Eddie Vedder – My (life in) music lists

100 best covers: #30 Eddie Vedder “You’ve got to hide your love away”

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Well, we’re finally breaking into the top thirty on this list of my favourite ever covers and it’s Pearl Jam frontman doing The Beatles’ “You’ve got to hide your love away”.

This is the fourth cover of a Beatles song we’ve seen on the list so far* and the third track to be pulled from the “I am Sam” soundtrack. In the two previous such posts, I mentioned how the soundtrack for the 2001 film consists solely of Beatles covers, faithful in track length and time signatures, given the filmmakers were not granted the rights to include the originals and that the songs had already been selected for already filmed scenes. It was a brilliant save by the filmmakers and the result is probably a more interesting soundtrack than it might have been, as great as The Beatles’ originals of those seventeen songs were.

It’s no accident that I am timing this post to follow the one counting down albums ten through six in my Best film soundtrack series. If you’ve been following along, you’d know that “I am Sam” didn’t appear as one my honourable mentions back on February 1st, nor was it amongst the latter half of my top ten. And when I saw this particular post on radar to write, I thought I’d take the opportunity to clear the air before moving into the top five – “I am Sam” won’t be one of them. Great concept yes, and some of the renditions were quite successful, but I’d say that almost of half of them were less so, making the whole less than its parts. An uneven listen.

Eddie Vedder’s cover was another one of the bright spots. Faithful to the original, not only in sound but also in spirit, a playful wink of the eye.

Much has been made of the fact that the John Lennon-penned “You’ve got to hide your love away” was his attempt at Bob Dylan. Successful or not, the fourth track on side one of 1965’s “Help” album is Lennon singing solo overtop a bed made of mostly acoustic guitars. Sure there’s a bit of percussion but it’s definitely before Dylan went electric and where Mr. Zimmerman would typically accompany himself with a harmonica, The Beatles opted for some flutes in its place.

Vedder opted for similar ethos with his cover. You can almost imagine him standing on a New York City street corner with a harmonica neck holder around his neck, a kick pedal attached to a high hat at his feet. The production even sounds dusty, DIY, and of a different time.

Lovely stuff indeed. Better than the original? Well…

Cover:

Original:

*The three previous posts were Rufus Wainwright’s “Across the universe” at #90, Cornershop’s “Norwegian wood (this bird has flown” at #69, and Sarah McLachlan’s “Blackbird” at #58.

For the rest of the 100 best covers list, click here.

Best tunes of 1991: #25 Pearl Jam “Jeremy”

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I started off this Best tunes of 1991 series with an honourable mention post on Nirvana’s “Smells like teen spirit”, ruling it out from my top 30 from the outset. In that post, I touched on how I quickly grew to dislike the Seattle scene and any of the bands associated with that sound, whether or not they actually came from that particular geographical area. And it was completely irrational, being less to do with the bands themselves or their music than it was the industry machine and the music press. It was these bands that brought ‘alternative’ to the mainstream and the focus on them effectively narrowed the scope and sound of the genre in North America for way too many years. But before I start ranting again, let me just say that Pearl Jam’s “Jeremy” was one of the songs that somehow transcended all of this for me and I couldn’t help but like it.

It was definitely the music video that caught my attention. Considered one of the most controversial of all time, it has been rarely seen on television in recent years. It’s a touchy subject for sure. Teenager brings gun to school. The video, of course, is an extension of the song lyrics which Eddie Vedder wrote based on an article he had read about real events. It was just a short paragraph in a newspaper that he expanded, imagining a back story for the troubled Jeremy that hinted at the not uncommon stories of neglect and bullying.

The song was the third single off Pearl Jam’s debut album, “Ten”, and due to heavy rotation of the video, became a hit for the band, selling tons of copies of their album and kickstarting their career as one of the more important bands in alternative rock. And yeah, their music sounds commonplace enough nowadays but it was just that much different back in 1991. It’s aggression matches the subject perfectly and Vedder’s soulful moan is now iconic and all the more harrowing when he sings lines like: “Daddy didn’t give affection and the boy was something mommy wouldn’t wear.”

But the beauty of it all is that Pearl Jam does not distance themselves from Jeremy, Vedder admitting that he remembered picking on the boy and acknowledging that “we unleashed a lion”. We are all the bullies and the bullied and I think that universality haunted a lot of people. It certainly did me.