Vinyl love: Erasure “The innocents”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Erasure
Album Title: The innocents
Year released: 1988
Year reissued: 2016
Details: 30 years limited edition, 180 gram

The skinny: Back in 2016, iconic synth pop duo Erasure celebrated their 30th anniversary together and to celebrate, they reissued their first twelve albums on 180 gram heavyweight vinyl. I enjoyed a lot of their early work but for me, there was one album that I decided was a must for my collection. “The innocents” was Vince Clarke and Andy Bell’s fourth album together and was my introduction to their music. The album spent many hours in my walkman and in the cassette deck of my bedroom stereo. I know each of the ten tracks very well. Some of them sound a bit dated today but that didn’t stop me from ranking it at number nine when I counted down my favourite albums of 1988 last summer. This is some serious 80s throwback.

Standout track: “Chains of love”

Best albums of 1988: #1 The Pogues “If I should fall from grace with god”

Yeah. These guys. You know them. You love them.

Though it’s likely they didn’t actually invent the whole Celtic folk punk genre, The Pogues certainly popularized it, inspiring a whole boatload of next generation musicians to form bands like Flogging Molly, The Dropkick Murphys, and The Mahones. Interesting, then, that the group was formed in London, rather than Dublin, and only ever included two Irish born members in their large and rotating contingent.

Getting started in 1982 with original members Shane MacGowan, Spider Stacy, and Jem Finer, their name evolved out of an anglicisation of ‘póg mo thóin’, celtic for ‘kiss my arse’. The Pogues released a total of seven studio albums before calling it quits in 1996. However, for many, there’s only two albums in their catalogue (their second and third) that really mattered and between those two, the debate rages on over which is the superior.

For me, “If I should fall from grace with god” only just wins out over “Rum sodomy and the lash” and it is the mere presence of one great, transcendent song that will surely be discussed a little later that does the trick. Both albums are solid and complete albums. Where “Rum” is slightly more focused on the Celtic folk punk sound, however, “If I should fall from grace” branches out quite a bit more, dabbling and cavorting around the world of music. Many of the band’s contingent have also pointed to this album as their favourite and best, agreeing that nowhere else were they as on their game. And it’s true that as varied as the songs are across the track listing, nothing feels amiss or disjointed. An amazing feat considering the varied sounds and instrumentation that make up its whole and the contributions that included an additional eight musicians to the eight players that made up the band at that particular time.

There are fifteen tracks in total on “If I should fall from grace with god” from which I could have chosen my three picks for you, and one was a given, leaving me two. It was an onerous task but I perservered. You’re welcome.


“If I should fall from grace with god”: From what I’ve read, the title track on the album was originally recorded for the “Straight to hell” soundtrack, albeit at a slower speed. I’ve never heard it but don’t think I’d want to. The pace of the version on the album seems perfect to me, a rousing bar number that feels precariously close to shambles. And that’s the beauty of The Pogues, especially on this album, where the musicianship is so tight it feels loose and free. And I feel a lot of the credit has to go to the frontman at the time, the notorious Shane MacGowan, a deceptively great songwriter whose growling and screaming vocals create an energy all of their own. The rest of The Pogues’ cast can only help but follow along, navigating such speeds by the seats of their pants. “If I’m buried ‘neath the sod but the angels won’t receive me, let me go, boys.” Indeed, Shane, indeed.

“Thousands are sailing”: Starts off haunting with a pluck on the banjo and a hollow, echoing flute, sounding like they’re being played by the ghosts in the profound depths of the coffin ship’s hull. The music gets more spritely from there, gentle on the verses, just enough to urge MacGowan along with accordion melodies and incidental drumming, but picks up substantially at the choruses, drumming heavy handed and accordion, mandolin, and banjo becoming a hootenanny, almost drowning out the singing. Phil Chevron’s words as sung by MacGowan, though, never stray from the heartbreak, sowing the tale of thousands of Irish immigrants and of those who never actually survived the trip to the US shores. “Ah, no, says he, ’twas not to be. On a coffin ship I came here. And I never even got so far that they could change my name.”

“Fairytale of New York”: Not only is this now considered one of the all-time great Christmas tunes, ranking up there with Nat King Cole’s iconic “Christmas song”, Bing Crosby’s ubiquitous “Little Drummer Boy” duet with David Bowie, and Band Aid’s fundraising theme “Do they know it’s Christmas time”, but it’s also one of my all-time favourite Pogues tunes. At it’s heart, it’s a story of love that’s lost and found again on Christmas day, all brought to life by the excellent imagery of characters created in the juxtaposition of the rough and raucous voice of Shane MacGowan against the beautiful pipes of guest vocalist Kirsty MacColl. Her call and response banter, matching MacGowan’s snarl and rasp with just the right degree of attitude and defiance, really makes this song the classic that it is. Her disillusioned muse ‘character’ holds nothing back, even the love that she unbelievable still feels for the character of her drunken partner in MacGowan. The lyrics are grittier here than you would normally expect from a heartwarming Christmas tune but these just make the softer moments all the more mind blowing. Witness below:

Kirsty:
You took my dreams from me
When I first found you…

Shane:
I kept them with me babe
I put them with my own
Can’t make it all alone
I’ve built my dreams around you

Indeed, my wife Victoria loved these lyrics and the sentiment of building your dreams around someone you love so much that she insisted we work them into our own wedding vows almost 10 years ago. Who was I to argue?


