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Best tunes of 2013: #22 The Veils “Another night on Earth”

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At the end of last year while counting down my favourite albums of the year, I noted that there wasn’t nearly enough references to and content devoted to The Veils, and that I really wanted to rectify that situation. Well, as luck would have it, the next song up on my list of favourite tunes from 2013 is by the very same band.

I had been following the London, England (by way of Auckland, New Zealand) -based band for almost a decade already by the time their fourth record came out. I’d loved every single song I’d heard by The Veils. There just weren’t enough superlatives in the English language to describe their style, the battle of darkness and light, the theatricality, the imagery made palpable by sound, and above all, the passion and emotion of their frontman, songwriter and principal vocalist, Finn Andrews. He was a storyteller in the vein of Lou Reed and Nick Cave, but for some reason, I connected with him much more than I did the other two.

“Time stays, we go” was in no way a letdown from the previous three. It’s front cover was an arresting image of a familial home consumed by fire. The title was an encapsulation of one of Andrew’s oft-explored existential themes. The songs were by turns intense and light in sound but told stories and expressed feelings to which all of us can relate, like it or not.

The penultimate track on the album is this super upbeat number that starts off with a piano line that seems to be dancing away from its player. The drums, when they appear, are snappy and full of confetti. The guitars serve up a breeze to get everything fluttery and then carry upwards the exhaling trumpet sounds. It’s all a shade, however, because “Another night on Earth” is really a sad song posing as something happy, espousing the many ways the world can drag you down into the depths and pondering the worth of it all.

“I hope I don’t go ’til I’ve seen everything
I hope I don’t go ’til I’ve felt everything”

After it all, though, our hero Finn Andrews isn’t quite ready throw in the towel… and neither should any of us.

For the rest of the Best tunes of 2013 list, click here.

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Best tunes of 1993: #5 Teenage Fanclub “Hang on”

<< #6    |    #4 >>

I’ve previously shared words on how I discovered Scottish alt-rock quartet Teenage Fanclub while watching music videos on CityLimits back in 1991. It wasn’t long after this that someone in my group of friends picked up a copy of the band’s third album, “Bandwagonesque”, and I was able to record a copy to cassette for constant consumption in my walkman. To say that I became a fan of the fannies was only putting it mildly*. And I wasn’t the only one, obviously, because the album actually did surprisingly well here in North America. And although their success continued afterwards in Europe, interest mostly waned after ears were mostly tuned to everything coming out of Seattle.

For my part, I was practically foaming at the mouth when word came of the impending release of “Thirteen” and I wasn’t disappointed in the least**. I purchased it on compact disc as soon as I was able and put it through its paces, not caring in the least that the raw and often shambolic messes from the previous record had been cleaned up some, the juvenile pranks replaced by well-crafted pop songs, each tip-toeing along the razor wire between rough and smooth sounds. I caught these differences right away, with track one, “Hang on”, a beautiful (almost) ballad penned by Gerard Love.

“Been bought and I’ve been sold
And I’ve forgot what I’ve been told
And now I need someone”

Those are the words that kick off Love’s crooning. But before that, we are awoken by a muscular guitar lick and punishing drums to match. It builds in power, threatening some metal antics, drumming becomes rapid fire and guitars speed up towards thrash zone. And then suddenly, it all melts away into Beatle-esque heaven, complete with angelic harmonies to Love’s own soft touch. The muscular guitars are still there but they just a backdrop and then, when the flutes kick in towards the last third of the song, it doesn’t seem out of place at all. You just close your eyes and get lost in the melody.

*Indeed, it’s still my second favourite album in a great year for music releases.

**I also jumped at the chance a ticket to see them live for the tour for this album, with Yo La Tengo opening, my second ever concert!!!

For the rest of the Best tunes of 1993 list, click here.

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Best tunes of 2003: #14 The New Pornographers “From blown speakers”

<< #15    |    #13 >>

I’ve said it before and it’ll likely come up again: I was an avid user of Ottawa’s public library services back in the early 2000s.

I didn’t have a lot of money after relocating to Canada’s capital so almost as soon as I updated my drivers license with my new address, I checked out the main branch to start borrowing books. When I discovered they also loaned DVDs and CDs, I started borrowing those as well, often spending hours perusing their virtual shelves on their website for material to request and consume. The three week loan period for CDs allowed for plenty of opportunity to explore and to discover music before making a decision to purchase for the long haul.

I’d previously heard friends talk about The New Pornographers so when I saw the library had one of their albums in their collection, I put in the request and didn’t even have to wait that long for it to arrive at my local branch for pickup. So in this way, “Electric version” was my introduction to Canada’s indie rock supergroup. Of course, I only really googled them for more info after they made a great first impression and I learned then of their background and the various members’ collective experience as part of the Vancouver area music scene. Of their membership, I’d only heard of Dan Bejar (of Destroyer) and Neko Case before, the latter from my friend Tim, who I think was in love with her at the time, and thinking back, he was probably one of the friends that had talked up The New Pornos as well.

“Electric version” was the group’s sophomore record and was seen by those familiar with “Mass romantic” as a tighter and more polished effort, the sound of a real group finding its footing, rather than a collective of individual artists collaborating on a one-off piece, which is what many expected the debut to be. On the followup, there were lots of catchy power pop gems to shake sticks at, but none as immediately captivating as track two.

“Just a contact high, one in every mood I’ve ever declined to fight
One in every single exchange you might find
From blown speakers, time came out magical”

“From blown speakers” is just shy of three minutes and features call and answer guitars and keys, as well as Carl Newman harmonizing with the lovely Neko Case and a plethora of exclamation marks on the snares. It’s an obvious high that we never wanted to come down from.

For the rest of the Best tunes of 2003 list, click here.