Categories
Playlists

Playlist: Ode to the opening act

The lot of the opening act is a tough gig.

On the one hand, travelling with an established band, especially one of similar aesthetic, can bring a new or lesser known musician or band some much needed exposure. On the other, if it’s not thought through, the results can be disastrous and ego-battering. I’ve heard stories of great and talented artists booed, heckled, and worse, made the targets of beer bottle tossing. There have also been cases where bands of mutual respect have decided to team up for a tour, leaving their collective fan bases somewhat confused and terribly mixed, and yes, I’m thinking here of a certain Public Enemy/Sisters of Mercy tour back at the beginning of the 1990s.

Far too often, though, these hardworking and earnest opening acts are simply ignored. Audience members will show up late, often in the middle of the set, choosing instead to pre-drink at a nearby waterhole rather than pay the often exorbitant fees at the concert venue. Or these same folks will show up early with their general admission tickets to carve out a sweet spot right at the front of the stage for the headlining act and rudely spend the whole opening set talking loudly with their friends. I’m not sure which would be worse, though, an empty room or a simply disinterested one.

I always try to make it a point to head out to the show early to catch and show support for these opening acts. There have been times, of course, where the openers have not been my cup of tea and I just focused on drinking (and spending) more. However, I’ve more often than not enjoyed these sets. In fact, I’ve discovered many a new favourite amongst these support acts.

So yes, this month’s playlist goes out to all those opening acts out there. It is twenty songs by bands I’ve seen in the early slot in my many years of concert going. To be fair and to limit things some, I’ve not included any bands that I’ve seen in lower card time slots or on side stages at festivals, though there have been many of these as well. For each act in this list, I’ve provided the date of the show and the headliner, some sentences of context, and where possible, chose a song from that time period. As you’ll see, there are bands that made of me a bigger fan with their set, some that were brand new to me and won me over, and others that actually drew me to the show more than the headlining set. Some of these bands are huge now and some even became bigger names than the ones they were supporting. Check it out.

1. Chapterhouse “She’s a vision”
Opened for The Wonder Stuff, February 20, 1994: When I arrived at the tiny Toronto venue to see my favourite band at the time for a measly $10, I was surprised to learn that many of the people I was meeting at the show were more excited for the opening band that I was considering a bonus. Let’s just say that when Chapterhouse, with whose albums I was already familiar, hit the stage, I was mesmerized.

2. Primal Scream “Rocks”
Opened for Depeche Mode, June 20, 1994: This one’s a bit of a cheat because both the Primals and Mode were preceded by Stabbing Westward, who was to be honest, a yawn. However, Primal Scream and their 1991 album, “Screamadelica”, were what finally drew me to see Depeche Mode live and incidentally, it was the first concert I went to with my future wife, Victoria. Were the Primals great live? You betcha!

3. Weezer “Undone (The sweater song)”
Opened for Lush, August 21, 1994: The song chosen is the one song I had only barely heard before seeing Weezer, who would later become a household name, open for Lush, an iconic shoegaze band remembered now in just a few circles. They were really fun, yet I think I was the only one amongst my friends who was really paying them any attention.

4. Pulp “Do you remember the first time?”
Opened for Blur, September 28, 1994: None of us had really heard much from Pulp before that show but the very next day, it seemed, my friends and I all went out and bought “His ‘n’ hers”. Frontman Jarvis Cocker was engaging, charismatic, and exciting, while the rest of the band, well, they collectively blew our minds.

5. The Dandy Warhols “Not if you were the last junkie on earth”
Opened for The Charlatans, September 26, 1997: The Dandys were another band by whom I was only barely familiar with the one song (again, the one chosen) before seeing them live. Victoria was unimpressed but I loved them and purchased their next release, “Thirteen tales from urban bohemia“ a couple of years later. The rest is history.

