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Best tunes of 2001: #7 The Shins “New slang”

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Have you seen the film “Garden State”? Yes? No?

If yes, great. If not, you should check it out. Written and directed by and starring Zach Braff, it is a semi-autobiographical, semi-absurd film about an actor returning home after the death of his mother. It was an indie darling at the festivals, garnering positive reviews, and a cult following. I mention it here because music features heavily throughout the film. Braff chose the music for the soundtrack himself, winning a Grammy for it to go along with his directing awards, and as he has explained ad nauseum, he simply used the music he was listening to while writing the film.

There are two songs by The Shins that are featured in the film and soundtrack but the one that changed everything for the band was the placement of “New slang”. The morning after his mother’s funeral (and a particularly debaucherous night out with old friends), our protagonist goes to see a doctor and meets Natalie Portman’s character, a delightfully quirky soul, wearing headphones. He asks her what she is listening to and she responds “The Shins”. When he admits that he has never heard them, she literally gushes (with perhaps an ounce of hyperbole): “You gotta hear this one song. It’ll change your life, I swear.” He puts on the offered headphones and we all hear the song at number seven on my Best tunes of 2001 list.

Of course, I had already heard of The Shins by the time “Garden State” was released and I got to see it on DVD. The band had already been around for close to a decade, had released its sophomore album just the year before (my own introduction to the group), and all of a sudden, there was all this interest in the debut album, “Oh, inverted world”, especially two of its songs. Natalie Portman’s line definitely worked. After slipping on the headphones with Zach Braff, I, too, had to go back and check out the rest of the debut.

“New slang” was written by frontman James Mercer before The Shins were even a thing. It fades in gently, easing us all in to the acoustic finger picking, light tapping on the tambourine, and Mercer’s falsetto humming. He then sings the song all non committal, like he’s testing out the lyrics for the first time as the song is being recorded. Indeed, the vocals are set very low in the mix, deep beneath this whole pile of gentleness. The whole thing reeks of basement studio, stale cigarette butts and warm beer, and a very late night. Then, the song slips off into the same dark shadowy corner from which it sprang.

I don’t know if it’ll change your life, like it did that of James Mercer and The Shins, but “New slang” is a fine song to immerse yourself in for a while.

For the rest of the Best tunes of 2001 list, click here.

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Tunes

Best tunes of 2010: #1 Broken Bells “The high road”

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After almost a full year, we’ve finally come to the number one song on this best of 2010 list. So many great songs but this single off the self-titled, debut album by Broken Bells wins it all for me hands down.

I remember first hearing about the Brian Burton and James Mercer collaboration and thinking (whether rightly or wrongly) that this was all made possible by another collaboration six years prior by Jimmy Taborello and Ben Gibbard, called The Postal Service. Still, when I first gave “Broken Bells” a spin and first heard the opening seconds of the opening song, this one, I was hooked. The album then spent a lot of time with me after that, keeping me company with its hooks and multi-faceted magic.

Apparently, the seeds were sown for this collaboration when The Shins’ frontman, James Mercer met producer/musician/wizard, Brian Burton (aka Danger Mouse) at a music festival in 2004 and they got to talking and discovered each other’s mutual respect. They didn’t actually get around to working together for another four years and the first album came a couple of years after that. By this time, Burton had already been riding a wave of successes, such as his collaboration with Cee-Lo Green as Gnarls Barkley and the production of albums by Gorillaz, The Good, The Bad and The Queen, Beck, and The Black Keys. Indeed, he was becoming like a musical Midas. Mercer, for his part, had put his own band, The Shins, on hiatus, citing fatigue after three relatively successful albums and achieving a sort of cult status. Working together, the two members of Broken Bells brought their own styles with them to the workshop and seemingly reinvigorated each other, creating beautiful, otherworldly music in the process.

“The high road” is hipster funk for martians. It opens up with synths that feel like free jazz random notes played on an underwater harpsichord, filtered through a C64’s speakers. Then, that laidback beat kicks in and you can just imagine Burton and Mercer coolly walking down a back alley with graffiti on the walls, decked out in bandannas and jean jackets with the collars turned up. Mercer’s vocals here are unlike anything he had previously done with The Shins, which I suppose is the point, affecting a devil may care attitude, almost to the point of irony. The whole thing is so much fun, right down to the backing vocals that invite you in to be part of the gang. That’s right. Step right up and join the choir that is the human race.

Cheers folks and thanks as always for reading.

For the rest of the Best tunes of 2010 list, click here.