In case you missed them, here are the previous albums in this list:

10. The Sugarcubes “Life’s too good”
9. Erasure “The innocents”
8. Billy Bragg “Worker’s playtime”
7. Jane’s Addiction “Nothing’s shocking”
6. Leonard Cohen “I’m your man”
5. R.E.M. “Green”
4. Pixies “Surfer rosa”
3. The Waterboys “Fisherman’s blues”
2. The Wonder Stuff “The eight legged groove machine”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Best albums of 1988: #2 The Wonder Stuff “The eight legged groove machine”

You can pretty much file this album under nostalgia for me. I won’t deny it. The Wonder Stuff weren’t particularly ground-breaking or influential but I was a rabid fan of the band throughout the 90s. In truth, I fingered them as my favourite band for a great many years. Much of this leads back to my initial discovery of the band, way back in 1990.

A friend at the time, Elliott, loaned me a cassette tape copy of “The eight legged groove machine”. This friend was mostly into thrash metal and hardcore punk so I was a bit dubious. However, he assured me that The Wonder Stuff weren’t of that ilk and that the only reason he had the album at all was that he had liked its cover (yes, we used to do that in the old days). I think I had the album for about a week before I put it on while doing some chores around the house. What struck me immediately was the band’s energy. After a few songs, the lyrical content caught my attention even more. With titles like “Give, give, give me more, more, more” and “It’s yer money I’m after baby”, they were songs that weren’t being played on commercial radio and they appealed to my typically instilled angst and ennui. It was love at first listen.

The Wonder Stuff formed in 1986 in Stourbridge, England and came out of the music scene based in the Midlands, curiously titled ‘Grebo’, that also spawned such luminaries as Pop Will Eat Itself, Ned’s Atomic Dustbin, and Carter the Unstoppable Sex Machine. This scene was popular in England at the time but never really took hold here in North America. The Wonder Stuff released a total of four albums before splitting up in 1994, much to my chagrin.* After a few years in which the band members undertook various solo projects, the band re-formed in 2000 as they were at dissolution in 1994, with the exception of the bass player (the original bass player, Rob Jones, had died in 1993 and Paul Clifford wasn’t included in the reunion). Miles Hunt, Malc Treece, Martin Gilks, and Martin Bell, along with Pete Whittaker and a new bass player, played a series of sold out shows at the Forum in London. Since then, there have a been a number of lineup changes and a few new albums released but the only constant from the original lineup now is frontman, Miles Hunt.

“The eight legged groove machine” was The Wonder Stuff’s debut album. Running in at just under 40 minutes in 14 tracks, it was snarling, raucous pop, music that snuck up behind you and sucker punched you every time. The songs were short, fast, rabidly catchy, and the lyrics biting but playful. Each song is a large part of my memories of my late teen years because they were so often the soundtrack that accompanied me on my walkman in those days. Admittedly, the album sounds a bit dated when I listen to it now but there are tracks here that I still count amongst my favourite tracks. Here are my three picks for you, along with some of the Miles Hunt lyrical gems contained within.


”Give give give me more more more”: The cash register ka-ching that starts the song, feels like an echo throughout its three minutes, and frontman Miles Hunt starts in. “Well I hope I make more money than this in the next world. I hope there’s a lot more in it there for me. I’d like my trousers pressed and my shoes shined up by a rich girl, who’s only care in the world is me.” Never demanding much, is he, that Miles. Just everything and more. And it becomes a clarion call with the pounding beat and rifling guitars that bounce and climb, not-so-gently requesting everyone into some pogo action (just don’t stage dive, whatever you do).

”A wish away”: A danceable beat and jangly guitars and you want to jump out on the dance floor to sing along with the repeated chorus line. It all feels so happy and upbeat but the song is anything but about all that. Like much of this album, the short, energetic jolts have dark and cynical undertones. The singer here is never really needing his lover around except at his low times. “But now I need a hug and now I need a love and I really, really wish you were here.” On the title, frontman Hunt has said that they came up on it by way of a recording accident and hearing the vocals sung backwards. The extra line to include it at the end was just a tease.

”It’s yer money I’m after baby”: There’s one thing you can say for Miles Hunt and his lyrics. He doesn’t really use vagaries, at least not in his early work, but he always could deliver a line. “Don’t give me love, oh no none of that stuff ‘cos it’s yer money I’m after, baby.” What The Wonder Stuff as whole does, though, is take the biting wit and sugarcoat it in rip-roaring and peppy pop tunes. Like the previous two, this track clocks in around the three minute sweet spot and deliveries on the catchy and the danceable. The acoustic strumming, the wiry bass line, the almost silly electric guitar high, and of course, Martin Gilks’ super fun drumming. Just another great track that I would listen to over and over again as a teen and that I still know word for word today.


Check back next Thursday for album #1. In the meantime, here are the previous albums in this list:

10. The Sugarcubes “Life’s too good”
9. Erasure “The innocents”
8. Billy Bragg “Worker’s playtime”
7. Jane’s Addiction “Nothing’s shocking”
6. Leonard Cohen “I’m your man”
5. R.E.M. “Green”
4. Pixies “Surfer rosa”
3. The Waterboys “Fisherman’s blues”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

*True story: I learned of The Wonder Stuff’s break up on a camping trip, while cutting down a tree for firewood. After my friend Tim mentioned this piece of news, the tree came down in short order.