Live music galleries: Alvvays [2016]

(I got the idea for this new series while sifting through the ‘piles’ of digital photos on my laptop*. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Like my ‘Vinyl love’ series, these posts will be more photos than words but that doesn’t mean I won’t welcome your thoughts and comments. And of course, until I get around to the next one, I invite you to peruse my ever-growing list of concerts of page.)

Alvvays live @ Dragonboat Festival in 2016

Artist: Alvvays
When: June 25th, 2016
Where: Ottawa Dragonboat Festival, Ottawa
Context: I had already seen thIs Toronto-based indie pop band just the previous year and though they were good live, they weren’t so mind-blowing that I would’ve gone out of my way to see them again so soon. However, they were announced as headliner for one of the nights of the Ottawa Dragonboat Festival’s free concert series and I just couldn’t turn that down. Indeed, I’m not sure how they continue to do it but this festival continually books some of Canada’s hottest acts and does so without charging a cent for admission. Anyhow, a year of touring definitely agreed with Molly Rankin and her band Alvvays (pronounced “Always”) because they were phenomenal this time around, playing the hell out of their buzz-worthy, self-titled debut and pleasing to no end the indie kids up front with the album’s hits (like the one below).
Point of reference song:
Archie, marry me

Molly Rankin of Alvvays
Kerrri MacLellan, Brian Murphy, and Phil MacIsaac of Alvvays
Alec O’Hanley and Molly Rankin of Alvvays
Molly Rankin, Brian Murphy, and Phil MacIssac of Alvvays
Kerri MacLellan of Alvvays
Molly Rankin of Alvvays

Best albums of 2017: The honourable mentions (aka #10 through #6)

Happy Friday everyone! And the last Friday of the month to boot! To celebrate, I’ve got a bit of a treat for y’all: the start of something new for this blog.

But first, some background.

Some of you might well be aware of my previous blog, Music Insanity, and if you are, you likely remember that I made a big production of counting down my favourite albums of the year, culminating in two or more weeks of posts and thousands of words at each year’s end. I’ve decided I would do the same on these pages but in a more toned down way. My first thought was to limit it to a top five, detailing each in its own post, each Friday, in the last five weeks of the year, but it proved too difficult a task to limit myself to just five albums. So instead, I will still detail my top five albums in the coming weeks but today, will give the next five as a sort of honourable mentions post. (And then, I cheated even more by hinting at the albums just outside my top ten in the photo of record covers above. Bad, blogger, bad.)

And yes, I intend to continue this tradition on annual basis going forward and over the coming months, will likely sprinkle in some of my favourite albums lists from past years to break up all these lists of favourite songs I’ve been throwing at you.

So without further ado, here are albums ten through six of my favourite albums of 2017. Stay tuned for album number five next Friday!


#10 Phoebe Bridgers “Stranger in the alps”

It’s been quite a while since an album like Phoebe Bridgers’ caught my ear. Her debut album, “Stranger in the alps”, is a mostly quiet, deeply personal, female singer/songwriter collection, which doesn’t in and of itself sound very exciting. The young Ms Bridgers, however, is a fine and mature writer, whose strong musical knowledge and awareness is displayed in her lyrics, making this a very cool listen indeed.

Gateway tune: Smoke signals


#9 The Rural Alberta Advantage “The wild”

Despite being a huge fan of the Toronto-based indie folk trio’s first three albums, I didn’t think I would, and if truth be told, almost didn’t want to like “The wild”. Yet here it is, squeezing its way into my top ten. Just when I think there must be a limit to what can be produced by Nils Edenloff’s raw vocals and guitars and Paul Banwatt’s frenetic drumming, they find yet another gear. In the case of “The wild”, they found themselves with a new member, Robin Hatch, who replaced the departed Amy Cole, and immediately made her presence felt.

Gateway tune: White lights


#8 Allison Crutchfield “Tourist in this town”

Funnily enough, I didn’t immediately make the connection with Waxahatchee but sure enough, Allison Crutchfield is the twin sister of that band’s driving force, Katie Crutchfield. “Tourist in this town” is Allison’s full-length debut after years of collaborating with others, notably with Kyle Gilbride in Swearin’ and her sister in a number of bands, including Waxahatchee. It’s a great breakup album, but one nowhere near as angry as Alanis Morissette’s “Jagged little pill”, and focuses more on change in a more global sense. It’s power pop with synths and is as fun as it is touching.

Gateway tune: Dean’s room


#7 Alvvays “Antisocialites”

Alvvays’ self-titled debut was on pretty much everyone’s lips three years ago on the back of its collection of lovely, jangly indie pop gems. Their sophomore doesn’t disappoint, feeding us more of the same sweetness, but this time with better production (and an appearance by Teenage Fanclub’s Norman Blake!). If there was a critique to be made, it’s that “Antisocialites” does not adventure very far from what made its predecessor so successful. But I’m not so sure I would have been happy with anything else than what we got.

Gateway tune: Dreams tonite


#6 St. Vincent “Masseduction”

Second and final disclosure of this post: though I’ve always respected what Annie Clarke (aka St. Vincent) was doing artistically and musically, I haven’t always been a fan. That pretty much changed when I saw her live at Ottawa Bluesfest in 2014 and I realized she was the female David Bowie. The similarity is not necessarily musical but in ethos and persona, she’s a true performance artist. “Masseduction” is her take on the pop album but she does it without compromising her sound and art. And it’s pure brilliance.

Gateway tune: Los ageless


For the rest of the albums in this list, check out my Best Albums page here.

Vinyl love: Alvvays “Antisocialites”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Alvvays
Album Title: Antisocialites
Year released: 2017
Details: limited edition, pink

The skinny: It’s the sophomore release by Toronto-based indie pop quartet led by Molly Rankin. The jury is still out since it’s still so new but initial spins have this one ranking just as high on the playability scale as their self-titled debut.

Standout track: “In undertow”