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Tunes

Best tunes of 1991: #29 Pixies “Alec Eiffel”

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In the last post in this series, I described how I discovered a ton of music while video taping videos off MuchMusic’s “City Limits”. Pixies’ “Alec Eiffel” is another such song, though it had help. My friend Tim told me about the band as well, which is why when I heard the video was coming up, I was able to beat Elliott to the VCR to plug in my tape and press the Record button. I loved the video and how the band playing in a wind tunnel added to the rage of the song. I didn’t know this then, but them simply opening their mouths and letting the wind do the work was part of their refusal to bow down to MTV and lip sync during the filming of their videos.

Yes, I came to the Pixies late, almost too late. This track was the third single off “Trompe Le Monde”, the Boston-based quartet’s final record before dissolving in 1993. My friend Tim would later include the song a mixed tape for me and later, made me a copy of their now classic album “Doolittle”. My love for them grew, the more material by them that I heard. Meanwhile, lead vocalist Frank Black started off a mildly successful solo career, bassist Kim Deal focused on her side project, The Breeders, lead guitarist Joey Santiago did some film and television score work, and drummer Dave Lovering became a magician. The band would later reform in 2004 with the whole lineup and I finally got to see them perform live a couple of times. They’re still a going concern today but Kim Deal has since left the band again to focus on the reunion of The Breeders.

“Alec Eiffel”, of course, refers to the French engineer who designed the Eiffel Tower and the Statue of Liberty. Brief, like much of the Pixies’ work, the song is a mere two and a half minutes but it packs a wallop. Fierce right from the start with a burst of guitars and Lovering so frantic on drums. There’s a hint of the surf rock left over from “Bossanova” but only just a hint, and the synths almost give the normal Pixies clatter a bit of structure.

Really, “Alex Eiffel” is a straight ahead pop song. Well, as pop as Frank Black can write anyway.

For the rest of the Best tunes of 1991 list, click here.

Categories
Vinyl

Vinyl love: James “Seven”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: James
Album Title: Seven
Year released: 1992
Year reissued: 2017
Details: Double LP, Black vinyl, 180 gram

The skinny: On their fourth album, James followed their breakthrough with more of what made the previous album so successful, albeit with a bigger palette. Not my favourite album of theirs by a long shot, falling off a bit after the first three tracks, but they are some incredible tracks indeed.

Standout track: “Ring the bells”

Categories
Tunes

Best tunes of 1991: #30 The Real People “Open up your mind (Let me in)”

#29 >>

We start off this best tunes of 1991 list with a bit of an obscure number: “Open up your mind (Let me in)” by The Real People.

I first heard this song while VCR recording music videos off City Limits, the old late night alternative music show on MuchMusic. This was a regular past time for me and my friend/foster brother Elliott. Every Friday night and into the early hours of Saturday morning, we would be in the basement at the TV, each of us with a video tape at the ready, vying to see who would record the next video for later viewing and reviewing. I can’t remember which of us got this particular video, probably Elliott, but we both loved the song, it fitting in with a lot of the music we were getting into at the time. I never really explored much of their other material until years later, when I found a copy of their self-titled debut in a used CD shop on Queen street in Toronto, but Elliott would get a copy much sooner. I distinctly remember seeing it on his racks within a year or two at most, on a fateful day, later named Tremolo day in infamy (definitely a story for another post), when I stopped by his apartment with Andrew Rodriguez, who had left some stuff there the night before.

The Real People were formed in Liverpool in 1988 by brothers, Chris and Tony Griffiths, and were signed to Columbia a year later. Unfortunately, that aforementioned debut album was their only released long player for the label. They had recorded a sophomore album, from which a couple of singles were released, but the actual album, “Marshmallow lane”, didn’t see the light for over two decades. The brothers continued to be active, however, releasing music independently in the latter 90s and early 00s, and cultivating a healthy cult following in the process. They were also quite instrumental in Oasis’s early years (yes, THAT oasis), helping record and performing on a number of their demos, songs that eventually found their way on a certain “Definitely maybe”.

“Open up your mind (Let me in)” was The Real People’s fourth ever single and second released off their debut. It’s a bit dated now, definitely being of its place and time, but being the nostalgic sort that I am, I still love it to pieces. The drums are baggy acid house and the reverb guitar effects hint at shoegaze. The vocals range from sounding like Bono to The Beatles to Peter Gabriel. It’s a fun and bouncy track and there isn’t anything wrong with that at all. Cheers!

For the rest of the Best tunes of 1991 list, click here.