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100 best covers: #34 First Aid Kit “America”

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I’ve written a few words on these pages already about First Aid Kit, the indie folk duo of Swedish sisters, Johanna and Klara Söderberg. I got into them shortly after the release of their second album, 2012’s “The lion’s roar”*, loving their stripped back sound and vocal harmonies, reminiscent of the folk music my parents had me listening to in childhood. I followed the duo very closely for next few years and one of the many things I noted about them was how active they were in posting cover songs they performed on YouTube. They really seemed to love putting their own spin on tracks that inspired them. In fact, it was their take on Fleet Foxes’ “Tiger mountain peasant song” that first got them international notice in the first place back in 2008. Over years they’ve posted covers of well known songs by Kate Bush, Kenny Rogers, The Kinks, Bob Dylan, and Black Sabbath**, and they even recorded a whole album of covers in tribute to their hero Leonard Cohen.

It completely makes sense then that First Aid Kit would eventually get around to a song by Simon and Garfunkel, another notable folk duo known for their harmonies. Given their penchant for reworking famous tracks, though, it’s interesting that they chose “America”, a song that was originally released as a b-side to single, “For Emily, whenever I may find her”. It was, of course, re-released as the A-side a few months later, perhaps the theme of young lovers hitchhiking across America resonated with their fans. The original was later introduced to whole new generation of fans when Cameron Crowe famously used it in his film “Almost famous”. Word has it that the Söderberg sisters first performed “America” at a ceremony honouring Paul Simon in 2012 and at the end, he gave them a standing ovation. So it shouldn’t have caused any surprise when they recorded a version and released it shortly after their third album, the magnificent “Stay gold”.

The original recording by Simon and Garfunkel starts with harmonized humming over acoustic strumming and the odd flourish and rim shot. Paul Simon is on lead and Art Garfunkel joins in halfway through, creating the harmonies that they are so known for doing. The song builds slowly so that by the end it almost feels symphonic, complete with crashing cymbals and a harpsichord outro. First Aid Kit’s cover is similar in structure but the harmonies are there, right from the beginning, and the sisters trade lines throughout. And this version feels a lot more melancholic in mood, even when it builds towards a climax just like the original. It’s like Johanna and Klara are looking back sadly rather than fondly, as Paul and Art were doing, more regret for what was missed than joy for what was experienced.

I love both versions and sentiments, appreciating both sides of the same story. However, I feel like edge belongs to Simon and Garfunkel on this one.

Cover:

Original:

*”Emmylou” from that album appeared at number three on my Best tunes of 2012 list.

**Their cover of “War pigs” is dynamite and probably belongs on this list of great covers as well.

For the rest of the 100 best covers list, click here.

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Tunes

Best tunes of 2013: #17 Suede “It starts and ends with you”

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Suede (aka The London Suede) is a band that I didn’t love upon first hearing. I thought their self-titled debut was just… ok. Nevertheless, I grew to appreciate them more with each new album and upon return listens and further reevaluation of their previous outputs. So by the time of their fifth album, 2002’s “A new morning”, the album that would ultimately break up the glam rock, erstwhile Britpop outfit, I was a full-fledged fan.

My fandom continued to grow in their absence and thus, I was ecstatic when the group re-formed in 2010 for some concerts, thinking I might finally get a chance to see them live, and then, super-enthused when new material started appearing. I still haven’t seen Brett Anderson and company perform live but I’ve fully enjoyed the four albums they have released in the last decade or so and am looking forward to hearing their tenth album, released just today. The first of their post-reunion albums was 2013’s “Bloodsports”, an album that was a critical darling the world over upon release and got quite a bit of love by yours truly on my old blog, Music Insanity!

“And then I fall to the floor like my strings are cut
Pinch myself, but I don’t wake up”

The first single to be released from “Bloodsports” sounds from its title like it could be a straight-ahead love song, the stuff of fairytale wedding first dances. But hey, this is Suede we are talking about here. Like much of the album, it blends the best of what made their first three albums so great. “It starts and ends with you” is epic without being overwrought and glam without too much glitz and none of the saccharine sap. It is sonically dense, layers of razor sharp guitars and pounding drums. Brett Anderson is as cheeky and hip-smacking as ever, teasing both the good and the bad of being completely in love. Is it a healthy relationship or is it really catastrophic, destined to end in pain on all sides? You decide.

But while you consider, I’m just going to press play one more time, turn it up even louder, and dance in my bedroom like no one is watching.

For the rest of the Best tunes of 2013 list, click here.

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Tunes

Best tunes of 2020: #10 The Exbats “Hey hey hey”

<< #11    |    #9 >>

I couldn’t imagine being in a band with my father, whether at 10 years old, 20, or any age really. But that’s the relationship between the two primary members of The Exbats, the band behind our song at number 10 from my list of favourite tunes from 2020.

Originally called The Numbats, the band began over a decade ago when Kenny McLain, who had recently picked up the guitar, decided that his 10 year old daughter Inez needed to learn to play an instrument. He gave her the option of learning to play the piano or to pick up the drums and play in a band with him. She chose the latter and they never turned back, though they both freely admit that it took them quite some time to get to where they are today. Inez also provides vocals on most of the songs and they have in the past employed a bass player* to bring their band complement to three. They’ve released five full-length albums and a handful of EPs, most of which have come in the last five or six years.

I couldn’t tell you now exactly how I came across this DIY indie group based in Arizona. It was early days in the pandemic and I had a lot more time on my hands, as all of us did. I didn’t really pick up a new hobby as I’ve heard others might have done, I just spent more time doing the things I was already doing. I probably discovered a lot of artists that I mightn’t have otherwise done under normal circumstances, looking under proverbial stones in corners of the internet that I didn’t often have time to reach. I probably came across The Exbats’ third album “Kicks, hits and fits”, just over a month after its release while mindlessly scrolling late into the night and quickly fell for its retro leaning, jangly pop rock. Admittedly, I haven’t to this day heard any of their other material but this album is rooted deep in 2020 for me, having brought some sunshine in an era of darkness and confusion.

“I wrote a stupid song today. (Hey, hey, hey. Hey, hey, hey.)
And I threw it all away. (Hey, hey, hey. Hey, hey, hey.)”

Perhaps fittingly, the penultimate and my favourite track on the album, “Hey hey hey”, is apparently all about the feeling of isolation in this world that’s heavily influenced by social media. It’s a bouncing and haunting number, very retro sounding, layered vocal harmonies, some rough hewn and some clean, a bopping bass line, clipping drums, all succumbing to a reverb drenched negative space, reminiscent of Phil Spector production. Beautiful stuff.

*When I came across them, Bobby Carlson Jr was filling that role.

For the rest of the Best tunes of 2020 list, click here.