As some of the more frequent visitors to this blog may already be aware, I’m something of a Blur fan and have been since the beginning.
I borrowed a copy of their debut album “Leisure” shortly after its release and dubbed it to a C90 cassette tape*, one which I darned near wore through. Their next two albums, “Modern life is rubbish” (1993) and “Parklife” (1994), were amongst the first CDs I would ever buy and I pretty much ate up everything they served thereafter. Even though Blur’s seventh album, “Think tank”, was my least favourite to that point, I was still very saddened at the news of the hiatus they announced in 2004.
They kissed and made up** at the end of 2008 and played a number of huge shows throughout 2009. Then, for the 2010 edition of Record Store Day, they issued a brand new 7” inch single called “Fool’s day”, which was distinctive for being the first recording to include the work of guitarist Graham Coxon in almost a decade.
Then, in February 2012, the band were deservedly recognized for their “Outstanding contribution to music” at the Brit awards. I don’t typically watch awards shows so I found out about it a few days later and while reading up on it and watching video clips on YouTube, I learned some even more exciting news. Apparently, Damon Albarn and Graham Coxon had performed a three-song set at a Brits pre-show put on in support of War Child, two nights earlier, that included a brand new song called, “Under the westway”. It was so new that Damon was reading the lyrics from a sheet of paper because the song ‘had a lot of words’. I remember tracking down a shaky fan filmed video of this performance. Then, I watched it more than a few times, easily enough to fall for this new piano-heavy number, a tune that reminded me somewhat of a David Bowie ballad. Needless to say, I liked what I heard and began to hope that there was more new material where that came from.
I started seeing ambiguous tweets from the Blur camp a few months later. When they finally came clean, Blur announced that they would be releasing two brand new tracks, the aforementioned, “Under the westway” and another called “The puritan”, on July 2nd. To add to the excitement (like I needed more), Blur was to perform both songs, live, at a ‘secret location’, and stream them over the Internet, the first song at 6:15pm and the second at 7:15pm BST. Immediately afterwards, the songs were made available for download on iTunes with a special edition, double A side, 7″ single to be released later. It was all a brilliant ploy by a band that pre-dated the ‘Internet’, embracing technology and the brave new world of music.
But it wasn’t just all fireworks and no substance. Both of these were great tunes, especially “Under the westway”, which ranks up there with my all-time favourite tunes by the band.
It’s sad but glorious. Old veteran soldiers of Britpop and London town, looking down at it all, the smouldering wreckage, the changing times, the ghostly memories. It’s like they’re revisiting home and realizing they can’t go back, only forward, and though it hurts, they sit down and write a song about it all.
“For the way I feel about you
Paradise not lost, it’s in you
On a permanent basis
I apologize
But I am going to sing”
It is seamless and easy and perfect. And I can just listen to it over and over and over.
*On the other side of which was recorded Chapterhouse’s debut “Whirlpool”.
**Not literally, of course.
For the rest of the Best tunes of 2012 list, click here.
My (life in) music lists 