6. Spiritualized “I think I’m in love”
Opened for Radiohead, April 12, 1998: These guys are the only reason I’ve ever seen Radiohead live. After seeing Spiritualized blow the doors off a much smaller venue, I just had to see them again when they swung back through town on the same tour, this time warming up a much larger venue for Thom Yorke and the boys. Jason Pierce’s set was great and I was super glad that I stuck around for Radiohead.

7. Billy Bragg “Accident waiting to happen”
Opened for The Lowest of the Low, August 2, 2001: Another cheat because this card was actually led off by Winnipeg’s own, The Weakerthans, but I’m giving Bragg the nod here for returning after his set to perform the song included on this playlist with headliners, The Lowest of the Low. It was fun watching the local heroes falling over themselves and going fanboy over the Bard of Barking.

8. The Sid Hillman Quartet “No perfect world”
Opened for Neil Halstead, April 20, 2002: It was weird seeing Slowdive and Mojave 3 frontman, Neil Halstead, do a show at a tiny, tiny club in Ottawa’s Byward Market but the bigger surprise came when I was even more impressed by the previously unknown to me, alt-country singer/songwriter, Sid Hillman.

9. The Polyphonic Spree “Light & day / Reach for the sun”
Opened for David Bowie, April 2, 2004: We walked into the Corel Centre a little late and found our seats a few songs into the opening set, but the twenty-odd-piece band dressed in flowing robes (that included a harpist, a theremin player, and a choir) certainly made an impression. The very next day at home, I went digging on the internet to track down their debut album.

10. Ambulance LTD “Heavy lifting”
Opened for The Killers, October 9, 2004: There were two bands opening for The Killers at that tiny club in downtown Ottawa but the dream pop/psych rock band from New York definitely made the bigger impression. Ambulance LTD’s self-titled debut has become a favourite of mine from that era. Sadly, they never made another record.

11. Arcade Fire “Rebellion (Lies)”
Opened for U2, November 25, 2005: I finally acquiesced to seeing U2 with my wife when they played a show at the Corel Centre at the behest of friend and then Canadian prime minister, Paul Martin. At that time, it was the most I’d ever paid for a concert ticket but when Montreal’s Arcade Fire were announced as headliner, I stopped complaining. Arcade Fire made a lot of new fans that night in the capital and shortly afterwards, got so big, they were assuming headliner spots at venues of that size.

12. Richard Ashcroft “A song for the lovers”
Opened for Coldplay, March 17, 2006: Much like my Radiohead and Spiritualized story above, I might have never seen Coldplay live if they hadn’t brought Richard Ashcroft along on their X & Y tour. Victoria and I were two of only a few pockets of those standing and singing and dancing along to his whole set amidst a sea ambivalent talkers. He peppered in a bunch of Verve tunes with his solo work but when he played “Bittersweet symphony” as his final song, the rest of the crowd joined us on their feet.

13. The Essex Green “Don’t know why (you stay)”
Opened for Camera Obscura, January 30, 2007: I had never heard this Brooklyn-based indie rock band before the show but based on their performance, bought the CD at the merch table and went back to find their earlier album later on. Unfortunately, they went on hiatus not long after this tour and finally returned last year with a new album that made an appearance on my best of the year list.

14. Young Galaxy “Outside the city”
Opened for The Besnard Lakes, October 13, 2007: This is actually the first of two times I saw Young Galaxy as an opening band (the second time was when they supported Austra in 2011) and I’ve actually seen them two other times live. Indeed, they are one of my favourite ever bands. However, their set supporting The Besnard Lakes seemed perfect, a dream pop/psych rock band doing support for another. Although Young Galaxy moved on to a more electronic sound, this era was my favourite of theirs.

15. Small Sins “We won’t last the winter”
Opened for Secret Machines, November 15, 2008: Small Sins were the short-lived synth pop project of Thomas D’Arcy that released three albums in the late 2000s. D’Arcy later released work under his real name and has found success in production work on some very successful Canadian rock albums. His opening set that night was incredible.

