My (life in) music lists

Tunes

Best tunes of 2011: #14 Elbow “With love”

Post author By jprobichaud
Post date May 7, 2019
5 Comments on Best tunes of 2011: #14 Elbow “With love”

As a long time fan of British rock, I’ve always known there was a difference between the music scenes of Scotland, Ireland, and England and those here in North America. I had long imagined and romanticized that everyone over there listened to the same music I loved and other stuff I hadn’t yet heard because I knew that my favourite bands that I saw in tiny clubs in Toronto played to much larger crowds in much larger venues all over their native countries. However, my friends Tim and Mark, after spending a few years living and working in London shortly after the BritPop explosion, returned to Canada with news that most of the people they encountered listened to the same pop music consumed in North America. Still, they conceded, the radio played a lot of stuff that wasn’t played here and as we already knew, the press was very much different and more involved in exploring indie music.

I’ve gotten to learn more of these differences and similarities since starting in on this blogging gig almost eight years ago and in conversing with fellow bloggers from out that way. What hadn’t occurred to me but probably should have is that some of the bands I listen to that get little to no air play in Canada are so overplayed and overblown in England and as hated or ridiculed as Nickelback might be in some circles here.

And so it apparently is with Elbow, whom I love and have done since I happened upon them since the early 2000s. They’ve graced these pages a few times in the past couple years and comments have been decidedly mixed but leaning more towards the negative. I’ve had to forewarn a certain blogging colleague (I’m looking at you Vinyl Daft Dad) that another Elbow post was coming. But I think I can safely say this might be their last appearance for the foreseeable future.

“With love” is track three off the English rock band’s fifth album, “Build a rocket, boys!”. The album was less melancholy than its predecessors, mining the happier memories of youth for subject matter, but this one has frontman Guy Garvey pleading his case for a friend to join him on a night out for drinks. “I give my liver to see you, abide and ride shotgun. A Bacchian scandal awaits me, just can’t do it alone. Your sweetheart probably hates me, but I’ll send you home your dome filled up – with love.” To help Garvey in this Herculean effort, he’s got his bandmates chiming in with a heavy beat and bass accompaniment, ringing guitars and twinkling piano flourishes and encouraging handclaps. The devil has even enlisted the Hallé youth choir to add a big oomph at the chorus, an exclamation mark on the love!

For the rest of the Best tunes of 2011 list, click here.

Tags 2010s, Alternative, Alternative Rock, Best tunes, British rock, Elbow, Indie, Indie rock, Manchester

Vinyl

Vinyl love: The Veils “The runaway found”

Post author By jprobichaud
Post date May 5, 2019
7 Comments on Vinyl love: The Veils “The runaway found”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Veils
Album Title: The runaway found
Year released: 2003
Year issued: 2017
Details: First time on vinyl, black, 180 gram, limited to 1000, signed by Finn Andrews

The skinny: The Veils’ debut album, “The runaway found”, is one of those albums that burrows itself deep into your soul, lodges itself there, and periodically releases some sort of chemical that incites a strong need to listen to it again and again. This is thanks mostly to the brilliance of frontman and creative force, Finn Andrews. When I first got into this album, I was telling anyone who would listen that he has the voice of a Rufus Wainwright or a young Lou Reed (before his voice sent to seed) and the soul of a Tom Waits or a Nick Cave, or even an older Lou Reed. The band has changed lineups and sounds over the years and have gained some notoriety recently with an appearance on the “Twin Peaks” reboot but I’ve always been partial to this album. So when “The runaway found” was finally pressed by Music on Vinyl a few years ago, I didn’t hesitate to snap it up.

Standout track: “Lavinia”

Tags 12", 180 gram, 2000s, Alternative, Alternative Rock, Finn Andrews, Indie, Indie rock, Limited edition, Music on Vinyl, The Veils

Albums

Best albums of 1998: #2 Billy Bragg and Wilco “Mermaid avenue”

Post author By jprobichaud
Post date May 2, 2019
9 Comments on Best albums of 1998: #2 Billy Bragg and Wilco “Mermaid avenue”

After seeing him perform at a Woody Guthrie tribute concert in New York City, Guthrie’s daughter Nora contacted Billy Bragg in 1992 about a project. It seemed Woody Guthrie had left the lyrics for thousands of songs he had written but not recorded and for which, no music had been notated. Nora wanted to bring these songs to life for a new generation. Bragg agreed but not before enlisting the help of American alternative rock band, Wilco. The results were better than anyone could have expected, garnering critical acclaim, record sales, and a Grammy for everyone’s troubles.

I picked up on this album a few years after its release and mostly because I’d been a fan of Billy Bragg for a number of years. I’d heard a few of its songs beforehand but didn’t know then that they were re-creations of those written by Guthrie. Of course, when I first listened to it, I preferred the songs sung by Bragg to the others sung by Jeff Tweedy because I only knew Wilco by name, not their music. However, I have since grown to love all of the songs and appreciate the difference Tweedy’s voice lends to those others.

The sound and instrumentation of “Mermaid avenue” was definitely different from what I was used to with Bragg, which is likely why he wanted Wilco to help: to signal to all that this was not about him. It is old school Americana but with a modern edge, like actors dressing up in old costumes but speaking in modern colloquial. I’m not all that familiar with Woody Guthrie’s music, save for the iconic “This land is your land”, of course, but I have to imagine he would’ve been happy with the results. His daughter definitely was because the success of this album spawned two later volumes, as well as a box set collecting all of the compilations in one set.

It is typically difficult to narrow down my picks for you to three but this one was near impossible so I just took the first three in running order. Enjoy.

“Walt Whitman’s niece”: My first pick here is a song that sounds like a tall tale that might be spun in any bar in the world. “Last night or the night before that, I won’t say which night, a seaman friend of mine, I’ll not say which seaman…” It is a literary conquest sung (and told) by Bragg with the band members of Wilco as house band. You can almost picture Bragg sitting precariously on a stool having at it on his guitar after one too many and the band stomping along with him at the piano and harmonica, shouting along with him at the appropriate parts. It’s unseemly and full of innuendo and lots of good fun. Whitman would’ve been proud.

“California stars”: Jeff Tweedy (of Wilco) sings this next one around the campfire after a hard day’s work in the fields with fellow workers. “I’d like to rest my heavy head tonight on a bed of California stars. I’d like to lay my weary bones tonight on a bed of California stars.” It is a clear but lonely night. The sky is big and full of stars but not the same ones that watch over California, where his beloved lays sleeping and waiting for him. You can feel this longing and dreaming in every strum on the guitar, whine of the pedal steel and peal of fiddle. Tweedy’s voice is perfect here, giving it a completely different than it would’ve had if sung by Bragg. It’ll charm you for sure.

“Way over yonder in the minor key”: This one’s got a feel that reminds me of Huck Finn or The Little Rascals. “Her mama cut a switch from a cherry tree and laid it on the she and me. It stung lots worse than a hive of bees but there ain’t nobody that can sing like me.” Its language is childish, like a skipping game or patty cakes, and suggests a young first love. Billy Bragg leads the tale with Natalie Merchant adding her lovely vocals at the chorus. It’s gentle and melancholic, perhaps a remembering of a time long gone. It’s so beautiful, you’ll want to listen to it over and over again.