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Tunes

Eighties’ best 100 redux: #77 Morrissey “Interesting drug” (1989)

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Song #77 on my Eighties’ best 100 list is Morrissey’s fourth solo single, “Interesting drug”.

Stephen Patrick Morrissey was quick in releasing his first solo album, “Viva hate”, less than a year after the dissolution of The Smiths. “Interesting drug” was released the following year in 1989 as a non-album single, though it would be included on the 1990 compilation “Bona drag”. The song features three former members of The Smiths (Rourke, Joyce, and Gannon) as Morrissey’s backing band, as well as the lovely, inimitable backing vocals of Kirsty MacColl*.

I’m near certain that “Interesting drug” was my introduction to Morrissey as a solo artist. It was track number two on a mixed tape (simply titled “Mixed tape”) that my friend Elliott made for me a very long time ago, a friend whom I haven’t seen or heard from in years, but who played an important part in my discovering my own personal musical tastes during my teen years**. I still have said mixed tape packed away in a shoebox in my basement, and though it hasn’t been played in decades, and likely wouldn’t play even if I could find a tape deck to play it on, I doubt very much that I could bring myself to part with it, like the other tapes in that box.

The song, notwithstanding the nostalgia piece, is one of my all-time favourite Morrissey tunes. Likely because it is also one of his more upbeat songs, the music, I mean, not the lyrical subject matter. “Interesting drug” sounds like it could have been a late Smiths track, given the jangly guitars, though the drumming is a bit heavier handed and funkier than most songs by that earlier band. It jumps and cavorts, getting deep under your skin and crawling up and down your spine, while Mr. Morrissey warbles and croons, giving it to the right. He’s defending the use of drugs for release and accusing the conservative government of the day of clamping down on drug use as a means of control.

It’s definitely an… interesting point of view. I didn’t know any of this back in the day but I did appreciate the anti-establishment sentiment. And of course, it had a great beat and I could dance to it.

 

*Spoiler alert: Despite not having her own song on this list, MacColl will likely get a couple more mentions in relation to other songs.

**Indeed, Elliott’s name has appeared a few times on these pages over the years and likely will again.

Original Eighties best 100 position: 80

Favourite lyric: “On a government scheme / Designed to kill your dream ” Does this really need a comment?

Where are they now?: Morrissey is still performing and making music but unfortunately, his career has been sidetracked by controversy of late, much of it of his own making. He just last week announced the upcoming release of a fourteenth studio album, his first since 2020.

For the rest of the Eighties’ best 100 redux list, click here.

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Tunes

Best tunes of 1994: #25 Frank Black “Headache”

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Back in the early 90s, Toronto alternative radio station CFNY collaborated with music retailer extraordinaire HMV on a series of alternative music compilations. Fittingly titled “Free at last”, the radio station would hand them out as promotional items at events and the store would give them out free with purchases of music by at least one of the artists appearing on the compilation. There were five of them made (that I know of) from 1991 to 1995 and I’m pretty sure they were available both on cassette tape and compact disc, though the art work differed between the two.

I must have had friends that had a few of the volumes because I still have a couple of copies dubbed to cassette packed away in the basement. I also have stowed with them a legit one that I got myself from HMV: Volume 4, from 1994. Looking at the track listing, I figure I probably got a copy with Lush’s second album “Split”. Other artists that appeared on this volume included The Breeders, The Charlatans, Meat Puppets, The Tindersticks, and yes, you guessed it, Frank Black. The very track of focus today, the only single off his sophomore solo long player.

I had only just gotten into his band, the Pixies, a year or two before they announced their break up in 1993 and almost immediately, the frontman* appeared with his debut solo album. In truth, Black had been working on solo material for some time, recording some covers for a planned album as early as during the sessions for Pixies 1991 long player, “Trompe le monde”. The eventual self-titled debut only ended up with one cover on it** when it came out but had a banger of a single on it called “Los Angeles”, whose video I recorded one night from CityLimits and watched and rewatched and rewatched. The sophomore release, “Teenager of the year”, appeared the following year, including twenty two tracks, mostly of typical Pixie length, in and around the two to two and a half minute mark. I never really got into that album as a whole but man, did I love “Headache”, and this was mostly due to the compilation I spoke about above.

“This wrinkle in time, I can’t give it no credit
I thought about my space and I really got me down
Got me so down, I got me a headache
My heart is crammed in my cranium and it still knows how to pound”

Economical as ever, Black packs it all into three minutes. There’s no running start here, going from zero to a hundred, right from the get-go. Crashing drums and slacker guitars, feeling so free and loose. But it’s Black’s vocals and melody that are the star. There ain’t no time to sit and ponder one’s place in the universe and in history. You just gotta go for it. Live it and sing along with Frank. Back him up, screaming all the way. You’ll never be sorry.

*Adjusting his assumed moniker slightly from Black Francis to Frank Black.

**Which I loved.

For the rest of the Best tunes of 1994 list, click here.

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Live music galleries

Live music galleries: Amy Millan [2025]

Amy Millan at Club Saw, Ottawa – October 17 2025

Artist: Amy Millan
When: October 17th, 2025
Where: Club Saw, Ottawa
Context: I’ve seen Stars live five times and Broken Social Scene twice* but it had been quite a while since I’d seen either one. However, this wasn’t the reason why I really wanted to see Amy Millan, even though I do often lean towards the songs she sings with Stars. I had never seen her play live solo, just never got the chance, even though I had enjoyed her two previously released solo albums. Before buying the ticket, I had only given her newest album, “I went to find you”, a cursory listen, only becoming much more familiar with it in the week leading up to the show. Having said all this, I still found myself surprised at how much I enjoyed Amy Millan’s performance. Her extremely talented backing band included Christine Bougie** (guitar and lap steel), Stefan Schneider*** (drums), as well as fellow Stars members Chris McCarron (guitar) and her partner Evan Cranley (trombone and percussion), and she brought her friend Jenny Whiteley up onstage mid-set to duet on “Baby I”****. But it was Millan herself who lit up the stage, not only with the lovely, lilting, and soft touch on vocals that we’ve come to know and love, but with her in-between song banter, proving herself to be humble and hilarious and human. It was such that she could have played anything and we would have been with her the whole way. But she pleased Stars fans with a couple of their tunes, including a lovely solo performance of “Ageless beauty”, a personal fave, and with the exception of a Weeping Tile/Sarah Harmer cover, the rest of her set was solo material, mostly from that new album, performed so beautifully that it has infinitely risen in my esteem.
Point of reference song: The overpass

Amy Millan close up and personal
Chris McCarron and his headband on guitar
Stefan Schneider on drums
Evan Cranley with his trombone
Christine Bougie rocking the guitar
Amy dueting with Jenny Whiteley
Evan on the percussion 
Chris McCarron and his game face
Amy and Stefan
Rocking out

*Both times with Amy Millan

**Has performed with Shania Twain and Bahamas.

***Has performed with Owen Pallett, Belle Orchestre, among others.

****A song Whiteley had written and Millan had covered on her first solo album, “Honey from the tombs”.