Categories
Vinyl

Vinyl love: The Rolling Stones “Hot rocks 1964-1971”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Rolling Stones
Album Title: Early tracks
Year released: 1971
Year reissued: 2021
Details: RSD2021 drop 2 exclusive, 2 x translucent yellow vinyl, OBI strip, 2 8.5 x 11″ lithographs, limited to 7200 copies

The skinny: Yesterday, I posted about a Rolling Stones Record Store Day exclusive I was handed for free back in 2019 and today’s feature is a (definitely not free) exclusive that I purchased on this year’s second drop a couple of weeks ago. “Hot rocks 1964-1971” was a compilation that was released 50 years ago and was my own introduction to some of the band’s great early work. I bought a copy of it on cassette with my own money as a teenager because I recognized a few of the song titles from listening to oldies radio while riding in the family car with my parents. Well, after years of listening to this cassette, almost to the point of wearing it out, I knew all of these tracks intimately. I’m pretty sure I still have the cassette in the basement somewhere but with nothing to play it on, adding the record to my vinyl collection became something of a mission for me. I had seen it in shops before but had passed it over and then, regretted doing so. When I saw it announced as an RSD exclusive this year, it became my only target. I won’t lie, it wasn’t cheap. But the colour is lovely, the pressing is sweet, and the lithograph reproductions are a nice touch. And oh yeah, an OBI strip!

Standout track: “Sympathy for the devil”

Categories
Vinyl

Vinyl love: The Rolling Stones “Early tracks”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Rolling Stones
Album Title: Early tracks
Year released: 2019
Details: Black vinyl, RSD2019 exclusive, available for free at certain stores

The skinny: Brace yourselves. I’m kicking off a two-part Vinyl Love weekend, both posts showcasing a couple of Rolling Stones items obtained on two separate Record Store Days. Return to Analogue pressed this disc specifically for Canadian independent stores in 2019 and it was made available for free at select locations on Record Store Day that year. It just so happened that one of these stores was Ottawa’s The Record Centre and because I was one of the first handful of customers to make a purchase, I went home with this record. “Early tracks” is a compilation of tunes from some of The Rolling Stones’ earliest recordings, all twelve songs from 1964. Many of these are actually covers of R&B standards, including the only one of these recordings that I had heard before: “Time is on my side”. It is an album that I likely wouldn’t have put down money for but for free, I definitely didn’t refuse it.

Standout track: “Time is on my side”

Categories
Tunes

100 best covers: #67 The Sundays “Wild horses”

<< #68    |    #66 >>

I’m not really a huge Rolling Stones fan. However…

However, there are some of their tunes that I really like, mostly from their very early days. I purchased a copy of their compilation “Hot rocks 1964-1971” on cassette tape back when I was in high school and listened to it quite a bit on my Walkman. So I definitely recognized this cover by The Sundays when I first heard it. I distinctly remember being in the car, not far from home in Bowmanville, the town in which I spent my formative years. I was listening to the new music preview on CFNY on the car stereo and they were having some sort of cover song special. I particularly remember this fact because they also played another great cover song, one that will figure in later on this list so I won’t mention it here.

This cover by The Sundays was actually my introduction to the band. I really enjoyed the sound, which I would much, much later identify as dream pop, and thus, made a point of remembering their name. Still, it was a while before I made the connection between them and their big single, “Here’s where the story ends”, which I’d heard many times on the radio and now easily count as favourite by them. To this day, The Sundays are one of those bands that make me smile every time I hear them, even despite their often sad melodies.

Interestingly, their cover of The Rolling Stones’ “Wild horses” feels a bit more upbeat than the original, the acoustic strumming a bit more peppy than the sad lethargy and pining for home felt in Keith Richards’ electric accoutrements. Mick the balladeer was always enjoyable to me and on their original, he’s all very late night and tired, the mood slow burning and sobering, right to the bitter end, which closes up right around the six minute mark. The Sundays recorded their cover almost twenty years later and rather than a late night booze can, theirs evokes a vacuous chamber where all sound wavers and melts. All except for Harriet Wheeler’s vocals, which, instead, dance on a cloud, the quiet whispers and the plaintive and aching vocals, all call out into the wilderness, scream out to you for an embrace.

Do I prefer the cover or the original? Tough call, that one. Both are evocative of their time and place and energy. What do you think?

Cover:

The original:

For the rest of the 100 best covers list, click here.