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Vinyl

Vinyl love: The Clientele “God save The Clientele”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Clientele
Album Title: God save The Clientele
Year released: 2007
Year reissued: 2017
Details: 10th anniversary reissue

The skinny: I got myself on a Clientele kick last month when the London-based dream pop band finally reissued their standout sophomore album, “The violet hour“, on vinyl, allowing me to complete my collection (for now) of their LPs for my record shelves. Of course, that set me off on a Clientele bender, which in my mind is never a bad bender. I got away from spinning their records for a couple weeks but now I’m back at it with their fourth record* and my third favourite album of 2007, “God save The Clientele“. It was their first album with the addition of violinist Mel Draisey, which added a whole other element to their already heavenly psych pop, and saw them oddly more upbeat than on previous outings. This record was added to my collection in 2017 when Merge reissued the album in celebration of its 10th anniversary, original album art intact but with the addition of a silver title enhancement.

Standout track: “Bookshop casanova”

*I’ll be taking a break from these while I work at finishing up the countdown of my favourite albums of the year but I looking forward to spinning the rest of The Clientele’s albums early in the new year.

Categories
Vinyl

Vinyl love: No Joy “Wait to pleasure”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: No Joy
Album Title: Wait to pleasure
Year released: 2013
Year reissued: 2023
Details: 10th anniversary, tan vinyl

The skinny: Here’s another great shoegaze album celebrating an anniversary this year and while this one is not quite widely recognized as a classic, it certainly is in held as such in some circles. No Joy’s sophomore album “Wait to pleasure” was my introduction to the Montreal-based outfit led by Jasamine White-Gluz. They came up on my Facebook feed one day in 2013 from a group about shoegaze that I had forgotten that I’d joined. When I checked out the album and its mix of My Bloody Valentine and Sonic Youth crunch with Cocteau Twins and early Lush gauze-y goodness, this fan was sold. Ten years later, their Canadian label Hand Drawn Dracula* has reissued and repressed one hundred copies of the album to translucent tan vinyl to celebrate its anniversary. I pulled the trigger on Bandcamp as soon as I saw it there, which also happened to be a Bandcamp Friday. So win-win-win all around.

Standout track: “Hare tarot lies”

*Quite possibly my favourite indie label of the moment.

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Vinyl

Vinyl love: Death Cab For Cutie “Transatlanticism”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Death Cab For Cutie
Album Title: Transatlanticism
Year released: 2003
Year reissued: 2013
Details: Gatefold sleeve, 10th anniversary, 2 x 180 gram, 12-page booklet

The skinny: I finally got around to purchasing a full pass to this year’s Ottawa Bluesfest and I can’t even really explain why I procrastinated so much. The organizer’s typically do a pretty good job of putting together a diverse lineup that tries to please everyone to some extent (and invariably, disappoints many) but this year’s lineup suits my own personal tastes better than it has for many years now. There’s at least one act on each of the festival’s nine days that I really want to see*. And one of the acts I’m most looking forward to is Death Cab for Cutie, who I saw live for the first time more than 15 years ago but haven’t seen since. This performance is part of the tour supporting last year’s “Asphalt meadows” but they are also touring in the fall to celebrate the 20th anniversary of their now iconic 4th album, “Translatlanticism”. I can’t even believe that I purchased the copy of this very same record for my vinyl shelves a decade ago: a 10th anniversary, 180-gram double LP edition, complete with a gatefold sleeve and a lovely 12-page booklet. This was procured back when my collection was still in its infancy and probably just around the time that I finally bought my turntable. “Transatlanticism” was a no-hesitation purchase because it was my introduction to this great band upon its initial release and with all the albums they’ve released since, it’s one I return to time and time again.

Standout track: “The sound of settling”

*But I’ill likely have to miss a night or two in the interest of conserving energy.