. The original plan was to attend but when the main reason for going that night, Colter Wall, cancelled earlier in the day, I made the call to stay home, what with the dodgy weather, lack of sleep, early wake up hour the next day, and the country heavy musical content and expected crowds. By my count, that’s four cancellations for this year’s festival, bad luck in its twenty-fifth year. Here’s hoping the bad luck ends there and the rest of the festival runs smoothly.

When I arrived yesterday, nice and early, I still wasn’t expecting crowds in the entrance line so like Thursday night, the temporary barricade maze was more walking than I wanted to do in that heat. So after I entered, I once again headed inside to the Barney Danson theatre where a surprisingly large crowd had gathered to hear an early set by a lovely, local indie folk trio named Children of Indigo. Unlike Thursday, there was no overlap last night so I didn’t have to rush anywhere afterwards and actually got to enjoy some full sets.

Next up was the band I was most excited to see last night, an indie rock trio out of New Zealand called The Beths. If you haven’t heard them, check them out. To my ears, they sound quite a bit like Alvvays and Camera Obscura but with more fuzz. I’ve been listening to their album a lot in the lead up to last night but their performance was so good, it pushed me to pick up a copy of their record at the merch tent.

Just after dinner time, I headed over to the main stage to catch Toronto punk band Pup struggle to reconcile their counter-culture cred and such a huge outdoor audience. They shouldn’t have worried so much as their fans were just as pleased to mosh and pump their fists outdoors as in. I stayed out of the fray and enjoyed the energy from afar. I finished my evening early, back where I started, in the Barney Danson theatre, with British folk songstress Kate Stables, who might be better known under stage name, This is the kit. I had originally thought to stick around for The Turbans, the headliners on one of the side stages, but after drinking a few beers in the afternoon heat, my bed and AC were the stronger calls.

Natasha Pedersen and David Campbell of Children of Indigo
Mitchell Jackson of Children of Indigo
Tristan Deck of The Beths
Jonathan Pearce of The Beths
Benjamin Sinclair of The Beths
Elizabeth Stokes of The Beths
Steve Sladkowski of Pup
Zack Mykula and Nestor Chumak of Pup
Stefan Babcock of Pup
This is the Kit with The Texas Horns
Kate Stables aka This is the Kit