Categories
Tunes

Best tunes of 1991: #6 Blur “There’s no other way”

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I’ve just spent the last few days at a cottage with some of my best friends, old friends, many of whom I’ve known since high school and earlier. We whiled most of the time just hanging out, telling jokes, reliving ancient histories, and listening to tunes. So of course, this particular tune lines right up with feelings and memories drummed up this weekend.

Most of you regular visitors to these pages will know that I am still a huge Blur fan, even after all these years. And well, it all started with their debut album, “Leisure”. When I was in my final year of high school, I had a copy of it on cassette tape, recorded to one side of a C90 and on the other was Chapterhouse’s debut album, “Whirlpool”, both from compact discs borrowed from a friend’s then girlfriend. That I had both albums on one cassette and that this cassette spent plenty of time in my Walkman and bedroom stereo really shines a light on where I was musically in 1991. Yes, I was gobbling up everything that fit into either the shoegaze or madchester pigeonholes.

And while Chapterhouse were decidedly of the shoegaze and dream pop ilk, Blur hadn’t quite declared their mission statement yet, that would come on their sophomore album (tales for another time). So “Leisure” was a bit of a mixed bag, Blur dipping their toes and waggling them in both pools. It says something about the band’s talent and Damon Albarn’s prowess as a songwriter that the album doesn’t feel disjointed at all and that it’s got some amazing tracks that are still considered fan favourites today.

One of these is “There’s no other way”, the second single to be released off “Leisure”. It greets us with a big hello of sliding guitar riff care of Graham Coxon and a big and funky Dave Rowntree beat accoutred with a liberal shake of the tambourine. Alex James shakes his head with his backbone bass, cigarette dangling from his lips and Damon Albarn adds some organs that sound ripped from Rob Collins’ (of The Charlatans) repertoire. All the while, he’s singing about how it sucks to grow up.

“There’s no other way. All that you can do is watch them play.”

It definitely sounds of its time and from a bunch of art school kids in London, it feels like they’ve been visiting the dance halls in Manchester quite a bit. Not that I complained then, and I still don’t.

And oh yeah, if you haven’t seen the video, it’s worth clicking below just to see Damon’s haircut from back then.

For the rest of the Best tunes of 1991 list, click here.

Categories
Albums

Best albums of 1997: #5 Blur “Blur”

Blur practically invented Britpop.

It was the media that invented the term, of course, but the impetus lay in albums like Blur’s sophomore album, 1993’s “Modern life is rubbish”. Written in part as a reaction the Grunge scene and the alternative explosion in North America, frontman and principal songwriter Damon Albarn wrote a poppier rock record influenced by British artists with songs satirizing British life. These British-centric themes and ideas carried forward into 1994’s “Parklife” and then, released during the height of Britpop mania in 1995, “The great escape” saw Blur almost parodying themselves in technicolour cartoons.

When it came time to record album number five, the four members of Blur had become disenchanted with the scene and really, with themselves. Albarn finally bought into the lo-fi influenced rock (think Pavement) that guitarist Graham Coxon was becoming more and more enamoured with. Coxon convinced Damon that it was time to write ‘music that scared people again’. The band convened to Reykjavik, Iceland and “Blur” was born.

Many of you who read these pages frequently will know by now that I have been a fan from the beginning so it may not surprise you to see this album in my top five for 1997. However, when I first heard the lead off single “Beetlebum” and then the rest of “Blur” later on, I didn’t recognize it as the band I loved and was initially unsure of the change. It was so jarring, so different from the zaniness of “The great escape”. Of course, it didn’t take super long for me to buy in, maybe a few go rounds in my CD player, and I didn’t look back. “Blur” is crunchy, noisy, and aggressive and it’s not surprising that it finally gave the band their first hit single in the US.

I imagine most of you already know “Song 2” (often misnamed “The Woo hoo song”) so I didn’t include it as part of my three picks for you below.


”M.O.R.”: David Bowie and Brian Eno get songwriting credits since Damon and company lifted the chord progression from two songs on “Lodger”, which themselves shared the same progression as an experiment of sorts. “M.O.R.” is a song that builds through each verse structure to the explosive chorus. The call and response vocals are fun, each taking turns under distortion effects. The drums are punchy and the guitars wailing. It’s most certainly constructed for pogoing and shouting along with and just having a blast.

”Beetlebum”: As mentioned above, this was my first exposure to the new album, being the first single released and also the opening number on the playlist. Writers have called it a tribute to The Beatles and you certainly can hear their influence buried deep within all the crunchy guitars and feedback but it could just be laziness on the writers’ parts, making assumptions based on the name. Damon Albarn has admitted that it was influenced by his own experiences with heroin and other drugs and that definitely sounds spot on. It is droning and flailing and free falling. It would have easily fit on the “Trainspotting” soundtrack had it been recorded a year or so sooner.

”On your own”: Yes! This is actually my favourite song on the album. It’s a singalong, for sure, but not in the traditional sense. It becomes one in the way the thumping drums and Coxon’s wailing guitars frame the vocals so wonderfully. And Albarn’s singing is so personal and lazy, like he doesn’t care who’s listening but knows we all are. The backing vocals join in midway through the verse and the chorus becomes a defiant shout. You just want to pump your fist in support. This is the new Blur. They don’t give a fig if you don’t like it but somehow know you will. Wicked.


Check back next Thursday for album #4. In the meantime, here are the previous albums in this list:

10. Cornershop “When I was born for the 7th time”
9. The Dandy Warhols “The Dandy Warhols come down”
8. Teenage Fanclub “Songs from Northern Britain”
7. The Mighty Mighty Bosstones “Let’s face it”
6. Ocean Colour Scene “Marchin’ already”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Vinyl

Vinyl love: Blur “The magic whip”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Blur
Album Title: The magic whip
Year released: 2015
Details: Black vinyl, 2 x LP, Gatefold sleeve, OBI strip, poster

The skinny: Blur’s out-of-the-blue 8th album came about by accident and was only ever released because of how good the band felt about recording it and how great they felt the end product was. For me, it’s like an incredible bonus/hidden track at the end of your favourite album. Who knows if we’ll ever see another Blur album?

Standout track: “There are too many of us”