(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Oasis Album Title: Time flies… 1994-2009 Year released: 2010 Year reissued: 2025 Details: 4 x LP, orange, green, pink, blue, 15th anniversary, RSD limited edition, 5363/15000
The skinny: In a parallel universe, I would be attending the first of two Oasis gigs at the newly constructed Rogers Stadium in Toronto with a handful of old friends tonight. The risk in procuring tickets over a year in advance of a gig is that there’s always a possibility that your circumstances could change. In this case, they did change and I needed to give up my ticket. But no fear, I take small comfort in two things. First, that I have seen them already once before*. And second, that I managed to procure this special Record Store Day, coloured vinyl, 4 disc box set reissue of their 2006 ‘best of’ compilation “Stop the clocks” from an online indie shop earlier this year. I’m not always convinced that compilations are the way to go, especially when I already have the best of the artist in question’s albums in my record collection. However, I made the exception for this one given how pretty it looked and that it included a couple of great tracks that I was still missing on vinyl, most importantly, the amazing non-album single featured below. And I’ve listened to set this a few times since it arrived and with all these great tracks, back to back, there’s been no regrets. For those attending tonight, I bet it’s going to be a great show, no matter their setlist, so please enjoy for me.
Standout track: “Whatever”
*That infamous gig at Virgin festival 2008 where a ‘fan’ ridiculously hid under the stage the whole day only to leap out while Oasis were playing and push Noel Gallagher from behind.
This wasn’t going to be next post. In fact, it wasn’t even supposed to be any of the next few posts. However, I was recently contacted by email (once again) by someone who mentioned they were enjoying the list and asked after the rest of it. And of course, I had to explain (yet again) how I am still working my way through it.
To be fair, I did start counting down this list of my favourite 100 covers over eight years ago and I’m not quite three quarters of the way through yet. I’ve always happily noticed that these posts attract attention whenever a new one goes up and can attest that a number of the pieces in the series are among the most popular that I’ve done. So I guess I owe it to those of you who have been following along to get to number one sooner, rather than later. Thus, I give you number thirty-six on my list of the best 100 cover songs (according to me): Sinéad O’Connor’s take on “Ode to Billy Joe”.
Originally recorded by Bobbie Gentry as a demo only, the song was meant to be sold for someone else to sing. Instead, strings were added to a re-recording, just as stripped down as the original, and it was released as a single by Gentry herself to wide success. It has since been listed as one of the greatest songs of all time.
“Ode to Billie (Billy) Joe” is a first person narrative account, mostly of a family dinnertime conversation, where it is mentioned that a young man, well known to the narrator, has committed suicide and many in the family dismiss the news as unworthy of further thought. Like many of Gentry’s other tunes, especially on that first album, the song is inspired by her own memories of events growing up in Mississippi. It is skillfully written and contains a number of nuggets that fans over the years have picked at and ultimately surmised further connection between the young man and the narrator, something that Gentry has never properly confirmed or denied, the mystery of it all adding to the song’s allure. The song and its story became so popular that a film adaptation was made in 1975 fleshing out the narrative.
I know the original quite well because it was a favourite of my father’s. Whenever it would come on the oldies radio station in the station wagon (and later, the van), he would turn it up and sing along under his breath. Not sure if my mother loved it as much but she definitely enjoyed the Max (“Jethro”) Baer Jr directed adaptation, which I’ve also seen but I only vaguely remember it.
Sinéad O’Connor’s cover of the song was recorded back in 1995 for the Help Warchild album, a compilation that I’ve mentioned a few times on these pages and a handful of whose songs* have already appeared on this list. The compilation was recorded in the mid 90s as a benefit to raise funds for war torn Bosnia and Herzegovina and was recorded all in one day, mixed the next, and released to the buying public the day after that. Legend has it that O’Connor’s recording arrived by courier just as the finishing touches were being put to the track list and production. Technically past the deadline for inclusion, the song moved the War Child folks so much, they bent their own rules.
Like Gentry’s version, O’Connor’s is sparse in instrumentation, each allowing its singer’s voice to foment and stretch out for maximum effect. But where the original has for its backbone a bluesy acoustic guitar riff, this particular cover is percussion heavy, punctuated with bass and piano riffs and true to O’Connor’s roots, it is decorated with Celtic flute throughout. And interestingly, she adds a sample of a baby cry after the lyrics “she and Billie Joe was throwing somethin’ off the Tallahatchie Bridge”, playing upon another theory about what it was that was actually thrown off the bridge.
Which one do I prefer? It’s hard to argue with the beauty and emotion of the original so I won’t. But I do love this cover.
Cover:
Original:
*Other tracks have appeared at the #100, #74, and #53 positions on this list.
For the rest of the 100 best covers list, click here.
(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Billy Bragg Album Title: The best Of Billy Bragg At The BBC 1983 – 2019 Year released: 2019 Details: 3 x LP, heavyweight vinyl
The skinny: That thing I mentioned back at the beginning of the year? The thing where I put on a record and do nothing but listen to it, read the liner notes, enjoy the album artwork, follow along with the lyrics, and really just experience each record? Yeah, I’m still doing it, albeit at meandering pace. I started alphabetically and am just now reaching Billy Bragg ten months later. I’ve been a fan of the Bard of Barking since high school and yet, for the longest time, have had few of his records* on my vinyl shelves. So a few years ago, when I saw on the upcoming release charts a compilation of his best performances on BBC radio, I jumped at the chance and hit the pre-order button. This 3 LP set pressed to heavyweight vinyl shows Billy Bragg at his purest, for the most part, just him and his guitar, telling it like it is.
Standout track: “Levi Stubbs’ tears (with Frank Turner at Glastonbury)”
*His record reissues have been few and far between since I started collecting – the only proper studio that I’ve seen re-released has been the 30th anniversary of his debut, which of course, I purchased.
My (life in) music lists 