Categories
Albums Randomness

New release: One Great Tribute! A Love Letter To The Weakerthans

So here’s something I don’t make a habit of doing very often on these pages: a review (of sorts) of a newly-released album. I figured, given that it’s my younger brother that is behind this pretty extensive tribute album to one of Canada’s musical treasures, that I should give it a listen and share my thoughts.

If you’re reading this, you’re probably in the know but just in case you’re not… The Weakerthans were an indie rock quartet from Winnipeg, Manitoba that released a handful of excellent albums from the late 1990s and into the late 2000s. Their sound was a melodic blend of folk and punk and the songwriting was pure gold. Frontman John K Samson was a poet laureate of sorts, imparting honest and astute observations on life in Canada and otherwise.

“One great tribute!” is twenty-three tracks long, clocking in at just over an hour, and covers a good portion of The Weakerthans’ four LPs. With the exception of one blip of synths, its entirety dwells in either angsty punk or rootsy folk or a combination of the two. It is bookended by two versions of “Bigfoot!”, both featuring stripped-down piano to the original’s acoustic plucking. However, I think Frank Turner’s opener is the bigger star here to the Bry Webb closer, but more because it feels more aptly upbeat than due to his more well-known name.

The Lowest of the Low’s ska-tinged cover of “Pamphleteer” made smile quite a bit as well, given that the first time I ever heard The Weakerthans was when I saw them open for The Low in 2001. It’s also kind of fun because their current bassist is none other than Greg Smith, though he didn’t play on the original version of the tune.

Del Barber’s choice of song to contribute was pitch perfect. “One great city!”, from which the compilation draws its name, is the love/hate ode to Winnipeg, the hometown Barber shares with The Weakerthans.

Some of the other highlights for me include Skye Wallace’s take on “Without mythologies”, the Have Gun, Will Travel cover of “Psalm for the Elks Lodge last call” and the version of “Sun in an empty room” by Ben Rough with Peachykine.

If I had any complaints to make about this tribute, they would be that it does get a bit long near the end and that despite all the songs, no one managed to take on what is possibly my own favourite Weakerthans tune: “Tournament of hearts”. However, I don’t think this would take anything away from fans of the group enjoying all the love these songs are getting. I personally dug out my copies of all the Weakerthans’ albums to compare notes after giving the compilation a few spins yesterday. I highly recommend you all check it out.

“One great tribute” is available for digital purchase here as of today. If physical formats are more your thing, there are plans to also release the album on CD but a date for that has to be announced.

Categories
Tunes

Best tunes of 1992: #23 L7 “Pretend we’re dead”

<< #24    |    #22 >>

Try as you might, you can’t really pigeonhole L7. Sure, they came out of the punk rock and alternative aesthetic. They came to prominence in the age of grunge and their fashion choices, or lack thereof, certainly had them placed amongst the boys club of those bands. Others will lump them in with the Riot Grrl movement, especially because of their outspokenness and their avid work in support of pro choice. However, the group predated all of these. And there was no conforming or pretension with L7. Nor were they strangers to controversy. They were true originals.

Donita Sparks and Suzi Gardner formed L7 in 1985. The quartet was completed in their most prominent years by Jennifer Finch and Demetra Plakas. By 1992, the group was releasing their third album, “Bricks are heavy”, on Slash records. Produced by Butch Vig (of “Nevermind” fame), the album did very well with the alternative rock set by upping the noise, grime, and by being generally unapologetic. There were three well received singles released from the album, the first of which was “Pretend we’re dead”, the subject of our post today and my introduction to the band. I remember it being played on the regular on CFNY, Toronto’s alt-rock station, which came in pretty clear in my small hometown, east of that city. However, I’m reasonably sure that before I heard it there, it appeared on a mixed tape made by my friend Tim.

“Pretend we’re dead” is loud and pure angsty rock and roll. In fact, it almost feels to me like a song Joan Jett would’ve come up with if the 90s were her era. The guitars are dirty and dripping with sludge and yet they race along, amped with jet fuel. The drums crash and the vocals sing words that seem meaningless, but beg for fist pumping and head banging. Yes!

For the rest of the Best tunes of 1992 list, click here.

Categories
Vinyl

Vinyl love: The Beths “Future me hates me”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Beths
Album Title: Future me hates me
Year released: 2018
Year repressed: 2019
Details: Magenta vinyl, 6th pressing

The skinny: I saw quite a few great sets at this year’s edition of Ottawa Bluesfest, some of which surprised me, but none more so than the Saturday afternoon performance by New Zealand’s The Beths. It’s not that I hadn’t heard of them before. I always do my homework before going to music festivals so that I have no regrets about missing bands that I should’ve seen but hadn’t heard of beforehand. The Beths’ debut album (this one) was on heavy Spotify rotation in the weeks leading up to seeing them live but their set was just so great, so fun, and so enthralling, that I found myself heading to the merch tent afterwards to pick up this record. When I found out it was magenta coloured after I opening it up at home, it was just like double icing on the cake. This is one fantastic album and I cannot wait for more material from them to come my way.

Standout track: “Future me hates me”