Tag: Pixies

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Playlist: 75 tunes from 1991

Here’s a good long Apple Music playlist that could get you through an afternoon of chores, painting, or cooking. Perhaps a road trip from Toronto to Montreal. Or keep you company on a flight from North America to Europe.

I’ve done a few playlists over the years on this blog but never any that focused on the music of a particular year in the past. I’ve chosen to start with 1991 because it was particularly pivotal year for me in terms of musical discovery. It was the year that I started to dip my toes into alternative rock, a brave new world for me, a wave of music that included a huge variety of styles, very little of which sounded like the music of my parents. So even though I wasn’t listening to all of these songs at the time, I’d say that the majority are old friends, intimate acquaintances.

There’s seventy-five great tracks, representative of how I saw 1991. It’s not a ‘best of’. I’ve already done the list of my top thirty favourite tracks on this blog here. Some of the songs in that list appear on this playlist but there’s plenty others here and some that are much deeper cuts. I know that there are those of you out there who might catch some obvious omissions. Some of these might have been because they were not to my tastes but there are others, like My Bloody Valentine’s “Soon” or The Real People’s “Open up your mind (let me in)”, that were not available to be added due to music rights and Apple Music or whatever. Still, there’s so many other gems that show the wide range of music that was coming out in those years just before Grunge exploded and changed everything for alternative rock.

For those who don’t use Apple Music, here is the entire playlist, with links to YouTube videos for each song:

  1. Primal Scream “Loaded”
  2. Vic Reeves & The Wonder Stuff “Dizzy”
  3. Blur “Sing”
  4. Teenage Fanclub “Star Sign”
  5. Lowest of the Low “Subversives”
  6. Electronic “Getting Away With It”
  7. Throwing Muses “Not Too Soon”
  8. Red Hot Chili Peppers “Under the Bridge”
  9. James “Sit Down”
  10. Chapterhouse “Mesmerise”
  11. R.E.M. “Belong”
  12. Spacemen 3 “I Love You”
  13. Robyn Hitchcock & The Egyptians “So You Think You’re In Love”
  14. EMF “Unbelievable”
  15. Crash Test Dummies “Androgynous”
  16. The Mighty Mighty Bosstones “Where’d You Go”
  17. Pixies “Alec Eiffel”
  18. Levellers “Liberty Song”
  19. Big Audio Dynamite II “The Globe”
  20. Spin Doctors “Two Princes”
  21. Depeche Mode “Death’s Door”
  22. Slowdive “Catch The Breeze”
  23. Rheostatics “Record Body Count”
  24. Siouxsie & The Banshees “Kiss Them For Me”
  25. Jesus Jones “Right Here, Right Now”
  26. Northside “My Rising Star”
  27. Primus “Tommy the Cat”
  28. Morrissey “Sing Your Life”
  29. Pearl Jam “Jeremy”
  30. Ned’s Atomic Dustbin “Grey Cell Green”
  31. Big Audio Dynamite II “Rush”
  32. Ministry “Jesus Built My Hotrod”
  33. Paris Angels “Perfume (Loved Up)”
  34. Barenaked Ladies “Lovers In A Dangerous Time”
  35. Saint Etienne “Only Love Can Break Your Heart”
  36. Primal Scream “Come Together”
  37. Teenage Fanclub “The Concept”
  38. Billy Bragg “Everywhere”
  39. The Farm “All Together Now”
  40. Crash Test Dummies “The Ghosts That Haunt Me”
  41. Inspiral Carpets “Caravan”
  42. Morrissey “Mute Witness”
  43. The Tragically Hip “Little Bones”
  44. R.E.M. “Me In Honey”
  45. Meat Puppets “Sam”
  46. The Wonder Stuff “Welcome To The Cheap Seats”
  47. U2 “One”
  48. The Charlatans “Over Rising”
  49. Erasure “Chorus”
  50. Lowest of the Low “Henry Needs a New Pair of Shoes”
  51. Violent Femmes “American Music”
  52. Spirit of the West “D For Democracy”
  53. Blur “She’s So High”
  54. Spirea X “Chlorine Dream”
  55. Chapterhouse “Pearl”
  56. The Grapes Of Wrath “You May Be Right”
  57. The Dylans “Godlike”
  58. Lenny Kravitz “It Ain’t Over ‘Til It’s Over”
  59. Levellers “One Way”
  60. Revolver “Heaven Sent an Angel”
  61. Barenaked Ladies “If I Had $1,000,000”
  62. Swervedriver “Rave Down”
  63. Rheostatics “Aliens (Christmas 1988)”
  64. Billy Bragg “Accident Waiting To Happen”
  65. The Farm “Hearts & Minds”
  66. Spirit Of The West “Far Too Canadian”
  67. Ned’s Atomic Dustbin “Kill Your Television”
  68. Odds “Love Is The Subject”
  69. R.E.M. “Losing My Religion”
  70. Pixies “Head On”
  71. Northside “Take Five”
  72. U2 “Until the End of the World”
  73. Blur “There’s No Other Way”
  74. Lowest of the Low “Rosy and Grey”
  75. Nirvana “Smells Like Teen Spirit”

And here is the promised link to the Apple Music playlist. I hope you enjoy.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

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Tunes

Best tunes of 1994: #25 Frank Black “Headache”

<< #26   |   #24 >>

Back in the early 90s, Toronto alternative radio station CFNY collaborated with music retailer extraordinaire HMV on a series of alternative music compilations. Fittingly titled “Free at last”, the radio station would hand them out as promotional items at events and the store would give them out free with purchases of music by at least one of the artists appearing on the compilation. There were five of them made (that I know of) from 1991 to 1995 and I’m pretty sure they were available both on cassette tape and compact disc, though the art work differed between the two.

