Tag: Death Cab For Cutie

Categories
Tunes

Best tunes of 2003: #5 Death Cab For Cutie “The sound of settling”

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“Bop-baaah… bop-baaah! This is the sound of settling!”

Yes. “The sound of settling”. This was my first of many favourite songs by Bellingham, Washington’s Death Cab for Cutie.

As I wrote back in August in relation to the number 10 song on this list, it was the many promotional posters, wallpaper style, in the windows of a local independent record store, The Record Runner, hundreds of blackbirds tangled in red yarn, that first piqued my interest in the band and their fourth album, “Transatlanticism“. I wasn’t immediately sold on their sound on first listen but there were a couple of tracks that did grab me right away, this one included, and those sustained me, drawing me back for repeat listens. Eventually, I picked up on the melancholic joy that “Transatlanticism” was laying down and the rest was history.

The band originally formed back in 1997, releasing three albums prior to “Transatlanticism” but those I could never really get into. Founding members Ben Gibbard, Chris Walla, and Nick Harmer found structure with their fourth drummer Jason McGerr in 2003 and this lineup remained a constant through their jump to the majors with their fifth album, 2005’s “Plans”, up until lead guitarist Walla departed the group in 2014. Without him, Death Cab has soldiered on, replacing him with a pair of guitarist/keyboardists, releasing three more albums and they remain active.

“Our youth is fleeting
Old age is just around the bend
And I can’t wait to go gray
And I’ll sit and wonder
Of every love that could have been
If I’d only thought of something charming to say”

But back to “The sound of settling”. The album’s second single was famously disliked at first by Gibbard because it was so upbeat but it had a big supporter in Walla, who was also producing the album. I’m so glad he won out*. The song is unbelievably catchy and immediately replayable. It’s got a driving beat that lasts the whole two minutes that is tailor-made for a mid-tempo pogo. It’s got the hand claps, the bopping baseline and Ben Gibbard’s unique voice and take on the dangers of searching for love, the anxiety, the fear that it might not be returned, and on the other side of the coin, the risks of not taking those risks. And yeah, those inescapable “bop-baaahs”!

Pure indie pop goodness.

*And I’m sure Ben and the rest of the band were also glad in the end given how universally loved it is.

For the rest of the Best tunes of 2003 list, click here.

Categories
Vinyl

Vinyl love: Death Cab For Cutie “Transatlanticism”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Death Cab For Cutie
Album Title: Transatlanticism
Year released: 2003
Year reissued: 2013
Details: Gatefold sleeve, 10th anniversary, 2 x 180 gram, 12-page booklet

The skinny: I finally got around to purchasing a full pass to this year’s Ottawa Bluesfest and I can’t even really explain why I procrastinated so much. The organizer’s typically do a pretty good job of putting together a diverse lineup that tries to please everyone to some extent (and invariably, disappoints many) but this year’s lineup suits my own personal tastes better than it has for many years now. There’s at least one act on each of the festival’s nine days that I really want to see*. And one of the acts I’m most looking forward to is Death Cab for Cutie, who I saw live for the first time more than 15 years ago but haven’t seen since. This performance is part of the tour supporting last year’s “Asphalt meadows” but they are also touring in the fall to celebrate the 20th anniversary of their now iconic 4th album, “Translatlanticism”. I can’t even believe that I purchased the copy of this very same record for my vinyl shelves a decade ago: a 10th anniversary, 180-gram double LP edition, complete with a gatefold sleeve and a lovely 12-page booklet. This was procured back when my collection was still in its infancy and probably just around the time that I finally bought my turntable. “Transatlanticism” was a no-hesitation purchase because it was my introduction to this great band upon its initial release and with all the albums they’ve released since, it’s one I return to time and time again.

Standout track: “The sound of settling”

*But I’ill likely have to miss a night or two in the interest of conserving energy.

Categories
Playlists

Playlist: New tunes from 2022, part three

If I was still looking at this blog as something that should be scheduled or on schedule or whatever, I might consider this post a couple weeks behind that “s” word. I’ve been trying* to post these quarterly playlist updates a couple of weeks after the end of each quarter but well, the two week vacation I took that spanned the end of August and the beginning of September put me a bit behind.