16. I Break Horses “Winter beats”
Opened for M83, May 6, 2012: I’ve already written on these pages about how I Break Horses (pictured above) was the bigger draw for me than M83, for whom they were opening. Well, M83 were eye-opening but the Swedish duo of Maria Lindén and Fredrik Balck didn’t disappoint in the least either.

17. John Grant “Pale green ghosts”
Opened for Elbow, May 17, 2014: I had never heard John Grant before seeing him open for Elbow at the famed Danforth Music Hall but his deep baritone vocals and dramatic presence was certainly a welcome warm up and both my wife and I took notice.

18. Gateway Drugs “Friday’s are for suckers”
Opened for Swervedriver, May 5, 2015: This band of newcomers impressed me enough to pick up their debut album at the merch table, their performance being my first exposure to their dirty and noisy glam rock. Their silence in the years since has been a surprise to me because I was sure they would make a name for themselves but it’s not too late: a sophomore album is forthcoming in October.

19. Tess Parks “Somedays”
Opened for Ride, June 2, 2015: I had to rush the whole lot of friends and friends of friends who had amassed to pre-drink before the first Ride show in Toronto in decades to finish their beers just so I could see her set. Tess Parks was tentative but the strength of her songs carried her. She has since collaborated with Brian Jonestown Massacre’s Anton Newcombe and I expect there’s more good tunes coming from her soon.

20. Japanese Breakfast “Everybody wants to love you”
Opened for Slowdive, May 6, 2017: I was at first quite surprised to see all the young people that were at the Montreal stop on shoegaze legends Slowdive’s tour. But then, it occurred to me that they were probably there to catch buzz act and next gen dreampopper, Japanese Breakfast. I had only given Michelle Zauner’s debut a cursory pre-listen but really enjoyed her set.

Now that you’ve perused and perhaps listened to the embedded playlist below, I’d just like to sum up by saying: Next time you go to a show, remember this playlist and the fact that you might be missing out on your next favourite band. Come out early and join me near the front of the stage. I’ll be there with a beer in hand, trying not to be annoyed by the loud talkers standing in front of me. Cheers.

For those of you who are on Spotify, feel free to look me up. My user name is “jprobichaud911”.

Categories
Albums

Best albums of 1998: #4 Pulp “This is hardcore”

What do you get when you have a band, especially a talented and misunderstood frontman, that toils for years in obscurity, always hoping and striving for fame, finally reaches its goal with a couple of hit records and massive headline spots at top festivals, only to find out that the fame is not what he/they wanted in the end? You get an album like “This is hardcore”.

Indeed, Pulp’s previous record, their fifth, “Different class” had them out on top, almost two decades after a 15-year old Jarvis Cocker formed the band with his friend Peter Dalton. Pulp had seen multiple personnel changes over 1980s and they struggled mightily, releasing two albums to almost no impact on the music buying public. They started to gain traction with their third album, 1992’s “Separations”, and then, “His ‘n’ hers” truly broke the band in 1994. It’s sort of a chicken and the egg thing with Pulp and BritPop. Nevertheless, the scene’s wave carried the band with it to the pinnacles of fame and still, it seemed, Jarvis and company weren’t happy. The sixth album took a year to record and was a struggle from the beginning, perhaps this was partly due to the departure of long time member Russell Senior but the band persevered and the results were completely worth it.

When I first heard it, I was a bit thrown off as I’m sure a lot of people were. Of course, I was still young and looking for more of that glam rock to dance to and sing along with Cocker’s wry observations on love and sex and life in general. I wasn’t ready for all this jaded maturity and found the music too heavy on inaccessible side of the scale. Of course, hindsight is 20/20 and with my own jaded maturity, I can now see “This is hardcore” for the masterpiece that it is. An album that is timeless and stands up to Pulp’s best work.

Sample, if you will, my three picks for you below and let me know your thoughts.