I must have had friends that had a few of the volumes because I still have a couple of copies dubbed to cassette packed away in the basement. I also have stowed with them a legit one that I got myself from HMV: Volume 4, from 1994. Looking at the track listing, I figure I probably got a copy with Lush’s second album “Split”. Other artists that appeared on this volume included The Breeders, The Charlatans, Meat Puppets, The Tindersticks, and yes, you guessed it, Frank Black. The very track of focus today, the only single off his sophomore solo long player.

I had only just gotten into his band, the Pixies, a year or two before they announced their break up in 1993 and almost immediately, the frontman* appeared with his debut solo album. In truth, Black had been working on solo material for some time, recording some covers for a planned album as early as during the sessions for Pixies 1991 long player, “Trompe le monde”. The eventual self-titled debut only ended up with one cover on it** when it came out but had a banger of a single on it called “Los Angeles”, whose video I recorded one night from CityLimits and watched and rewatched and rewatched. The sophomore release, “Teenager of the year”, appeared the following year, including twenty two tracks, mostly of typical Pixie length, in and around the two to two and a half minute mark. I never really got into that album as a whole but man, did I love “Headache”, and this was mostly due to the compilation I spoke about above.

“This wrinkle in time, I can’t give it no credit
I thought about my space and I really got me down
Got me so down, I got me a headache
My heart is crammed in my cranium and it still knows how to pound”

Economical as ever, Black packs it all into three minutes. There’s no running start here, going from zero to a hundred, right from the get-go. Crashing drums and slacker guitars, feeling so free and loose. But it’s Black’s vocals and melody that are the star. There ain’t no time to sit and ponder one’s place in the universe and in history. You just gotta go for it. Live it and sing along with Frank. Back him up, screaming all the way. You’ll never be sorry.

*Adjusting his assumed moniker slightly from Black Francis to Frank Black.

**Which I loved.

For the rest of the Best tunes of 1994 list, click here.

Categories
Tunes

100 best covers: #33 Yoav ft. Emily Browning “Where is my mind?”

<< #34    |    #32 >>

Fifteen years ago or so, I was going out to the cinemas semi-regularly with a group of guys from work. All four of us were happily married but the films we often went to were ones that our wives would likely not have been interested in seeing so they gladly allowed us these nights out with the guys. The movies were all big budget action pieces that exploded off the screen, many were part of this MCU group of films that were just starting to get off the ground. To be honest, I wasn’t super familiar with all of the comic books that these films were based off of, but for me the actual content of the films were secondary, I enjoyed the nights out, the laughs, the goofiness, the popcorn and junk food, and the joy of being in the cinema.

One such night, we went out to see the film “Sucker punch”. I’m not sure which of the other three suggested it, perhaps all of them, but I had no idea what I was getting into, having no idea that it was based off of a graphic novel, nor had I read anything about or seen any teaser trailers. Without the weight of any expectations, I had a blast watching the film and was surprised afterwards to find I was the only one of us that enjoyed it* and in truth, might’ve been the only one in the world that didn’t hate it based on all the critical panning it received.

As poorly reviewed as the film was, it did receive some kudos for its visual effects and of course, its soundtrack was also universally loved, which is why we are here today. The nine tracks are a mix of covers and mash ups and remixes (oh my). The songs were used at key points in the film to add another layer to the fantasies of the film’s characters, blasts of technicolor musical numbers akin to the music video for Björk’s “Oh so quiet”. Indeed, many of the songs included vocal performances by the film’s stars. It’s probably one of my favourite ever soundtracks for how creates a specific feeling and atmosphere, reinventing the songs used specifically for this purpose.

The seventh of the nine is our song for today’s list and it features the film’s star Emily Browning dueting with Israeli-Romanian singer/songwriter Yoav on the Pixies classic, “Where is my mind?”

I first came across Yoav with his own cover of the track and liked the sound of it so much I checked out the rest of his debut album, “Charmed and strange”, which is similarly charming with his Cat Stevens vocals and use of acoustic guitar in inventive ways to create a sort of dance pop sound. I don’t know how he became involved with the “Sucker punch” soundtrack but it sounds as if his original cover became the springboard from which he and Emily Browning leapt, trading vocals over a miasma of industrial beats, feedback, and sonic screams. It builds from a place of quiet, an almost forgotten corner of the mind, each singer adding distinct voices from distinct experiences, and then the guitars kick in and the beat picks up, everything continuing to build until the machine guns fire, the full orchestra finale, and fireworks galore.

The Pixies original was featured on their debut album, 1988’s “Surfer rosa”, penned by frontman Frank Black (or Black Francis), a typically Pixie weirdo number that saw a resurgence went it was used at the end of the 1999 film, “Fight club”. It has become an anthem for the disaffected ever since and is a favourite at their live shows, which they perform in an unconventional way, kind of like a mix of “do I have to?” and “since I have to, I’m going to rock the hell out of it”.

The Pixies original exemplifies the eccentric punk edge of their early days and foreshadows where music will head in the 90s, slightly off-kilter guitar rock that was antithetical to the glam metal of the 80s. The cover is one and a half times longer and the mashup explosions exemplify what was popular at the beginning of the 2000s. Two very different sounds and each with very different moods and meanings, despite there being no change in the lyrics.

Both are fantastic and though the cover ‘gives’ just a little bit more** than the original and does everything a good cover should, I can’t in good conscience pick it over the Pixies’ original. Original being the operative word.

Cover:

Original:

*Interesting then, that this was the last film we would go out to see as a group, and often when we would see each other at work over the years, the film would be mentioned as a sort of inside joke.

**I always feel lyrics Pixies tracks could easily be longer but they always end just before they overstay their welcome.

For the rest of the 100 best covers list, click here.