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If you were alive back in 1992, you knew R.E.M.’s “Automatic for the people”. If not the whole album, at the very least, one of or a handful of its six (!) amazing singles.
I had already become a fan of R.E.M. by the time it was released, having discovered them with 1988’s “Green”, bought a copy of 1991’s “Out of time”, and gone back to explore their back catalogue, I was eagerly awaiting this album’s release. When I originally heard the first single, “Drive”, I knew we were in for it. And we definitely we. Now more than 25 years after its release, it is easily considered their finest hour. It was also a huge commercial success, selling millions upon millions worldwide and obtaining platinum status, in some cases multiple times over, in more than ten countries.
It was the singles that I loved from the beginning and they were definitely great but I’d be hard-pressed to point out a weak song on the album. And nowadays, it’s the less obvious that have stuck with me and become favourites. Case in point is today’s focus, “Sweetness follows”. It was never released as a single and is almost hidden on the album at track six, just behind the lone instrumental tune on the album. But it is there nonetheless. Beautiful.
I think its inclusion on the soundtrack for Cameron Crowe’s “Vanilla sky”, almost a decade later, was what did it for me. The film itself wasn’t wonderful, a Hollywood remake of an excellent Spanish film, and starring Tom Cruise, but the soundtrack was a masterpiece. Glancing at the names, you might be forgiven for calling it eclectic. Listening to it, especially as a backdrop to the film, is a whole different experience and it almost saves the film, giving it its overarching mood and surreal feel. This song’s appearance late in the film was a pleasant surprise but while watching it play out, I realized that I may have not ever listened to it properly before that moment.
The reverberating and distorted cello shares a space with an acoustic strum, a sustained organ wash, and of course, Stipe’s inimitable vocals, forelorn, sad, and lost. It is all about death and loss and darkness and of course, the sun rising after the bleakest of nights, washing away the dread and sadness and the most heart-wrenching of nightmares.
“Oh, oh, but sweetness follows.”
For the rest of the Best tunes of 1992 list, click here.