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Tunes

Best tunes of 1994: #30 Beck “Loser”

#29 >>

I’m starting off this list of my favourite tunes of 1994 with an artist with whom many of you are likely quite familiar. In fact, you’re all probably more familiar with Beck Hansen (also known mononymously as Beck) than is this humble blogger.

I remember hearing this very track on alternative radio and watching the video on MuchMusic ad nauseum back in ‘94. I found it amusing at first, deeming the tune catchy yet quirky, but soon grew to dislike it, as well as the other single* that was being slogged from “Mellow gold”. The singles from his next album, “Odelay”, though they too were overplayed, rang more true for me and I purchased that album on CD. I very nearly became a fan after that, if it weren’t for the Britpop explosion that followed, dragging my tastes in a completely different direction for a time. Still, I paid attention when I heard his name spoken on commercial radio over the years that followed but it took catching him at Osheaga back in 2013 to finally hook me for good.

In truth, “Loser” was originally released as a single in 1993. It was released by indie label Bong Load Custom Records with a limited pressing and somehow got picked up by college radio stations along the west coast. Modern rock stations started playing it next and pressings quickly sold out. Our hero musician, who from his folk roots had always been indie at heart, found himself signing with a major label, DGC, to keep up with demand. They re-released the song in 1994 as a preface to Beck’s third album but first on a major label, the aforementioned “Mellow gold”. The rest, of course, is history. A dozen or so albums released, millions of units sold, Brit awards, Grammys, household name.

“You can’t write if you can’t relate
Trade the cash for the beef for the body for the hate
And my time is a piece of wax falling on a termite
That’s choking on the splinters”

In hindsight, this is a crazy tune and crazy that it became so successful. Beck mixes and matches with genres and sounds, throwing blues, folk, and hip hop into the meat grinder and cranking away. He’s got samples, a wicked drum machine beat, slide guitar, and sitar**. Above it all Beck is spewing nonsensical words at random in a rough hewn sing-speak that some have strangely compared to Dylan. By contrast, Beck has called out his own rapping prowess, which incidentally, is the real basis for chorus line that became like a clarion call for the so-called slacker image of generation X.

“Soy un perdedor
I’m a loser baby, so why don’t you kill me?”

*I remember making the connection for a university acquaintance between “Beercan” and the artist that performed “Loser”, without realizing until later I was sounding arrogant and making her feel small. Not one of my finer moments.

**When I saw him at Osheaga, he had Elephant Stone’s Rishi Dhir playing the sitar on stage with him.

For the rest of the Best tunes of 1994 list, click here.

Categories
Live music galleries

Live music galleries: The War on Drugs [2023]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The War on Drugs live at Ottawa Bluesfest 2023

Artist: The War on Drugs
When: July 13th, 2023
Where: RBC stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa
Context: Immediately after the end of Bluesfest back in July, I posted pics from the Fleet Foxes set, calling it my favourite of the fest. But I caught a lot of great performances at this year’s festival, another big favourite being a mid-evening Thursday night spot by The War on Drugs. I had already seen the big-sounding rock band led by Adam Granduciel nine years before, but I had remembered how great they were live and couldn’t pass up seeing them again. Of the ten songs they performed, half were from their latest record, “I don’t live here anymore”, and though this wasn’t my favourite of the band’s works, those five songs infused with the WoD live energy became a different animal altogether. They were onstage for just over an hour and fifteen minutes and barely spoke to the crowd and in fact, they barely paused between songs. They just kept up the rock and the crowd ate it up. This blogger included.
Point of reference song: I don’t live here anymore

Adam Granduciel and Jon Natchez
Anthony LaMarca and Eliza Hardy Jones
David Hartley and Charlie Hall
Robbie Bennett on the keys
Frontman Adam crooning away
Categories
Tunes

Best tunes of 2020: #28 Elephant Stone “Hollow world”

<< #29    |    #27 >>

Elephant Stone is a Montreal-based psych-rock quartet that was formed by bassist and sitar player Rishi Dhir back in 2008. I got into them pretty much right from the start because I loved Dhir’s work with The High Dials* and was more than a little sad when I heard he had left that group.

Elephant Stone’s 2009 debut album, “The seven seas”, had me sold immediately and had me trying to convince all of my other friends to give the band a go as well. I got to see them live at the now defunct Zaphod Beeblebrox here in Ottawa back in 2010 and then, three years later, I saw Dhir perform live onstage with Beck at Montreal’s Osheaga festival. Indeed, Dhir’s sitar work is well known and sought after in the psych rock circles and he’s collaborated, either live or in studio, with the likes of The Horrors, The Black Angels, The Brian Jonestown Massacre, and the aforementioned Beck. He even created a psych-rock supergroup of sorts called MIEN and released one self-titled album in 2018, that included the work of The Black Angels’ Alex Maas, The Horrors’ Tom Furse, and The Earlies’ John-Mark Lapham.

But I’ve strayed off course a bit here. Rishi Dhir is the driving force behind Elephant Stone but he’s also always had a great team behind him. Each of the group’s five albums have been critically acclaimed, and each has told a different story. On their 2020 album, “Hollow”, Dhir and his band are reaching out to a dystopian world of disconnected and unhappy souls, one that was inspired by the impacts on our society by social media.

“We long to feel less empty inside our hollow world
These hollow days bring so much hurt”

These are words from the opening track, “Hollow world”, but if you weren’t paying attention, you could be forgiven for thinking the message more uplifting than that. The song is a dreamy and technicolour piece of paradise, one that refracts blinding shards of light in all directions. Much like the best of Elephant Stone, this smacks of what The Beatles might’ve been had George Harrison had more sway at the height of his Indian classical music fascination. It is bright pop and sounds young, joyful and hopeful, especially when Rishi brings out his daughter Meera Skye Dhir to join him on vocals to close things out. Genius.

*Another excellent Canadian indie rock outfit out of Montreal with a psych rock influenced sound.

For the rest of the Best tunes of 2020 list, click here.