Vinyl love: Phoebe Bridgers “Punisher”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Phoebe Bridgers
Album Title: Punisher
Year released: 2020
Details: Limited edition, red and swirly vinyl, gatefold sleeve, included lyric book

The skinny: I pre-ordered this limited edition, red and swirly pressing of Phoebe Bridgers’ sophomore solo record, “Punisher”, as soon as I heard tell of it, right off her website. No second guessing. I loved her first album and both of the collaborative project (boygenius, Better Oblivion Community Center) of which she has since been a part. The wait for it was interminable. I’m not talking about the release date but the amount of time it took to get from California to here. I was worried that the sitting and changing hands through the multiple stages through two postal systems, it might have gotten damaged along the way. But not so. And it was definitely worth the wait. The packaging is immaculate and the artwork and lyric booklet is lovingly rendered. And well, the music itself? Let’s just say that you can believe the hype.

Standout track: “Kyoto”

Playlist: New tunes from 2020, part two

Back at the end of April, I posted the first part of this series, sharing with you all a playlist containing twenty-five tracks that I enjoyed during the first quarter of 2020. At that time, we were just five weeks or so into COVID-19 lockdown and had no idea what was going to happen or how long things were going to go on the way they were going. And well, we’re now nearing the end of July and we still don’t really have the answer to any of these questions. Restrictions have been relaxed in different parts of the world and we’ve had second outbreaks happen in others. We’ve been very tentative here in Canada. Slowly, slowly, slowly, we’ve seen some return to normalcy, albeit with some changes. Drive-in movie theatres appear to be making a comeback and leapfrogging from that, drive-in concerts. Masks are now prevalent and being made mandatory in all indoor public places. And of course, many of us are still working from home and really, seeing very little of other people outside of our own little bubbles.

Luckily for us, new music is still being released. Something to keep us occupied while we all stuck at home. I’ve (more than once) found myself wondering, though, if it, at some point, the music would stop coming. But no, at least not yet. Indeed, I would imagine that many of the tracks on this playlist were finished up during this crazy time and maybe even some of it recorded while in isolation. And when I get to posting the third playlist in this series, sometime in October, I feel like most of those songs will be influenced in some way by this new reality, whatever that will look like by then.

But before I get to much ahead of myself, let’s have a look at some of the highlights of this season’s playlist:

      • It all opens up with “Breathe”, the frenetic second track off Canadian indie popsters Born Ruffian‘s latest album, “Juice”
      • “The adults are talking” is a tune that I just can’t resist, the first in many years by The Strokes that has grabbed me right from the beginning and has yet to let go
      • One of my favourite Netflix series of late has been this British comedy, “Sex education”, and the soundtrack by Ezra Furman is just phenomenal and it finally saw a release this year, on which “Every feeling” is a standout track
      • I purchased I Break Horses‘s new album, “Warnings“, for my vinyl collection in May and it is quickly becoming one of my favourites of the year – just have a taste of “I’ll be the death of you” to see why
      • I saw and fell for Gateway Drugs when they opened for Swervedriver in 2015 and have been waiting for new material ever since, soooo… yes, “Wait (medication)” off this year’s “PSA” is very welcome and its production by Raveonettes’ Sune Rose Wagner definitely doesn’t hurt
      • It’s been 30 years since Pete “Sonic Boom” Kember’s last solo album but the founding member of Spaceman 3 creates quite the groove on “Just imagine” and the rest of “All things being equal” is quite lovely as well
      • A lot is being made of Phoebe Bridgers‘ sophomore record “Punisher” by the critics and I cannot fault them at all – “Kyoto” is a fine example of her mature and intelligent songwriting

For those who don’t use Spotify or if the embedded playlist below doesn’t work for you, here is the entire playlist as I’ve created it:

    1. “Breathe” Born Ruffians (from the album Juice)
    2. “Pringle creek” Ellis (from the album Born again)
    3. “Petty drone” Mystery Jets (from the album A billion heartbeats)
    4. “Alexandra” Laura Marling (from the album Song for our daughter)
    5. “The adults are talking” The Strokes (from the album The new abnormal)
    6. “Every feeling” Ezra Furman (from the album Sex Education soundtrack)
    7. “Decade” Harkin (from the album Harkin)
    8. “Nites out” Other Lives (from the album For their love)
    9. “Wake UP!” Hazel English (from the album Wake UP!)
    10. “Anywayz” Austra (from the album HiRUDiN)
    11. “Vegetable” Happyness (from the album Floatr)
    12. “I’ll be the death of you” I Break Horses (from the album Warnings)
    13. “Wait (medication)” Gateway Drugs (from the album PSA)
    14. “Temple” Thao & The Get Down Stay Down (from the album Temple)
    15. “Instant nightmare!” The Dears (from the album Lovers rock)
    16. “Hollywood Park” The Airborne Toxic Event (from the album Hollywood Park)
    17. “Is this a dream” Badly Drawn Boy (from the album Banana Skin Shoes)
    18. “(Don’t break my) devotion” Jade Hairpins (from the album Harmony Avenue)
    19. “Just imagine” Sonic Boom (from the album All things being equal)
    20. “Cameo” Rolling Blackouts Coastal Fever (from the album Sideways to New Italy)
    21. “Red western sky” Muzz (from the album Muzz)
    22. “Riding solo” Hinds (from the album The prettiest curse)
    23. “Kyoto” Phoebe Bridgers (from the album Punisher)
    24. “Real long gong” Rose City Band (from the album Summerlong)
    25. “Hot heater” Pottery (from the album Welcome to Bobby’s Motel)

And just as I said back in April: Wherever you are in the world, I hope you are safe and continue to be well. Until next time, enjoy the tunes.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Vinyl love: Better Oblivion Community Center “Better Oblivion Community Center”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Better Oblivion Community Center
Album Title: Better Oblivion Community Center
Year released: 2019
Details: standard black

The skinny: I’m finishing off the re-visit of my five favourite albums of 2019 with this, my number one album of the year: the self-titled debut by the collaborative project, Better Oblivion Community Center. (If you’ve been paying attention, you’ll notice that I skipped over my number two album. And that’s because The National’s “I am easy to find” received the ‘Vinyl love’ treatment shortly after it hit the shelves back in May of last year.) Released as a bit of a surprise to both of their sets of fans, this album brings together Phoebe Bridgers and Conor Oberst, two indie artists of varying success, age, and experience. As I said back in December: “Better Oblivion Community Center is more than two like-minded indie folk singer/songwriters working together. Despite their differences in backgrounds, experiences, and age, their work on this album suggests they are bringing the best out in each other, stretching each out of their collective comfort zones.” I missed out on the initial limited edition, coloured vinyl release but managed to find this one for my collection a few months later. This pressing is the standard, bare bones release but for some reason, my copy has the B-side label affixed to both sides of the disc. Does anyone else have this or was it just my luck?

Standout track: “Dylan Thomas”