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Eighties’ best 100 redux: #80 Depeche Mode “People are people” (1984)

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If you’ve been around this blog before, you’d know that I’ve written about the legendary synth pop band originally from Basildon, England many times over. So instead of treading and retreading over familiar ground, I’ll tell you a story*. (Mind you if you are looking for more words about the band and this song, have a gander at the post on my top five favourites of their songs from the 80s.)

Nearly forty years ago, just as I was starting high school, I got my first job, if you can call it that. I took over delivering flyers to the houses in my neighbourhood from one of my friends for a company called Davcar Distributing. If you’re of an age that you don’t recognize the term, ‘flyers’ were printed advertisements that were like mini catalogues, printed on newsprint**, ranging any where from one to twelve pages, providing the weekly sales for grocery stories like A&P and Dominion and other commercial enterprises like Sears and Canadian Tire. It was piece work, getting pennies per flyer delivered. There were two or three hundred houses on my route and there were typically five to seven flyers to be delivered each week. The route took me a few hours to do on a Friday night and I would get $10 or so for my efforts.

Every few weeks, Carol***, one of the proprietors of the company, would ask if I would take on one of the nearby routes when the regular delivery kid wasn’t able to, and it would mean a bit more money that week, but also cut into more of my prized weekend time. At some point, I was asked if I would be interested in taking over all the down routes**** in my small town and after some cajoling and promises of help from my mother, I agreed. It meant that a walk on Friday night turned into a whole weekend endeavour. I would be responsible for 10-12 routes on any given week, sometimes more, and I figure that at some point over the two years that I delivered these flyers that I probably walked up to the door of every house in Bowmanville.

We quickly had it down to an art though. Friday nights after dinner, we would put on a movie or two and sort out the flyers, unbundling stacks, and fitting each flyer within in each other so that they were ready for delivery and stow them in black plastic Knob Hill Farms baskets*****. My mother had a road map of the town, on which she highlighted each route to which we delivered in a different colour marker and we knew exactly how many houses were on each route and so, how many flyers needed to be delivered. She would drop me off at the beginning of each route, loaded down with two paper carrier bags loaded with pre-sorted flyers, one on each shoulder, and pick me up at the other end, where she waited in our little silver chevette reading a Harlequin romance novel. Then, while she drove off to the start of the next route, I would refill my bags with the exact amount of flyers needed.

This is the job where I gained my love/hate relationship with walking and my very real fear of dogs. Don’t laugh. I was once chased by a massive Dobermann pinscher for 200 metres or so, on a Sunday night at dusk, after a whole weekend of deliveries, from the front porch of a heritage house over an overgrown lawn and over a five foot wide drainage ditch and into the front passenger side door of my mother’s car, which she luckily had the foresight to open for me as she saw the chase ensuing. It was like the Chopper scene in Stand by me, in slo-mo and everything, but the danger was very real. My mother had to get the car washed the next day to erase the dog slobber froth from the passenger window.

And I could tell many other stories from those days – from the odd people I ran into on the streets and the conversations, to the different lifestyles of Bowmanville’s residents, their possessions and collections, and the relationships to their pets****** – but this post would end up like War and Peace in length. Instead, I’ll get back to the point. What does this job have to do “People are people” by Depeche Mode?

Well, as you can imagine, all that walking alone would afford lots of time to think and have conversations with oneself and before I was able to save up for a Walkman, sing songs to oneself as well. One of these songs was Depeche Mode’s “People are people”. I will never be able to tell you now where I first heard the songs, whether on the radio or at a school dance, but those chorus lines stuck with me. “People are people, so why should it be / You and I should get along so awfully?” These were the only lines I knew and sang them over and over again. They resounded for me. They were words that had meaning. And applying them to my own experiences thus far in life, I gave them my own meaning.

When I later discovered the author of these words, I became a fan of Depeche Mode. “Some great reward” would be the first album I would own by the band, mostly because of “People are people”, buying it on cassette, with money earned from a different job. And I’ve never looked back… except of course, to remember singing those chorus lines over and over while walking sidewalks burdened by loads of flyers.

Original Eighties best 100 position: n/a

Favourite lyric: “Now you’re punching, and you’re kicking, and you’re shouting at me / I’m relying on your common decency / So far, it hasn’t surfaced, but I’m sure it exists / It just takes a while to travel from your head to your fist” These lines always made me laugh.

Where are they now?: Despite losing band mates, near deaths, deaths, and dealing with a host of other trials and tribulations over the years, Depeche Mode are still going strong, now just a duo, after 45 years. They released their 15th studio album, “Memento mori”, back in 2023.

*One of which I’ve hinted at pieces at least twice in two previous Depeche Mode related posts.

**Some companies still print them and deliver them directly to mailboxes through Canada Post but many just make them available online.

***I believe that was her name.

****Down routes were all the routes that didn’t have a regular carrier.

*****Those who know, know.

******I’ll never forget the pet raccoon that would pull the flyers from me as I was feeding them into the mail slot in the front door.

For the rest of the Eighties’ best 100 redux list, click here.

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Tunes

Best tunes of 2013: #16 Black Hearted Brother “This is how it feels”

<< #17    |    #15 >>

For a time back at the end of 2013, I found myself listening to nothing but Black Hearted Brother and their debut album, “Stars are our home”.

