Best albums of 2017: The honourable mentions (aka #10 through #6)

Happy Friday everyone! And the last Friday of the month to boot! To celebrate, I’ve got a bit of a treat for y’all: the start of something new for this blog.

But first, some background.

Some of you might well be aware of my previous blog, Music Insanity, and if you are, you likely remember that I made a big production of counting down my favourite albums of the year, culminating in two or more weeks of posts and thousands of words at each year’s end. I’ve decided I would do the same on these pages but in a more toned down way. My first thought was to limit it to a top five, detailing each in its own post, each Friday, in the last five weeks of the year, but it proved too difficult a task to limit myself to just five albums. So instead, I will still detail my top five albums in the coming weeks but today, will give the next five as a sort of honourable mentions post. (And then, I cheated even more by hinting at the albums just outside my top ten in the photo of record covers above. Bad, blogger, bad.)

And yes, I intend to continue this tradition on annual basis going forward and over the coming months, will likely sprinkle in some of my favourite albums lists from past years to break up all these lists of favourite songs I’ve been throwing at you.

So without further ado, here are albums ten through six of my favourite albums of 2017. Stay tuned for album number five next Friday!


#10 Phoebe Bridgers “Stranger in the alps”

It’s been quite a while since an album like Phoebe Bridgers’ caught my ear. Her debut album, “Stranger in the alps”, is a mostly quiet, deeply personal, female singer/songwriter collection, which doesn’t in and of itself sound very exciting. The young Ms Bridgers, however, is a fine and mature writer, whose strong musical knowledge and awareness is displayed in her lyrics, making this a very cool listen indeed.

Gateway tune: Smoke signals


#9 The Rural Alberta Advantage “The wild”

Despite being a huge fan of the Toronto-based indie folk trio’s first three albums, I didn’t think I would, and if truth be told, almost didn’t want to like “The wild”. Yet here it is, squeezing its way into my top ten. Just when I think there must be a limit to what can be produced by Nils Edenloff’s raw vocals and guitars and Paul Banwatt’s frenetic drumming, they find yet another gear. In the case of “The wild”, they found themselves with a new member, Robin Hatch, who replaced the departed Amy Cole, and immediately made her presence felt.

Gateway tune: White lights


#8 Allison Crutchfield “Tourist in this town”

Funnily enough, I didn’t immediately make the connection with Waxahatchee but sure enough, Allison Crutchfield is the twin sister of that band’s driving force, Katie Crutchfield. “Tourist in this town” is Allison’s full-length debut after years of collaborating with others, notably with Kyle Gilbride in Swearin’ and her sister in a number of bands, including Waxahatchee. It’s a great breakup album, but one nowhere near as angry as Alanis Morissette’s “Jagged little pill”, and focuses more on change in a more global sense. It’s power pop with synths and is as fun as it is touching.

Gateway tune: Dean’s room


#7 Alvvays “Antisocialites”

Alvvays’ self-titled debut was on pretty much everyone’s lips three years ago on the back of its collection of lovely, jangly indie pop gems. Their sophomore doesn’t disappoint, feeding us more of the same sweetness, but this time with better production (and an appearance by Teenage Fanclub’s Norman Blake!). If there was a critique to be made, it’s that “Antisocialites” does not adventure very far from what made its predecessor so successful. But I’m not so sure I would have been happy with anything else than what we got.

Gateway tune: Dreams tonite


#6 St. Vincent “Masseduction”

Second and final disclosure of this post: though I’ve always respected what Annie Clarke (aka St. Vincent) was doing artistically and musically, I haven’t always been a fan. That pretty much changed when I saw her live at Ottawa Bluesfest in 2014 and I realized she was the female David Bowie. The similarity is not necessarily musical but in ethos and persona, she’s a true performance artist. “Masseduction” is her take on the pop album but she does it without compromising her sound and art. And it’s pure brilliance.

Gateway tune: Los ageless


For the rest of the albums in this list, check out my Best Albums page here.