Yeah. That’s right. I took some vacation. Two weeks! It was the longest period from work that I’d properly taken since before the pandemic. I spent as much of it as I could experiencing nature, sitting by the water, going on hikes, and just generally taking in our province’s natural beauty. It wasn’t exactly restful, per se, but it was definitely good for the soul.

Prior to that, I actually attended several evenings of an honest-to-goodness music festival at the beginning of July. It was an amazing feeling to return to a bit of normalcy, see some bands I’d seen before and some I hadn’t, and seeing people outside of my bubble, all revelling in the ecstasy that is the live music experience. I say again, I t felt great. Then, the day after the festival ended, a friend of mine who I had attended a couple of the dates with texted me to say he had tested positive for COVID. So I tested myself and thankfully came through it clean. But it was definitely a bitter reminder for me that though we may be done with the pandemic, it may not necessarily be done with us.

Otherwise, the summer flew by in a haze and blur of sameness. With all the work, eat, and sleep, I am super thankful of my continued employment, general good health, and that I am continuing to spend my life with my very best friend and love of my life. And of course, there is always the music.

This third part of this annual playlist represents the music that has followed me and kept me going through this third pandemic summer. It is yet another great 25 tunes (for parts one and two, check here and here) representative of the best that’s been released during the last three months. Highlights include:

      • Opening things up with “Rockstar”, this ripping track off the third album by Momma calls to mind 90s rockers, like maybe Babes in Toyland and L7, but most definitely Veruca Salt
      • “Circumference”, a brilliant synth-pop gem by Working Men’s Club ripped right from the heart of the 80s
      • More dream pop beauty from Toronto-based indie pop quartet Tallies, a sweet explosion called “Wound up tight”
      • I’ve not been a fan of Animal Collective, nor Noah Lennox’s solo work as Panda Bear but his recent collaboration with Pete “Sonic Boom” Kember is pure sunshine, “Gettin’ to the point” is just a case in point
      • When I think of Kasabian, I typically think of blistering high energy numbers but this ballad called “The wall” off their latest record is equally full of passion
      • “It’s always the quiet ones” by Suede – that’s right, they’re back and it’s majestic
      • Kristian Mattson, aka The Tallest Man on Earth, covering “Pink rabbits” by The National is like a collision of some of my favourite music from a decade ago
      • Finally, Yeah Yeah Yeahs teamed up with Perfume Genius for “Spitting off the edge of world”, the magnificent first single of their latest album

Here is the entire playlist as I’ve created it:

1. “Rockstar” Momma (from the album Household name)

2. “All comes crashing” Metric (from the album Formentera)

3. “Day 21” Secret Machines (from the EP Day 21)

4. “Fables” Interpol (from the album The other side of make-believe)

5. “Circumference” Working Men’s Club (from the album Fear fear)*

6. “Vanishing point” Julien Baker (from the EP B-sides)

7. “So far for so few” The Sadies (from the album Colder streams)

8. “Eventually” Beach Bunny (from the album Emotional creature)

9. “Wound up tight” Tallies (from the album Patina)

10. “Parasite II” Kiwi Jr. (from the album Chopper)

11. “Gettin’ to the point” Panda Bear & Sonic Boom (from the album Reset)

12. “The wall” Kasabian (from the album The alchemist’s euphoria)

13. “Forever in sunset” Ezra Furman (from the album All of us in flames)

14. “A line of shots” The Afghan Whigs (from the album How do you burn?)

15. “Slowly” Preoccupations (from the album Arrangements)

16. “Roman candles” Death Cab For Cutie (from the album Asphalt meadows)

17. “Expert in a dying field” The Beths (from the album Expert in a dying field)

18. “It’s always the quiet ones” Suede (from the album Autofiction)

19. “Heart attack” Editors (from the album EBM)

20. “Pink rabbits” The Tallest Man On Earth (from the album Too late for edelweiss)

21. “First high” Nikki Lane (from the album Denim & diamonds)

22. “Backup plan” Maya Hawke (from the album Moss)

23. “Friday night” Beth Orton (from the album Weather alive)

24. “Pagan man” Pixies (from the album Doggerel)

25. “Spitting off the edge of the world (ft Perfume Genius)” Yeah Yeah Yeahs (from the album Cool it down)

Those of you who are on the Apple Music train can click here to sample the above tracks as a whole playlist.

And as always, wherever you are in the world, I hope you are safe and continue to be well. Above all, enjoy the tunes.

*Trying might be a strong word here.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.