Categories
Tunes

Best tunes of 2020: #16 Dehd “Haha”

<< #17    |    #15 >>

Dehd recently announced the upcoming release of their fifth studio album, “Poetry”, due out in May. Some very welcome news for fans of their energetic blend of surf, post-punk, and garage rock.

I only came across Dehd with the release of 2020’s “Flower of devotion”, but that was actually their third album, after forming five years earlier. They are the trio of Emily Kempf (bass guitar, vocals), Jason Balla (guitar, vocals), and Eric McGrady (drums), based in Chicago, which surprises me every time I remember this fact. Because for some completely irrational and unknown reason, to me, they sound like they should hail from the UK.

And though I’ve not heard anything prior to it, I felt completely at home with “Flower of devotion” when I first heard it upon its release in July 2020. It felt alive and raw and vibrating with nervous energy, though from all reports it’s shinier and cleaner than its predecessors. It was exactly the kind of music that we needed as we were coming into the first summer of the pandemic, very much like an invitation to go outside and play.

“How does one get here?
When did we cross the line?
When it comes to falling, yeah
I’m falling all the time“

My favourite tune on “Flower of devotion” was track three, right from the very beginning. “Haha” was never released as a single but it certainly sounds like it could’ve been one. It is just over two minutes of jangly guitars, a hopscotch bassline, tongue clucking, and he said/she said, call and response vocals. With its staccato and twitchy chorus but fun feel throughout, it all seems so simple. But sometimes simple is exactly what you need for a perfect pop gem. And yes, that title makes me laugh every time.

For the rest of the Best tunes of 2020 list, click here.

Categories
Live music galleries

Live music galleries: Dum Dum Girls [2012]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Artist: Dum Dum Girls
When: August 3rd, 2012
Where: Tree stage, Osheaga, Jean Drapeau Park, Montreal
Context: After catching a crazy early afternoon set by a just-breaking-out Of Monsters and Men, at small side stage packed with curious onlookers, I had to bust my butt to get to the next stage over to catch the Dum Dum Girls perform just five minutes later. (These are the joys of musical festivals but one shouldn’t really complain after the last few years we’ve had.) I thought for sure that the L.A.-based, noise rock quartet would’ve already been well into their set by the time I got there, but they were still trying to get the microphones working. Despite their polished appearances and the perceived attitudes that they convey, the band was quite gracious and understanding in the face of all the delays. Once they finally got going though, their performance was beautifully loud and fuzzed out and angst-laden. Personally, I loved it, but there were many others that didn’t appreciate it as much as I did. I started off the set pretty far back because of my late arrival, but managed to get right up near the front by its conclusion. Dum Dum Girls finished their shortened set (eight songs early by their telling) with my favourite “Bedroom eyes” and a brand new track called “Lord knows” (though at the time, I had yet to listen to the recorded track). Technical difficulties aside, I thought Dum Dum Girls’ set was brilliant and definitely would have jumped at the chance see them live again. Unfortunately, they disbanded four years later and that chance never materialized.
Point of reference song: Bedroom eyes

Categories
Vinyl

Vinyl love: Slowdive “Everything is alive”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Slowdive
Album Title: Everything is alive
Year released: 2023
Details: pale pink

The skinny: From the ‘in case you missed it’ files, I’ve replayed my top five albums from 2023, albeit in a ‘vinyl love’ post format, over the last five weeks; partially because I love these albums and partially because I have them all on vinyl and want to show off their physical beauty as well. If you’ve missed them again, you can go back and admire records five, four, three, and two, but if not, you can read on for my favourite album of the year. Slowdive announced their second album since their 2014 reunion, earlier last year, and I was onboard immediately because of my love for previous one. I preordered a copy of the indie exclusive pale pink pressing that came in a gatefold sleeve from one of my favourite online indie record stores and received it well in advance of seeing them perform songs from it on their North American tour. Spinning it regularly, I quickly fell in love. As I’ve said before: “Everything is alive is hopeful and joyful and full of life. It is eight songs that don’t want to be anywhere near darkness and solitude. It is five musicians and friends that have known each other a long time performing as one, familiar and familial, a large sound that can envelope and absorb and has room for everyone and everything. It is the album we needed, whether we knew it or not.”

Standout track: “Kisses”