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Moving deeper into the top ten of my favourite tunes of 1991, I have, at number seven, Teenage Fanclub’s “The concept”, the epic opening track off “Bandwagonesque”.
Teenage Fanclub was formed in Scotland in 1989 by guitarist/vocalists Norman Blake, Gerard Love, and Raymond McGinley. Over the years, all three of these founding members have shared songwriting and lead vocal duties across their albums. Their number have typically been rounded up to four with a succession of drummers that have included Francis MacDonald (twice!), Brendan O’Hare, and Paul Quinn, and in recent years, they have added keyboards, the fifth member up to this year being Dave McGowan.
The band has never taken themselves too seriously and this was never more true than in their very first few years, prioritizing fun over proper song structure and form. Their first couple of albums were mostly just noise and laughs. “Bandwagonesque”, their third, bridges the gap between these early games and the surprisingly long career and excellent discography that followed. They were obviously still having fun here, as evidenced by gentle punches pulled at the metal genre (“Satan” and “Metal Baby”), and there was still a lot of noise happening, but there was also a lot more attention paid to songcraft. It didn’t sell a lot of copies at first release (though it did reasonably well in the states) but the critics loved it and so did their peers. They were name checked at the time by Sonic Youth and Nirvana and quite famously, Spin magazine picked this album as their album of the year for 1991 over “Nevermind”, “Out of time”, and “Loveless”. And it is still quite influential to the kids that were listening to it at the time and that have become known musicians these days, like Death Cab for Cutie’s Ben Gibbard, who recorded a full album cover of “Bandwagonesque” in 2017.
“The concept” starts off the album with a scream of feedback and that iconic first line: “She wears denim wherever she goes, says she’s gonna get some records by the Status Quo.” Its first two minutes set the stage for the rest of the band’s career, mellow rocker with jangly guitars just this side of fuzz and Blake’s gentle rock star vocals with the three part harmonies the band would become known for at the chorus. Between the verses, the guitars become just that much more raunchy and then, at the three minute mark, the song becomes completely instrumental and the guitars follow the drums into a loose jam, at one point, a violin bow is even brandished to further accentuate their point.
As album openers go, it doesn’t get much better. The six plus minutes is like butter on toast, urging you on for another bite. Happy Friday.
For the rest of the Best tunes of 1991 list, click here.