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Vinyl

Vinyl love: The Essex Green “Hardly electronic”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Essex Green
Album Title: Hardly electronic
Year released: 2018
Details: Limited edition, peak edition, red & orange swirl vinyl

The skinny: Last week, I wrote about how I discovered this Indie Rock trio from Brooklyn, New York, when I saw them open for Camera Obscura back in 2007. This here album, The Essex Green’s fourth, and their first in almost twelve years, was a bit of a surprise release back in 2018. Indeed, even after hearing a few tracks, it wasn’t on my radar to add to my vinyl collection but then, I saw it on the racks while perusing one of my favourite local record stores, Compact Music, and I just couldn’t help myself. This limited ‘Peak’ vinyl edition of “Hardly electronic” is lovely in orange and red translucent and hit my platter so often back in 2018 that it ended up on my top ten list for the year.

Standout track: “The 710”

Categories
Vinyl

Vinyl love: The Essex Green “Cannibal sea”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Essex Green
Album Title: Cannibal sea
Year released: 2006
Year reissued: 2018
Details: Limited edition, peak edition, opaque blue marble vinyl

The skinny: In January 2007, I purchased tickets and went to see Camera Obscura play Barrymore’s Concert Theatre here in Ottawa and as per usual, I headed down to the show early enough to catch the opening acts. One of these was Brooklyn-based indie rock band The Essex Green, whose blend of rock, folk, and psychedelia slid comfortably right into my wheelhouse. I enjoyed the energy, groove, and male/female traded vocals so much that I purchased a copy of their recent CD from the merch table. (While so doing, I had a conversation with multi-instrumentalist Sasha Bell about their cover of Flying Burrito Brothers’ “Older guys” at the end of their set). “Cannibal sea” became one of my favourite new discoveries and albums from around that time but sadly, The Essex Green went on hiatus shortly after that tour. Two years ago, the band surprised everyone (perhaps even themselves) by surfacing with a new album and to celebrate, their label, Merge Records, reissued their previous two long players on special edition ‘Peak’ vinyl. Obviously, I had to get myself a copy of “Cannibal sea” for my collection and as you can see, the baby blue marbling is just as pretty and peppy as their tunes.

Standout track: “Don’t know why (you stay)”*

*This very song appears on the playlist I created last summer out of songs by bands I’ve seen live as opening acts.

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Vinyl

Vinyl love: Better Oblivion Community Center “Better Oblivion Community Center”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Better Oblivion Community Center
Album Title: Better Oblivion Community Center
Year released: 2019
Details: standard black

The skinny: I’m finishing off the re-visit of my five favourite albums of 2019 with this, my number one album of the year: the self-titled debut by the collaborative project, Better Oblivion Community Center. (If you’ve been paying attention, you’ll notice that I skipped over my number two album. And that’s because The National’s “I am easy to find” received the ‘Vinyl love’ treatment shortly after it hit the shelves back in May of last year.) Released as a bit of a surprise to both of their sets of fans, this album brings together Phoebe Bridgers and Conor Oberst, two indie artists of varying success, age, and experience. As I said back in December: “Better Oblivion Community Center is more than two like-minded indie folk singer/songwriters working together. Despite their differences in backgrounds, experiences, and age, their work on this album suggests they are bringing the best out in each other, stretching each out of their collective comfort zones.” I missed out on the initial limited edition, coloured vinyl release but managed to find this one for my collection a few months later. This pressing is the standard, bare bones release but for some reason, my copy has the B-side label affixed to both sides of the disc. Does anyone else have this or was it just my luck?

Standout track: “Dylan Thomas”