The album was released in October of that year and took me completely by surprise. At the time, I had pretty much given up on any new material from Mojave 3, and well, forget about Slowdive, and Halstead’s solo work, while excellent, had never been mind-blowing. I hadn’t heard any peep or rumour about any possible new Neil Halstead projects. The only reason I listened to this album at all was that the name, Black Hearted Brother, jumped out at me from the album release pages as one that I fancied. So, yes, the album was a surprise but it was even more so when I first put it on. Indeed, that voice was instantly familiar to me and a quick Google search had me smiling at the discovery.

The term supergroup was bandied about in the press immediately after the release of “Stars are our home” but the album was far from a planned project, really more of a happy accident that came together between friends. Neil Halstead, Nick Holton, and Mark Van Hoen, all had a wealth of prior recording experience between them. They knew what worked and what didn’t. But if you’re a fan of their previous work, don’t go into this album expecting a rehash of any of their respective bands’ classic albums. Rather, it’s a synthesis of what these guys are and do and what they haven’t done before and as a group, seemed to have made a conscious decision with this project to just let go of everything and not let themselves be restricted by their own musical history. In that sense, “Stars are our home” is an experimental album and for me, it’s an experiment that worked wondrously.

When I listen to it still, I picture these guys just having a blast in the studio, just playing with different sounds and not thinking too much about whether any of the songs will make a good single or not. Indeed, you can tell that this is an album that the musicians wanted to make for themselves and nobody else. It feels like a shake up (shake down) to the dream pop scene of the 21st century, their record label, the mighty Slumberland Records, calling it “space-rock/shoegaze/post-everything”. It’s the veterans showing the young pups how it’s done. It’s noisy, electronic, gentle, beautiful, ugly, and delicious. “Stars are our home” rocks*.

There’s certainly plenty to like on “Stars are our home” but “This is how it feels” became an early favourite around these parts and remains so to this day. Never since Spiritualized’s “Ladies and gentlemen, we are floating in space” has a song practically forced me to picture myself orbiting the earth from outer space, encapsulating the feeling of weightlessness and solitude. By times gentle and by times brash, it dances daringly between genres, flitting between folk and synth, splashing bright colours and loud washes over the already blurred lines of psychedelia. It lulls you, lullaby-like, into a false sense of security with its gentle drum rhythm and barely there guitar strums and then, shakes you wide awake at each freakout chorus.

*Unfortunately, “Stars are our home” would turn out to be the one and only release by the project. I’m not even sure they ever did any shows to promote it, though I’m sure these shows would’ve been amazing. Slowdive announced their reunion not long into 2014, taking up the lion’s share of Neil Halstead’s over the last decade or so.

For the rest of the Best tunes of 2013 list, click here.

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Tunes

Best tunes of 2003: #8 David Bowie “Days”

<< #9    |    #7 >>

We’re pretty sure it was Victoria’s idea. It sounds like something she might have come up with and has definitely had similar ideas a few times during our many years together.

She surprised me one day early in 2004 by asking if I would be interested in seeing David Bowie in concert. Neither of us could tell you how she heard that he was coming to town on his latest tour and playing the arena out in Kanata that used to be called the Corel Centre, but perhaps she heard mention of it on the radio. Of course, I was always game to see live music, but even more so if it was an artist I enjoyed. And though I honestly had never considered seeing Bowie live before, was really only casual fan at that point, knowing his hits and appreciating his contributions to modern music, I was most definitely in. Victoria invited a new friend from work, Eileen, who we are still friends with today, and her husband Tom* and we made a night of it, heading out for dinner first, at Johnny Farina’s on Elgin Street for pizza.

It was such a great night. Memorable in so many ways. It was probably our first trip out to Kanata, not knowing that we would buy a house spitting distance from the arena a handful of years later. We were introduced to The Polyphonic Spree, the 24 member psychedelic symphony led by sometime Tripping Daisy frontman, Tim DeLaughter, because we managed to get to the arena early enough to our seats to catch the lion’s share of their opening set. And of course, the biggest highlight was seeing Bowie himself, performing live on his last ever tour, a set representative of the many phases of his storied career. He made an even bigger fan out of me and played a whole bunch of tunes that Victoria didn’t know she knew and definitely didn’t know he wrote and performed.

I mention all this because this particular night is the sole reason “Days” ever came to my attention and has found itself at the number eight position on this list of my favourite tunes of 2003.

As I started doing at some point, possibly with this very concert, I wanted to ensure I was prepared for the show, beyond the best of compilation I already had in my compact disc collection. I borrowed a handful of Bowie’s more recent albums, including 2002’s “Heathen” and 2003’s “Reality”, from the Ottawa Public Library to familiarize myself with them and was pleasantly surprised at how easily I connected. There were, of course, a bunch of early standouts: “Slip away” and “Everyone says ‘hi’” from the former and “Never get old” and this one, “Days” from the latter, most which he performed at the concert.

“All you gave
You gave for free
I gave nothing in return
And there’s little left of me”

Track seven on David Bowie’s twenty-fourth studio album is steeped in themes of mortality, as are most of the songs of “Reality”. It’s so much self-reflection and realization, feelings of regret, like he’s looking back at his life and all the women he’s loved and lost, all the wrongs he wishes he could right. It begins with a lackadaisical bongo beat, synth washes, and expansive acoustic strums. Once the song kicks in to a higher gear after the first chorus, some alien percussive keys take over, all atmospheric and gossamer light. There’s so many layers of synths, like an alien angel choir, and Bowie is leading it all with that inimitable voice, layers upon layers to peel away, like the pages on a day calendar.

And looking back at this song, this night, those memories, twenty years later, I feel like I can better pick up what David Bowie is laying down.

*Who is sadly no longer with us.

For the rest of the Best tunes of 2003 list, click here.