Best tunes of 1992: #10 Suede “My insatiable one”

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There are certain bands who have been, at certain points in their career, so prolific that even their B-sides are phenomenal. Such is the case with London-based glam rockers, Suede (known as The London Suede in North America), and this is especially true of their early years. So it came as little surprise to me when I learned that “My insatiable one” was originally released as a B-side to Suede’s very first single, “The drowners”.

I first heard the song the year following this single’s release, when it was included on the soundtrack for the Mike Myers vehicle, “So I married an axe murderer”. Haven’t heard of it? I wouldn’t be at all surprised. I enjoyed it at the time but really, the best thing about it is Myers’ secondary role in the film as his protagonist’s father, complete with the same outrageous Scottish accent he later reused in SNL sketches (“If it’s nae Scottish, it’s crrrrrrap”) and for the “Austin Powers” villain, Fat Bastard.

Oh yeah, sorry, the soundtrack for the film was fantastic too. The La’s original classic, “There she goes”, as well as a cover of it by The Boo Radleys, served as a theme of sorts for the film. And the soundtrack also included Ned’s Atomic Dustbin covering a Charlene pop song, Big Audio Dynamite II’s amazing single, “Rush”, a little early 90s hit called “Two princes” by the Spin Doctors, and of course, Suede’s “My insatiable one”.

The boys show here (on a B-side) why they were such a hot and exciting item back in those early days and why they are considered one of the bands that kickstarted the BritPop movement. Bernard Butler’s athletic and aggressive guitar playing is more restrained on this tune but still very much present, arpeggiating all over the place, climbing up and down the walls, roaring like a lion, while Brett Anderson prances about the stage, vocals operatic and theatrical, playing fey and falsetto, and well, daring, his listeners come along with him for the ride.

“Oh he is gone, he’s my insatiable one.”

The fact that Brett was singing about a “he” being his “insatiable one” raised a few eyebrows at the time and he riled things up even further by claiming at times that the song was about anal sex. Knowing Anderson, though, I would tend to believe his other explanation, the one that posits that he wrote it about himself from Justine Frischmann’s (whom many of you might remember as the frontwoman of Elastica and erstwhile girlfriend of Damon Albarn, but who got her start with Suede and as Anderson’s girlfriend) point of view.

Either way, this is a great tune. A B-side that plays as a single that should’ve been a hit kind of great tune.

For the rest of the Best tunes of 1992 list, click here.

Best tunes of 1992: #11 Pure “Spiritual pollution”

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Well, it’s Canada day again, albeit one the likes of which we’ve never seen before. And hopefully, we’ll never see again.

I’ve saved this particular post for today because the band in question is a lesser known and perhaps, not as well remembered Canadian alternative rock band from the  90s. Pure were one of the few Canadian acts that I listened to around that time and it was likely because their sound was similar to the Madchester hooks with which I had been obsessed. As you may recall, I’ve already made mention on these pages that my tastes tended to British music in the early 1990s. American alternative rock had turned its ears to Seattle and Canadian bands were following suit,

Pure, though, were a four-piece from Vancouver, British Columbia, Canada that formed in 1991. The original members comprised of drummer Leigh Grant, bassist Dave Hadley, guitarist Todd Simko, and vocalist Jody Birch. They got their first taste of success when one of their tracks appeared on the soundtrack for “Cool world”, a half animated/half live-action film that featured a young Brad Pitt. Then, their debut album, “Pureafunalia”, was released in 1992 and it’s first single, “Blast”, hit the airwaves and music video channels and thus, caught my attention. That track was just shy of making it on to this very list but there was no way “Spiritual pollution” wouldn’t be included. Sure, it wasn’t released as a single until the following year but I was already hooked on it from listening to that debut album in 1992.

A dirty and cool guitar riff opens the proceedings, putting a strut in your step and a feather in your cap. And then: Bah dah da-da-da-dah, duh duh duh da-dah… oh, the glorious horns. The beat pops and cracks in, sounding like robotic handclaps, the synth bass washes, and then, that guitar riff and the horn flourishes return for more fanfare. And over top it all, frontman Jody Birch is just cool, laying it all just there, a hepcat, not needing our spiritual pollution. No, not at all.

That debut album mixed dancefloor grooves with 60s psychedelic guitar rock but later on, their sound tended to be more pedestrian, and though I enjoyed their sophomore release, 1994’s “Generation six pack”. My love affair with the band started to fizzle from there. But we’ll always have the horns of “Spiritual pollution”. I could listen to and hum that riff all day long… Especially on this odd Canada day…

For the rest of the Best tunes of 1992 list, click here.

Vinyl love: The Beautiful South “0898 Beautiful South”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Beautiful South
Album Title: 0898 Beautiful South
Year released: 1992
Year reissued: 2018
Details: black vinyl

The skinny: Last week, I posted about how I purchased a reissue of The Beautiful South’s debut album, “Welcome to The Beautiful South“, without a second thought when I saw it became available for pre-order. This week, I’m back to admit that this was maybe a fib. I actually did have a second thought and that was that I’d also would love to be ordering their third record, 1992’s “0898 Beautiful South”, at the same time. Luckily for me, this very same album was also reissued a few short months later and I wasted the same little amount of time before getting on the pre-order train. “0898” was the first album by the British alternative pop group that I purchased and was in fact one of the first handful of CDs I ever owned, so it found itself getting played a lot. My only knock against this reissue is that they went a little cheap on the packaging. The photos jammed onto one side of the inner sleeve (that you can see above) were each on their own page of a multi-page booklet that came with the original CD. It’s a shame because the image for each song is, in and of itself, a lovely piece of surrealism. All I need to do to forgive the record company, though, is put the record on and turn it up and I’m transported back to the early 90s.

Standout track: “36D”