Categories
Vinyl

Vinyl love: Operators “Blue wave”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Operators
Album Title: Blue wave
Year released: 2016
Details: white

The skinny: Here’s an album that hasn’t seen my turntable in some time. I purchased it from Amazon (back when I was still buying records from Amazon) shortly after its release on the back of seeing the group perform live the previous edition of Ottawa’s Bluesfest. Operators was a short-lived synth rock trio led by Dan Boeckner, formed after the dissolution of Handsome Furs, then the one album collaboration with Spoon’s Britt Daniels (Divine Fits), and just before the reformation of Wolf Parade. The trio also included drummer Sam Brown and keyboardist Devojka and only ever released an EP and two full length albums. Spinning this white vinyl pressing of their debut “Blue wave” and its new wave influenced rock will forever remind me of a certain time and place and feeling, hot and yellow summery nights, crowds of like minded music fans, and joy.

Standout track: “Nobody”

Categories
Tunes

Best tunes of 1994: #26 Sonic Youth “Bull in the heather”

<< #27   |   #25 >>

On my old, long defunct blog Music Insanity, I remember writing a post about all those bands that I’ve respected and tried many times over the years to ‘get into’ but ultimately, failed. The list at that time included The Ramones, Skinny Puppy, Husker Du, Bon Iver, Destroyer, Broken Social Scene*, and of course, Sonic Youth. I later wrote about this difficulty to fully enjoy Sonic Youth and anything more than a handful of their singles on this very blog, when one of these singles, “Kool thing”, appeared at number twenty four on my Best tunes of 1990 list. And today, we’re here to consider another of the tracks that appears on their ‘best of’ compilation, “Hits are for squares”**, and my 26th favourite song of 1994: “Bull in the heather”.

Sonic Youth was formed in New York City in 1981 by Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals), and Lee Ranaldo (rhythm guitar). This trio remained a constant in the group throughout their thirty year history and were complemented during that time by a series of drummers. For their first decade of existence, they toiled in the underground, toying with art rock, punk, and noise, making a name for themselves with their use of alternative guitar tunings, feedback, and generally changing the way we think about guitar rock. Indeed, their influence on alternative and indie rock is unfathomable, counting Teenage Fanclub, Slowdive, Pavement, Swervedriver, Sleater-Kinney, Dinosaur Jr., and Superchunk amongst their fans. Sonic Youth broke into the mainstream around the time that alternative rock was being crowned as the music of choice in the 90s before fading back into the background in the 2000s. They called it quits in 2011, around the time that Moore and Gordon divorced after a 27 year marriage, and all three members have had relatively active solo careers since.

“Time to tell your dirty story
Time turning over and over
Time turning, four leaf clover
Betting on the bull in the heather”

“Bull in the heather”*** is track two on Sonic Youth’s eighth studio album, “Experimental jet set, trash and no star”, was released as the album’s lead single, and its video was notable for featuring Riot Grrl icon and Bikini Kill vocalist, Kathleen Hanna dancing and generally hanging around the set while the band performed the song. It has an instantly recognizable intro, the band as usual playing with guitar effects, a guitar pick screeching down a guitar string like nails on a chalk board and fingers tapping on strings feeling like running a wet finger around the rim of crystal glass. In true Sonic Youth fashion, there’s lots of feedback and avant garde noise, a raunchy mess, oddly tuned guitars screeching and ringing, but there’s some play here with straight ahead guitar rock, like they are allowing mainstream to creep into their consciousness just slightly. What makes this song for me is the funky beat, the drummer using a maraca shaker as a drumstick and of course, there’s Kim Gordon’s vocals, as if under duress, each line pained and forced. She’s singing like she’s just run 10 laps around the high school track.

“Bull in the heather” feels completely of its time and place: slacker angst at its best. But sorry Sonic Youth fans, I’m still not one of you.

*I have managed to get into Broken Social Scene since that time, largely helped along by seeing them perform live.

**Sonic Youth’s only representation in my Apple Music library.

***I’ve read that the song title was the name of a race horse known around that time.

For the rest of the Best tunes of 1994 list, click here.

Categories
Live music galleries

Live music galleries: Colter Wall [2018]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Colter Wall and his band performing at CityFolk September 2018

Artist: Colter Wall
When: September 16th, 2018
Where: CityFolk Festival, Lansdowne Park, Ottawa
Context: Ottawa’s CityFolk festival wrapped up for another year just a couple of days ago. It’s been six years since I’ve attended any of its shows and seven since I bought a full festival pass but this year’s lineup was so impressive I definitely would have pulled the trigger on one had I been able to attend. Much like its sister festival, Ottawa Bluesfest, CityFolk* has allowed me to see a litany of great acts over the years. Back in 2018, I hadn’t yet heard of Colter Wall, a Saskatchewan born country/folk singer/songwriter, but I made sure to catch his set based on a recommendation from my youngest sibling Emma. Wall blew into town with his touring band**, the self-proclaimed “Scary Prairie Boys”, and breathed a whole different life into a selection of tunes from his first two records. Wall was but twenty-three years old at the time but his deep gruff baritone made him sound thrice that age. And man, was it something powerful live. Even if you’re not a fan of dust and tumbleweed old country, I’d recommend giving Colter Wall a go. He blew the doors off everyone who showed up early for his set and I ended up buying both of his first records on vinyl soon after.
Point of reference song: Wild Bill Hickok

Colter Wall at the microphone
Jason Simpson on the bass
Patrick Lyons on the pedal steel
Jordan Solly Levine beating the skins
Jake Groves resting his harmonica
Colter Wall and Jordan Solly Levine
Patrick Lyons and Jake Groves
Jason Simpson having a wobbly pop
Colter and Jason and Jake, oh my…

*Previously known as Ottawa Folk Festival.

**Seven years ago tonight.