“A little soul”: Songs with titles like this are usually a bit more uplifting, soul or R&B pop tracks that shake it, suggesting that ‘little’ is an understatement. However, Cocker turns this idea on its head with a literal take on its theme. The narrative is of a man speaking to his son, likely not a direct conversation though, just one in his head, as he’s watching him from afar or looking at a photo of him. “You look like me but you’re not like me, I hope. I have run away from the one thing that I ever made.” It’s a tired sounding number, an end of the night ballad, a mellow blues band in an empty, echoing club, Cocker sounding sorrowful and full of regret and though he feels he doesn’t have any soul to share, there’s plenty here.

“Help the aged”: Another song here that’s a bit depressing. If you’re sensing a theme, you’re spot on. Amongst the screaming and searing guitars is Cocker eulogizing youthfulness and imploring the young to truly see seniors and not hide from their own mortality. “You can dye your hair but it’s the one thing you can’t change, can’t run away from yourself.” No, it’s not a charitable song, as its title suggests, but an introspective one. A midlife crisis in song form, rage and sadness in a four minute song rather than a red convertible.

“This is hardcore”: The title track is the epic, six and a half minute centrepiece of the album. The sound is very different from the synth glam of their previous record and Jarvis Cocker uses his usual lurid thematics here as an extended metaphor for how he sees the music industry. It’s a slow burning number, dark and seedy, likely something you might hear in a lower end strip joint while a disinterested performer moves to its crawling beat on the grimy stage. Cocker runs the gamut of hopes and dreams and foreplay to being spent and used in every way possible. ”Oh, this is hardcore. There is no way back for you.” This is a great band at peak form.


Check back next Thursday for album #3. In the meantime, here are the previous albums in this list:

10. Sloan “Navy blues”
9. Cake “Prolonging the magic”
8. Embrace “The good will out”
7. Mojave 3 “Out of tune”
6. Rufus Wainwright “Rufus Wainwright”
5. Manic Street Preachers “This is my truth now tell me yours”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Tunes

Best tunes of 2001: #8 Pulp “The night that Minnie Timperley died”

<< #9    |    #7 >>

At number eight on my best tunes of 2001 list, we have “The night that Minnie Timperley died”, a track that also figured on my Top five Pulp tunes post I did back at the beginning of this year.

This particular song appeared on the iconic Britpop band’s seventh and final album, “We love life”. It was never released as a single so I likely didn’t hear it in 2001. You see, I didn’t purchase this album the moment it was released into the record stores. Indeed, and as I’ve mentioned in other posts in this series, I was rather poor when we first moved to Ottawa in 2001, with not enough disposable income to lavish upon the purchase of many compact discs. I certainly remember looking longingly on the album’s simple cover and its adornment of block letters spelling the band’s name when I tortured myself by browsing through Record Runner, my favourite independent music store at the time, long since closed down. I had to content myself to the snippets I could catch on the internet, like the first single “The trees”, until I had stowed enough money working overtime at my call centre job.

When I finally put the CD in the tray and pressed play, track number three hooked me on first listen. To my ears, it most certainly should have been a hit, save the dark subject matter. Not that this has ever stopped Jarvis Cocker and company before. Never one to shy from the dark underbelly of humanity, Cocker mines a dream here, telling the story of a teenaged girl’s murder, lurking in the minds of both the victim and the predator. A song that starts so upbeat (“There’s a light that shines on everything & everyone”) but ends so dark and twisted (“And he only did what he did ’cause you looked like one of his kids”). It feels like Jarvis is playing with us. And if you didn’t pay enough attention, you could be easily fooled and taken in by the funky drum beats, handclaps and jangle, alien synth washes, and Who-worthy rock and roll guitar and bass slam riffs.

It’s brilliant stuff that proves this group was great right up until the moment they broke up.

For the rest of the Best tunes of 2001 list, click here.