Categories
Tunes

Best tunes of 2000: #6 Mojave 3 “Return to sender”

<< #7    |    #5 >>

It was Saturday afternoon, September 30, 2000, and I was at work, nearing the end of my shift. I called Tim because I had a hankering to go out and was curious to see what my friends were doing. “I know what you’re going to do tonight,” Tim proclaimed, much like Hunter S. Thompson’s lawyer might have done in ‘Fear & Loathing in Las Vegas’. “You’re coming with me to see Mojave 3 at the Horseshoe tonight!” It was fortuitous for him and for me that he had an extra ticket for the show and was looking for someone to claim it. I had never really listened to Mojave 3 before but I was game.

I don’t really remember many details of the show, given the amounts of cheap draft consumed that night, but I’ve got two that I can relay. The first is that I must’ve really enjoyed it because I went out the very next day to purchase their latest disc, 2000’s “Excuses for travellers”. The second is a short conversation that transpired on the way out of the Legendary Horseshoe after the show that will live on in infamy. Tim was saying something about how Neil Halstead and Rachel Goswell had gone all Cowboy Junkies with Mojave 3. And I drunkenly proclaimed, “Tim, you have no concept of genre.” He just looked at me, incredulous, and said, “I don’t even know how to respond to that.”

I don’t want to put more words in his mouth than necessary but Tim was probably referring Halstead’s and Goswell’s pointed shift in musical direction after they disbanded their original band, Slowdive, and formed Mojave 3 with another Slowdive member, Ian McCutcheon. By 2000, they had added Alan Forrester and Chapterhouse’s Simon Rowe to their roster but they never did change the three in their name to a five. They were also on album number three by this time and had firmly defined their sound, as atmospheric as anything their first band would’ve been proud of but with a country and folk tinge, which is likely where Tim dug up his Cowboy Junkies reference.

“Return to sender” is a boppy number that dances along to Halstead’s gentle acoustic strumming and his soft and plaintive vocals. The jaunty drumming, the banjo twang, twinkling keys, and harmonica flourishes only to serve to add to the wistful joy. And all that’s great but for me, this song is elevated above others of its type by the lyrics.

I went looking for a priest
I said say something please
I don’t want to live my life all alone
He said god will take care
Of those that help themselves
But you look pretty screwed
Send a letter

So all this to say, after years of listening to this song and catching up on the rest of Mojave 3’s back catalogue, I may be willing to concede that Tim may have had something with the Cowboy Junkies comparison. (But I still stand by my statement about his lack of genre sensibilities.)

For the rest of the Best tunes of 2000 list, click here.

Categories
Vinyl

Vinyl love: Belle And Sebastian “Girls in peacetime want to dance”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Belle And Sebastian
Album Title: Girls in peacetime want to dance
Year released: 2015
Details: black vinyl, 2 x LP, gatefold sleeve

The skinny: The Glasgow-based indie pop collective returned after five years with album number nine and to my ears, it’s their best in a decade. It’s fresh and rejuvenated and shows that Stuart Murdoch hasn’t quite found the end of his tether yet.

Standout track: “The party line”

Categories
Tunes

Best tunes of 2010: #21 School Of Seven Bells “I L U”

<< #22    |    #20 >>

True story: In 2004, two bands embarked on a US-wide tour as opening acts for Interpol. Three years after the tour, a new band was formed from members of these two bands. Secret Machines would attempt to carry on without their lead guitarist, Benjamin Curtis, releasing one final album in 2008, but On!Air!Library! could not survive without twin vocalists, Claudia and Alejandra Dehaza.

School of Seven Bells was the name of said resulting band, a title they took from a legendary and perhaps fictional training school for pickpockets and thieves in South America. They released two full-length albums, 2008’s “Alpinisms” and 2010’s “Disconnect from desire”, before Claudia quit the band, leaving behind a duo. There was another album released and they were working on a fourth when Benjamin Curtis was diagnosed with lymphoma and died suddenly in 2013. Alejandra finished his work and released the final album last year. But that’s a story for another day.

I got into School of Seven Bells because I was rather enamoured with Secret Machines’ first two albums and wanted to see what it was that could drag Benjamin Curtis away from such a good thing. As it turned out, I really liked his second band as well, though they were quite different. Where his first band was all about the big and epic prog-influenced, guitar rock, Curtis’s direction with School of Seven Bells takes his listeners on a dreamy, electronic voyage through mysticism of many different stripes.

“I L U” is, in my mind, the undisputed standout track on “Disconnect from desire”, the band’s second album. It is a song of longing and regret and immobilizing sadness set to an incredible beat and irresistible waves of synths and guitars. The Dehaza sisters’ vocals are there, clear and strong, floating above the ether and threatening to delve deep into your soul. It hints at left of the dial eighties but there is something so very fresh about it at the same time.

And something otherworldly too. Indeed, “I L U” could be a dance floor filler at a dance club for ghosts. Lovely stuff.

For the rest of the Best tunes of 2010 list, click here.