“Automatic for the people”.
It was indisputably R.E.M.’s finest hour and I’m not just talking commercially. Sure, the album spawned six singles and went gold and platinum for sales in pretty much every country. However, it was also universally acclaimed. And for very good reason: There’s not a single bad track on the album.
For me, though, and as I mentioned back when I wrote about “Sweetness follows” when it came in at the number twenty spot on this very list, it’s the less obvious tracks, not the hit singles, that have become my favourites on this album. And yes, I know. “Nightswimming” was actually released as a single but I didn’t actually know that until about three years ago when I wrote the piece counting down my top five favourite R.E.M. tunes on which this song appears at the number two spot. I am thinking that the single might not have gotten a wide release here in North America because it didn’t make the charts here, only placing in England and Australia, and a track this great should definitely have placed, given the chance.
It was originally recorded as a demo for “Out of time” but was used instead for the following album. The original recording had Michael Stipe singing over top Mike Mills’ piano and was augmented by a string arrangement put together by Led Zeppelin’s John Paul Jones, along with a forlorn oboe to seal the deal. Mills’s piano doesn’t meander or dance or tiptoe. Instead, it eddies in place, like a whirlpool to get caught in, a bit of danger that might be heightened if the swimming hole was ventured upon at night.
“Nightswimming deserves a quiet night
The photograph on the dashboard, taken years ago”
The penultimate track on “Automatic for the people” is a quiet wonder, Mills and Stipe without Buck and Berry. A song about memories and remembering. A track that brings back many memories. Many of them driving in a car at night. In the city. On a backroad. Memories that are mine and memories that aren’t mine. But could be.
“Nightswimming, remembering that night
September’s coming soon
I’m pining for the moon”
There’s a sadness in Stipe’s lyrics and in his plaintive voice. Perhaps there’s regret in those memories, a sentiment never expressed, a kiss never stolen, a nakedness needlessly covered up. Yet there’s also the heavy weight of nostalgia, the excitement of youth lost forever. It’s something one can never forget. And never should.
For the rest of the Best tunes of 1992 list, click here.
9 replies on “Best tunes of 1992: #3 R.E.M. “Nightswimming””
Oh man, Buck looks weird with a beard.
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It’s his game face.
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A fine choice, JP – from an even finer album!
I think Sidewinder is my favourite track from Automatic, but the trifecta of Man on the Moon / this / Find the River to close the album is something else
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My friend Andrew recently said to me that his favourite track is Find the river but it wouldn’t be what it is if Nightswimming hadn’t led into it. There might be something to the idea that these songs wouldn’t be as great if they didn’t all belong to the same album.
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I’d support that theory – it’s like Duane Ward setting up Tom Henke, excellent independently but unbeatable back-to-back!
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Unbeatable. The R.E.M. blue jays!
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Both had terrific 1992s!
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