Categories
Live music galleries

Live music galleries: Great Lake Swimmers [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Great Lake Swimmers performing live at Ottawa Dragonboat festival 2013

Artist: Great Lake Swimmers
When: June 22nd, 2013
Where: Ottawa Dragonboat Festival, Mooneys Bay Park, Ottawa
Context: Back on March 10th of this year, Dan Mangan was announced as headliner for the first night of Ottawa Dragonboat festival, which would have been tonight, and organizers promised to announce more acts as the festival drew closer. A few short days later, the country started shutting down to combat the spread of COVID-19 and the festival, along with all the others, had to be cancelled. The Ottawa Dragonboat festival is actually more about dragonboat racing and raising money for charity but they just so happen to also have a great free concert series every year that features amazing Canadian artists. I’ve been going to catch some of these free shows ever since 2013 and I’ve come to see the festival as the opening of summer. The very first band I ever saw at Ottawa Dragonboat festival was Toronto’s Great Lake Swimmers. I’d been following the indie folk act headed by Tony Dekker for a number of years already and couldn’t help but jump at the chance to see them for free. The night of the concert was quite rainy so the organizers decided to move the band’s set from the main stage to a covered stage under a tent on the beach. It was perfect for me because it gave the show a more intimate feel. I would definitely jump at the chance to see them again. And I am definitely looking forward to future Dragonboat festivals.
Point of reference song: New wild everywhere

Tony Dekker of Great Lake Swimmers
Erik Arnesen of Great Lake Swimmers
Miranda Mulholland and Bret Higgins of Great Lake Swimmers
Bret Higgins, Greg Millson, and Tony Dekker
Erik Arnesen on the banjo
Tony Dekker singing it
Categories
Albums

Best albums of 1989: #3 The Cure “Disintegration”

For those that only have a cursory knowledge of The Cure, “Disintegration” is likely where they get the impression of the band as dark and dreary, which, not coincidentally, was my own first impression of them.

I distinctly remember an afternoon a few years earlier, a friend of mine from my street excitedly telling me how he was going to see a concert that evening with his older sister. A band that I had never heard of, yes, The Cure, and he rhymed off a litany of songs that, surely, I had heard. And I felt so bad that I hadn’t, that I eventually fibbed when he came to a song or two of which I absolutely must have heard. I finally listened to some of those songs a few years later when I borrowed a couple of CDs off my friend John (or was it Tim): “Staring at the sea”, the early singles collection, and this one, “Disintegration”.

After all the success of their singles in the 1980s and the increased sales of their previous album, “Kiss me kiss me kiss me”, frontman Robert Smith became disenchanted with the idea of his group becoming a successful pop rock band. This and the realization that he was shortly to be turning 30 years old pushed our friend Robert into depression and heavily into psychedelics. He then set out to make a record that reflected his mindset at the time and returned to the dark, goth rock sound The Cure had explored on some of their early records.

Of course, when their labels heard the album, expecting more of the new wave inspired pop they were used to selling, they pushed to delay the album’s release date. Their worries turned out to be needless because “Disintegration” would go on to be the band’s biggest selling record ever. Not only that but it is considered by many to be Smith’s best work, the album finding itself on many lists (yeah, not just this one).

As dark and atmospheric and grandiose as most of “Disintegration” is, the album is not without its singles, and many of these charted quite high. And its from these that I offer my three picks for you, mostly because these are some of my early favourites from the album, indeed, some my earliest favourites ever from the band.


”Fascination street”: That haunting and foreboding bass line, ringing and echoing guitars, sounding very much like the squealing of bats or other creatures of the night, it’s all very dark. The intro carries on well over two minutes, setting a mood to wallow in, before Smith even starts in singing about a night out in New Orleans. “So let’s cut the conversation and get out for a bit, because I feel it all fading and paling, and I’m begging to drag you down with me, to kick the last nail in.” An odd choice for a single but that’s what it was. Elektra, The Cure’s American label, refused the band’s first choice for the album’s first single, which was “Lullaby”, as was it everywhere else in the world besides North America, and went with “Fascination Street” instead. It hit number one on Billboard’s newly established Modern Rock charts and set up “Disintegration” for its unexpected and wild ride on the charts.

”Pictures of you”: Even at seven and a half minutes, this track is not the longest on the album but is quite long for a single. This was the final one to be released off “Disintegration” and it is apparently either about the aftermath of a fire and finding photos or based on an essay by some mystery author whose name is similar to that of Smith’s wife, both tales have been woven by the frontman. The song is a meandering piece that shimmers and wavers in that lovely space that occurs behind your eyelids as you sit in your dimly lit teenaged room, crying over your lost first love. “Remembering you running soft through the night. You were bigger and brighter and whiter than snow and screamed at the make-believe, screamed at the sky and you finally found all your courage to let it all go.” Such beauty in pain.

”Lovesong”: Written by Robert Smith as a gift for his fiancée at the time and now wife, Mary Poole, it is likely the most emotional piece on the album and has been used as a wedding song by more than a few of my friends. When Robert Smith sings, “Whenever I’m alone with you, you make me feel like I am whole again”, you feel as he feels, even with such simple words. It is about as upbeat as “Disintegration” gets and the closest thing to an obvious single but yet doesn’t feel out of place given its big sound. It also has one of my favourite bass lines ever, which wasn’t even ruined for me by younger brother who played it over and over and over after someone had taught it to him.


Check back next Monday for album #2. In the meantime, here are the previous albums in this list:

10. The Jesus And Mary Chain “Automatic”
9. Galaxie 500 “On fire”
8. The Beautiful South  “Welcome to The Beautiful South”
7. The Grapes of Wrath “Now and again”
6. New Model Army “Thunder and consolation”
5. The Wonder Stuff “Hup”
4. Pixies “Doolittle”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Vinyl

Vinyl love: The Beautiful South “Miaow”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Beautiful South
Album Title: Miaow
Year released: 1994
Year reissued: 2018
Details: black vinyl

The skinny: So this here’s the third and final (for now) installment in a totally unplanned series on the reissued Beautiful South albums in my vinyl collection. “Miaow” is the English alternative pop band’s fourth album and in my opinion, was their last great record. Much like on “Welcome to The Beautiful South“, the subject of the first of this series two weeks ago, the cover on this reissue is much different than the one I purchased on CD, many moons ago. But the reason for this was a controversy of a different sort. The owners of music chain HMV thought that the original cover of an audience of dogs expectantly looking up at a gramophone on a stage poked fun at their trademark. I’d never seen this replacement cover featuring sailing dogs until I received this reissue in the post. I’m still hoping that the band’s sophomore album, “Choke”, gets a reissue so that I can complete my collection of their must-have first four records. And well, I find myself wondering what that album cover will look like.

Standout track: “Hooligans don’t fall in love”