Categories
Tunes

Eighties’ best 100 redux: #84 Peter Schilling “Major Tom (Coming home)” (1982, 1983)

<< #85    |    #83 >>

At song #84, we have Peter Schilling’s “Major Tom (Coming home)”, the New German Wave re-telling of David Bowie’s classic tune, “Space oddity”.

Of course, when listening to the song at the time, I was too young to have been at all familiar with “Space oddity” so I never could have made the connection between “Major Tom” and the ‘weird’ singer of “Blue Jean”. It was only perhaps a decade later, when, having completely forgotten this track, I rediscovered it while dancing at an 80s night at some dance club whose name I no longer remember in Oshawa, and having further explored Bowie’s music and becoming a fan in the intervening years, that I made the connection.

To this day, I know very little about Peter Schilling and have never heard anything else by him. In fact, I only learned that he was part of the New German Wave scene and that this song was originally recorded in his native German language, while reading up on Nena for the post I wrote about her famous track quite some time ago.

“Major Tom (Coming home)” was originally released in German in 1982 as part of his album “Fehler im system” (the English version of the same album is called “Error in the system”) and was released in English the following year, when it became an international hit. The English version is part of my Apple Music library courtesy of an eighties compilation CD called “Retro night” that was released and purchased by yours truly in 1996 during the time that ‘retro’ music was making a comeback. The song is often lumped in with the synth pop music scene that was on the rise at the time but while it certainly does include synthesizers, I feel that they are used mostly to complement the sound created by using more traditional instruments (especially that wicked bass line).

If you are completely unfamiliar with the story of Major Tom, I would definitely recommend starting with David Bowie’s “Space oddity” but Peter Schilling’s tune makes an excellent companion to the original telling and has a better beat to dance to.

Here is the version I grew up listening to:

And here is the original German version from 1982 for you purists out there:

Original Eighties best 100 position: #87

Favourite lyric: “Across the stratosphere, a final message: ‘Give my wife my love.’ Then nothing more.” And the way he sings it is so ominous and haunting.

Where are they now?: At 69 years of age, Peter Schilling seems to be still very much active in music in his native Germany. For many years, he kept to German language releases but in the last four or five years, he’s seen something of a resurgence due to tracks from his early days, especially this very one.

For the rest of the Eighties’ best 100 redux list, click here.

Categories
Live music galleries

Live music galleries: The Box [2024]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The Box live @ The Bronson Centre, September 2024

Artist: The Box
When: September 27th, 2024
Where: Bronson Centre Music Theatre, Ottawa
Context: I hummed and hawed about attending this show but am glad I decided to go in the end because The Bedouin Soundclash show that I had a ticket for in December got pushed to March and I had to sell my ticket for a January Slowdive show due to my ongoing health issues. So this was the last live show that I’ve seen for some time and what a doozy it was. Put on as part of local station, Boom 99.7’s Legends Weekend, the bill included 80s New Wave ‘legends’ Strange Advance, Images in Vogue, and these guys, Montreal’s The Box. I had always loved their tune “L’affaire dumoutier (say to me)” from back when I was a pre-teen and my AM radio-listening days. However, at some point during the pandemic, I decided to give the rest of their catalogue a listen after seeing a poster advertising a show by the band and found that I knew a lot more of their tunes than I realized. The only remaining original member from back in the day is frontman and driving force, Jean-Marc Pisapia but the rest of band is a gaggle of fantastic musicians that he put together when he decided to re-start performing as The Box back in the early 2000s. Given the length of the bill and the average age of the audience members, each act was only allotted a short set but The Box made the most of their time, blasting eight of their greatest and well-known hits, including the song already mentioned, “My dreams of you”, “Closer together”, and Cold War classic, “Ordinary people” (see below). Jean-Marc and his band were pure performers and crowd pleasers all the way through. And I found myself smiling and singing along with the rest of the crowd.
Point of reference song: Ordinary people

Jean-Marc Pisapia with Isabelle Lemay
Dan Volj on bass
Francois Bruneau on guitairs
Martin Lapierre on drums
Jean-Marc singin’ it
Categories
Tunes

Eighties’ best 100 redux: #85 Thompson Twins “Hold me now” (1983)

<< #86    |    #84 >>

Check out that hair! Yeesh!

Thompson Twins’ “Hold me now”, at song #85, is something of a guilty pleasure* of mine. When I was in grade five, I thought the band was the coolest thing ever and even today, I still know all the words to this song. I’m dedicating this one to Victoria, my lovely wife, for whom this song is also a pleasure, but maybe not so guilty.

Like so many British New Wave bands of this era, Thompson Twins began as a post-punk band (seriously) and at the time of their debut album, had a roster of six members! Alannah Currie was only officially added as the seventh member for the band’s sophomore album, 1982’s “Set”. The band’s core of Currie, Tom Bailey and Joe Leeway were convinced by their manager at the time to whittle themselves down to a trio and expand on their synth pop direction, given the North American success in 1982 of single, “In the name of love.” The changes paid off because the band enjoyed global success for the next four years and three albums, culminating in an appearance at Live Aid in 1985 where they were joined onstage by none other than pop icon, Madonna.

“Hold me now” was the first single released off Thompson Twins’ fourth album, “Into the gap” and despite the sneers of critics everywhere, was a huge hit the world over, charting into the top ten of many countries’ charts. I personally remember watching this video for many weeks running on my favourite music chart show at the time, CHUM FM top 30 videos. Sure, it sounds dated now, as does most of the band’s back catalogue, but it still has a place in my Apple Music library. The nostalgia factor is strong here.

Click the play button on the video below and sing along loudly with me.

Original Eighties best 100 position: #88

Favourite lyric: I like: “You say I’m a dreamer, we’re two of a kind / Both of us searching for some perfect world, we know we’ll never find.” But I’m near certain Victoria likes: “And then I’ll ask your forgiveness though I don’t know / Just what I’m asking it for.” Maybe because it reminds her of the two of us together.

Where are they now?: Joe Leeway left the band in 1986 and the remaining duo of Bailey and Currie officially called it quits in 1993. The band has never considered a reunion but since 2014, former lead singer Tom Bailey has regularly toured under the name “Thompson Twins’ Tom Bailey”.

*I’ve always called this one a ‘guilty pleasure’ but I think I’m nearly ready to own it. Give me another year or two. 😉

For the rest of the Eighties’ best 100 redux list, click here.