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Tunes

Eighties’ best 100 redux: #88 The Pogues “Sally Maclennane” (1985)

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(So it’s been a very long time (almost six months!) since we’ve seen a post in this series and the band featured today is the very reason why. The death of The Pogues frontman Shane MacGowan last November hit me hard, perhaps harder than any other musician’s death in recent memory. When I saw that this song was the next on the list, I wondered whether I should use this space to commemorate how much MacGowan’s songwriting meant to me and how special he was to so many and I wondered whether I was up to the task. In the end, I decided to keep this post about the song at hand and of course, about the (entire) band that wrote and performed it.)

The Pogues were originally named Pogue Mahone when they formed in 1982, which is an anglicized play on a phrase in Gaelic meaning ‘kiss my arse’. The band sanitized and shortened it to their more popular name just as they were releasing their first album, “Red roses for me”, in 1984. The band and their unique celtic folk-infused punk sound drew international attention and success with their next two albums, 1985’s “Rum, sodomy, and the lash” and 1988’s “If I should fall from grace with god“. After which, the band began to fall to pieces due to the unreliability of the aforementioned founding member and frontman, Shane MacGowan, and his penchant for drinking. He made only cursory contributions to 1990’s “Hell’s ditch” and was finally sacked in 1991. The band carried on without him for a while, without the same success, but called it a day 1996.

The Pogues are still considered one of the more influential bands of the eighties. They practically invented the Celtic punk genre by fusing politically-charged lyrics and punk ethos with the use of traditional Celtic instruments and song structures. Without their existence, we likely wouldn’t have bands today like The Dropkick Murphys, Flogging Molly, and The Mahones. And this song here is a perfect example of the template those other bands use.

“Sally MacLennane” was the second single released off “Rum, sodomy, and the lash” and incidentally, the second of the band’s singles to crack the UK singles charts. It is a drinking song that was reportedly inspired by a bar owned by MacGowan’s uncle. It’s upbeat with a machine gun drum line that punctuates each line, a hammering bass drum pace, swirling accordion and tin flute, and MacGowan’s inimitable debauched delivery that is oft answered with shouting backing vocals. It tells the story of a promising young man that leaves a home that he feels is impeding his potential. After years of absence, he realizes he misses his home but then, it isn’t the same upon returning. It’s about memory and loss and nostalgia, all things that often surface after a few pints.

Original Eighties best 100 position: n/a

Favourite lyric: “I’m sad to say I must be on my way / So buy me beer or whiskey cause I’m going far away.” It’s not so much the words, as cool and heavy as they are, but the way they are sung or shouted and make for meaningful drunken memories with friends.

Where are they now?: In 2001, The Pogues re-formed, including Shane MacGowan, and toured sporadically until 2014, but there was never any new music released. MacGowan’s death seems to have put an end to any talk of another reunion for now.

For the rest of the Eighties’ best 100 redux list, click here.

Categories
Vinyl

Vinyl love: Sloan “One chord to another”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Sloan
Album Title: One chord to another
Year released: 1996
Year reissued: 2016
Details: n/a

The skinny: Well, it’s Canada Day again, and on these pages, this just gives me yet another reason to feature an artist from my home country and there are a great many to choose from. Sloan, for instance, is an alt-rock quartet that formed in Halifax, Nova Scotia way back in 1991 and is still a going concern today. I wasn’t initially a fan when I heard their first ever single “Underwhelmed” in 1992 but warmed up to a couple of singles off their sophomore album, 1994’s “Twice removed“. It took their third album, “One chord to another”, however, to make me a full-fledged fan. So of course, this record was destined my vinyl shelves. I purchased this reissue on one of my many trips to Toronto’s Sonic Boom, a massive record shop in Chinatown and I pull it out regularly when I’m in the mood to rock out. Happy Canada Day!

Standout track: “Everything you’ve done wrong”

Categories
Tunes

Best tunes of 2020: #14 The Beths “I’m not getting excited”

<< #15    |    #13 >>

Just a few days ago I posted about a set I caught at last year’s Ottawa Bluesfest, a set that serves as just one example of what makes the festival so special: the strong possibility for musical discovery in the joy of live music. This next band on my Best tunes of 2020 list was another example of one whom I really fell hard for when I saw them at this very same festival.

The Beths were formed in Auckland, New Zealand in 2014 by four musicians who met at university while studying jazz. They released their debut long player “Future me hates me” in 2018 but I didn’t come across it until the following year, else I might have included it on my list of favourite albums that year. Luckily it didn’t escape other’s notices because all the critical acclaim meant multiple tours and one of these landed them on the 2019 Bluesfest lineup. I don’t remember now if I picked up on them before I saw their name on the website or afterwards, but I definitely earmarked them as a set I really wanted to catch after repeat listens of their power pop harmonies. And of course, I’ve mentioned a few times on these pages how the New Zealand quartet “blew the doors off” the stage and I afterwards stumbled over to the merch tent to pick up a copy of their record.

So for me, “Jump rope gazers” was a highly anticipated release in early 2020, after having played the hell out of the debut record for the rest of 2019. Unfortunately, the sophomore record wasn’t quite as immediately attention grabbing as I was expecting and instead was one that had to grow on me, working hard to earn its place on my end of the year list. Track one on the album was an exception to this, a real standout for this writer, right from the first spin.

“I’m not getting excited
‘Cause my fight and my flight are divided
And so I don’t enthuse
Keep my grip on joy loose
And I wait for the news
With my feet in my shoes”

At first glance, the music doesn’t match the song title. The revving guitars, insistent drum beat, and Elizabeth Stokes’ breathless delivery is all very exciting and feverish and energetic. However, when you consider its almost like an updated and more self aware take on Green Day’s “Basket case”, albeit with a different set of neuroses, the anxious tone reveals itself, as does the pervading take on The Jonah Complex. “I’m not getting excited” is so good and so relatable.

For the rest of the Best tunes of 2020 list, click here.