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Playlists

Playlist: New tunes from 2022, part four

Saturday morning, December 31st, 2022.

Here we are at the precipice of another year. And though I honestly didn’t have high hopes for this year, it was an improvement on the previous two, which makes me think it can only get better from here. Right?

Right.

If you’ve been paying attention to these pages over the last couple of weeks, you’ve seen me counting down my favourite albums released in 2022, the number one album seeing the light of day just yesterday. And now, keeping with the tradition I started over the last couple of years, I’ve left the final instalment of my annual four-part playlist sharing some of my favourite new tunes released during the year to post on this last day of the year. You are welcome to go back and revisit parts one, two, and three, which include songs from the first three quarters of 2022. This final playlist, much like the previous three, collects twenty-five bangers from the last three months. Usually, I would have to bolster this last part with the b-sides, or tracks that I just missed including in the previous three parts, but there was plenty of great new music this time around and I only needed to add a small handful.

Before I carry on, I just wanted to thank those of you who have been reading and listening along this year and for the past handful. I write these words and share these thoughts and it’s all just for the passion of it, for the love of music. So let’s just enjoy this moment and the music that makes it. These here are the final twenty five tunes of the year that have made it all bearable. Highlights include:

      • Where else would I start this last playlist but something from the newest album Canadian indie pop heroes, Alvvays, and “After the earthquake” is everything that we would have hoped it would be
      • “Let the lights on” is a grimy ear worm that begs repeat listens and Sorry is not apologizing for it
      • Don’t be fooled by the moniker, Skullcrusher is not death metal but delicate and lilting indie pop and “Whatever fits together” is just that
      • “Hurricane” and its country/folk delight has us hoping for more from Plains, the collaborative efforts of Katie Crutchfield and Jess Williamson
      • Canadian quartet Sloan shows us that power pop is still safe in their hands with their latest album and this new single “Magical thinking”
      • Canadian indie folk troubadour Dan Mangan is the latest in a string of artists to pay tribute to former Frightened Rabbit frontman Scott Hutchison, promising everyone that we’ll be “In your corner”
      • I’ve let Charlatans frontman Tim Burgess close things off with a ray of sunshine and hope and “Here comes the weekend” and a brand new year

Here is the entire playlist as I’ve created it:

1. “After the earthquake” Alvvays (from the album Blue rev)

2. “Satellite” Courtney Marie Andrews (from the album Loose future)

3. “Let the lights on” Sorry (from the album Anywhere but here)

4. “Baby don’t you know” Ciel (from the EP Nor in the sun, nor in the dark)

5. “Into the blue” Broken Bells (from the album Into the blue)

6. “Whatever fits together” Skullcrusher (from the album Quiet the room)

7. “Part of the band” The 1975 (from the album Being funny in a foreign language)

8. “Emily smiles” The Lightning Seeds (from the album See you in the stars)

9. “My very best” The Big Moon (from the album Here is everything)

10. “Hurricane” Plains (from the album I walked with you a ways)

11. “See you better now” Wild Pink (from the album ILYSM)

12. “Warm wine” Batts (from the album The nightline)

13. “Abigail” Frankie Cosmos (from the album Inner world peace)

14. “Magical thinking” Sloan (from the album Steady)

15. “One day (it’s being scheduled)” Robyn Hitchcock (from the album Shufflemania!)

16. “Swallow” Girlpuppy (from the album When I’m alone)

17. “In your corner (for Scott Hutchison)” Dan Mangan (from the album Being somewhere)

18. “Out of my head” First Aid Kit (from the album Palomino)

19. “Come on sun” Jason Collett (from the album Head full of wonder)

20. “Morningstar” Smut (from the album How the light felt)

21. “Children of the empire” Weyes Blood (from the album And in the darkness, hearts aglow)

22. “Working for the knife” Mitski (from the album Laurel Hell)

23. “Jackie down the line” Fontaines D.C. (from the album Skinty fia)

24. “Civil liberties” Fake Palms (from the album Lemons)

25. “Here comes the weekend” Tim Burgess (from the album Typical music)

Those of you who are on the Apple Music train can click here to sample the above tracks as a whole playlist.

And as always, wherever you are in the world, I hope you are safe and continue to be well. Above all, enjoy the tunes.


If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Tunes

Best tunes of 2010: #1 Broken Bells “The high road”

<< #2

After almost a full year, we’ve finally come to the number one song on this best of 2010 list. So many great songs but this single off the self-titled, debut album by Broken Bells wins it all for me hands down.

I remember first hearing about the Brian Burton and James Mercer collaboration and thinking (whether rightly or wrongly) that this was all made possible by another collaboration six years prior by Jimmy Taborello and Ben Gibbard, called The Postal Service. Still, when I first gave “Broken Bells” a spin and first heard the opening seconds of the opening song, this one, I was hooked. The album then spent a lot of time with me after that, keeping me company with its hooks and multi-faceted magic.

Apparently, the seeds were sown for this collaboration when The Shins’ frontman, James Mercer met producer/musician/wizard, Brian Burton (aka Danger Mouse) at a music festival in 2004 and they got to talking and discovered each other’s mutual respect. They didn’t actually get around to working together for another four years and the first album came a couple of years after that. By this time, Burton had already been riding a wave of successes, such as his collaboration with Cee-Lo Green as Gnarls Barkley and the production of albums by Gorillaz, The Good, The Bad and The Queen, Beck, and The Black Keys. Indeed, he was becoming like a musical Midas. Mercer, for his part, had put his own band, The Shins, on hiatus, citing fatigue after three relatively successful albums and achieving a sort of cult status. Working together, the two members of Broken Bells brought their own styles with them to the workshop and seemingly reinvigorated each other, creating beautiful, otherworldly music in the process.

“The high road” is hipster funk for martians. It opens up with synths that feel like free jazz random notes played on an underwater harpsichord, filtered through a C64’s speakers. Then, that laidback beat kicks in and you can just imagine Burton and Mercer coolly walking down a back alley with graffiti on the walls, decked out in bandannas and jean jackets with the collars turned up. Mercer’s vocals here are unlike anything he had previously done with The Shins, which I suppose is the point, affecting a devil may care attitude, almost to the point of irony. The whole thing is so much fun, right down to the backing vocals that invite you in to be part of the gang. That’s right. Step right up and join the choir that is the human race.

Cheers folks and thanks as always for reading.

For the rest of the Best tunes of 2010 list, click here.